Showing posts with label dark ambient. Show all posts
Showing posts with label dark ambient. Show all posts

Saturday, 7 February 2026

Moëvöt – "Ézlèyfbdrèhtr Vèpréub Zuèrkl Mazagvatre Èrbsèdréa" (Self-released – PROFANATION 003)1994


Well blow me down with a Dark ambient feather!? Another one-man ambient Metal band from From down dare in South West France. Bergerac, Aquitaine, to be more precise, where a lot of the groundwork for the  Hundred Years War was lain, which raged on and off for about 115 years. Helena of Aquitaine caused a lot of the Bovver,her and her TWO(?) Husbands, Louis the VII of what would be France, and Henry II of England......a bit of a goer was our Helena.She was the Elon Musk of her day, eye-wateringly Rich,dropping kids left right and center and owned half of Europe. The English grabbed most of France in the 14th century,thanks to Henry V and Edward the Black Prince.....who incidentally, was a massive Black Metal Fan!?
The story does have some similarities to that of Meyhem i guess,except Edward died a very unknightly death, with rampant Dysentery.....he shat and puked himself to Death,as did his cousin Henry V!? Bottoms run in their family it seems?
I suppose its a bit like the ending of War Of The Worlds? The French were getting a battering,the invaders torched Joan of Arc, but the Frogs had probably the first biological weapon.....Dysentery.
Not sure if the Black Prince would dig this ambient metal stuff but it does sound like a rejected soundtrack for the next 'Omen' movie.It does, however, have something rather medieval about it,if not the stuff of Witchcraft.Looking at Moëvöt himself,i fear that in the mid-14th century I doubt he would have survived the Witchfynder General in one piece? 
                      Ahhh Diddums,he's unhappy!
"As the flames rose to his roman nose and his Walkman started to melt"
(Morrisey,S,(1431)-eyewitness to Moëvöt's burning as a Witch)

There are some places in the modern world....can I say "Modern?"...that a goth would still be in danger of being burnt as a witch. The United States being one of them.They would see his black face make-up and call out the Klan's Moral police,then lynch him as a Black insurrectionist from the Radical Left, hell bent on torching a few MAGA evangelist churches ,just like those demon-crats in Norway did. 

Tracklist:

A1 Der Glockenturm (I) 1:36
A2 Réflexion - Abjuration 1:44
A3 Uatr Mazagvatre Erbsèdréa 11:39
A4 Fin De Nuit 1:58
A5 Tagesanbruch 2:55
A6 Larmes Crépusculaires 2:01
A7 Die Dämmerung 3:31
A8 Uatr Vazsagraehbbe 3:39
A9 Brumes 2:08
A10 Nie 0:39
A11 Der Glockenturm (II) 1:46

Friday, 6 February 2026

Satanicum Tenebrae – "Voices Of The Dark Call Me To Suffer" (Self-released cassette ) 1994


Look everybody,a one man dark ambient band from France made by a very rude man who once pronounced himself officially DEAD when in Froggy Black Metal group called....but you know this already of course.....Mütiilation.
Naturally, all Vocals [Torture Yelling], Keyboards, Effects, Performer [Razor Bloodcutting] – were played by the no longer Dead Lord Meyhna'ch himself.......such a talented individual.
Not only has Lord Meyhna'ch created a new genre, Ambient Death Metal, he also managed to create a second , Ambient Black Metal, to add to the myriad of sub-genres underneath the Metal Umbrella.
It's all sort of like a less frightening Coil,or something from a Late period Scot Walker album......which I guess is some sort of a recommendation?
He plonks on a out of tune upright piano, channeling the living ghost of Diamanda Galas,as he screams and growls and blows a gasket for a thankfully short 25 minutes......bare in mind that in Hell it last's for Eternity,not a miserly 25 minutes....so think yourselves lucky that Hell doesn't exist,and live everyday as if it's your last.
I now declare myself DEAD!

Tracklist:

A Voices Of The Dark Call Me To Suffer - 24:59

Tuesday, 28 October 2025

Himukalt – "Sex Worker" (Total Black – 122) 2019



 

y'know wot, if this modern Industrial stuff was released in the seventies or eighties it'd be labelled as the Industrial Revival,and all the kids would be into it without knowing it was originally done many years ago;but instead of it only spanning a single decade,it becomes forty years after the fact.Nothing wrong with that of course,but no-one labels Ludwig Van's work as classical revivalist over the many decades its been played to death,and is still going strong.....proper music that innit?
Himukalt is the work of Ester Kärkkäinen.It says here that She uses noise, voice, electronics, xerox. replication and reproduction of the body through sound via desire, lust, hostility, rage, mania, depression, blood, flesh.......hmmm,never heard of any of that before have we.Well, except for all of it, all the time and everywhere.
Again, nothing wrong with that, just don't bore us shitless with any yawn-some explanation.Never....repeat,NEVER explain your "Art"....NEVER!
However, the main reason we're here is because all this lovely industrial noize was made by that rare beast in the Industrial smorgasbord, a pretty young lady....as revealed in the blurb bollocks above.
My patronizing tone might get the blood boiling of a handful of male too woke to poke, stalkers,as they use feminism as a crafty tactic,to extort themselves into the fairer gender's underpants before you can say "will we be married on the morrow you delightful creature".
As a 'bloke' myself,I can guarantee any of the male gender type who purports to be a feminist sympathizer, is deep down, a rapist,or one of them weaponized Incels again.
Stand clear and re-identify in a modern stylee as non-binary and push mankind's wheelchair off the cliff of extinction........I suppose, using my own criteria for definition this makes me a potential rapist?.....at best, a creep. Fair enuff, I can take it.
As regards the use of the word(s) "Sex Worker",in the woke-a-bye world of right-on-ness,this has replaced the very accurate term, Prostitute,so as not to offend er....Sex Workers.I'm sure this has made their lives a whole lot better,as they are slowly accepted into society....not.
Of course we are ALL prostitutes,but we are not ALL Sex Workers.
I did have a Pop Group T-shirt back in day,that my mother refused to Iron.....yes in the eighties Ironing was still a task taken up by only those with XX chromosomes.....the XY version of the female genome, shows very little interest in Ironing,or indeed,and controversially, Football. In fact I have grown to hate Football too,or more accurately, Modern Football.....but I don't hate modern Sex Workers, whose services should be provided,free, by the NHS.....if that happened I guarantee that Rape,Sexual assault and most murders would disappear,almost overnight.Psychiatrists agree.
In addition,the removal of the monetary system would further reduce the remainder of the murder stats to a healthy looking zero.
There you go, just one innocent Sex Worker cassette and we've just eradicated most global violent crime......Next up, how the humble cassette cured world hunger. 

Tracklist:

A1 Puncture / Punishment
A2 Interlude 1
A3 Nothing But Contempt For Her
A4 Transactional
B1 Interlude 2
B2 Cold And Empty
B3 Interlude 3
B4 No Safe Distance

Saturday, 25 October 2025

Smut – "Incomplete Chaos" (Turgid Animal Cd-r– 0000000) 2014

This is a modern one!It being released after 2010,and is one of those horrible CD-r things,and gets even more modern as its creator is a lovely young lady called Lucy Johnson.......sorry lads, No Pictures.Y'all will have to make do with vintage photographs of Kingston upon Hull riviera industrial royalty Cosey Fanni Tutti.....and believe me she don't look like wot she used to no more.

There have been unsurprisingly few charming Vixens in the Industrial realm,mainly because they are surrounded by members of an online community of young men who consider themselves unable to attract women sexually, typically associated with views that are hostile towards women and men who are sexually active.Otherwise known as self-identified incels who use the internet to find anonymous support, and listen to either Doom Metal or the darker side of Industrial noise.......this may,or may not be You?.....but Phwaoooar eh? A young lady making creepy doom laden ambient droning noise?? What more could a lonely Incel,which,by the way is a portmanteau of involuntarily celibate, wish for.Someone to stalk to?

(The sound of distant thudding)Shit, someone's banging on my door again in a Police stylee.

Tracklist:

1 Mother Shipton
2 A Grandeur In The Beatings Of The Heart
3 G&G
4 Tramadol 4am
5 Blood Moon

Saturday, 13 September 2025

The Grey Wolves – "Catholic Priests Fuck Children" (Open Wound CD-r) (1996)

 

Oooooh Controversial!I do like a bad taste album title I do. Anything from the Never Mind The Bollox school of potential litigation,such as Flux Of Pink Indians' "The Fucking Cunts Treat Us Like Pricks" and the whole general area of being offensive for the sake of it and stuff.
Yeah Catholic Priests fuck kids, but they do get the rough end of the stick in shouldering the majority of the blame,Basically anyone,mostly male, in a position of responsibility involving children should be under surveillance 24-7.....or maybe 24-6,it is the Holy Day after all,give the kids and the priests the day off from all that unadulterated shagging. No sucking cocks on a Sunday said Moses as he descended the mountain hiding an erection.We'll leave that for the Jews and Muslims on Saturday.But of course, for us Secularists, Saturday is a traditional Holy day also, as its the pre-Sky TV window of opportunity to attend the Football match,sandwiched between visits to the Public House. Then cometh the middle to upper classes demographic who stole the working man's only means to entertain themselves before the Rock'n'Roll years popped up, leaving the Peasants with nothing else to do but a bit of saturday sodomy with the kids. Football has a lot to answer for,especially in failing to point out the many cases of sexual abuse perpetrated by football caches that have surfaced over the years.
So, nah all Priests ain't pedophiles,just most of them.
Breath deeply and relax to the mellow fuzzy Industrial Ambient noise and questionable politics of the Grey Wolves and feel grateful that you were never born into a Catholic household,and as a result of this good fortune were never fucked up,or Fucked up the Arse!....although knowing you lot,this is likely an attractive proposition.

Tracklist:

1 New Luddites 5:44
2 Beyond Hypocrisy 5:36
3 Turning The Tide 4:30
4 Breach Of Faith 5:17
5 Nothing Sacred 4:23
6 Skin Tight Orbit 4:00
7 State Of Siege 5:54
8 Deconstruction 5:17


Sunday, 7 September 2025

In Slaughter Natives – "In Slaughter Natives" (Cold Meat Industry – CMI-04) 1988


Some bright spark calls this stuff ,and I quote,"Symphonic Industrial",but,Having never knowingly heard anything by Nine Inch Nails, this cassette ,released on the aforementioned 'Cold Meat Industries' label around the advent of Hard Electronic Industrial Rock,with a Gothic Wagnerian slant, is what I guess it sounded like;but like the argument put forward by many an envious American rock musician that only Americans can understand Rock'n'Roll.....i'm thinking self-important Art slobs like the late David Thomas here....well.....the same can be argued that Americans can't understand dark European evil either. Especially when Wagner and Gothic Marching music is concerned. 
Just as Rock'n'Roll is basically modern american Folk Music, equally Dark East European Industrial like this is a form of modern folk music too.Replacing the Appalachians for the Urals. The ugly American could never produce anything like Laibach or even Throbbing Gristle within a million extinction events. 
The result is Nine Inch Nails, and The Ministry,which i figure are in fact just Heavy Metal again......purely a British form of modern Industrial urban Folk,that gets constantly fucked up by our American Cousins. I'm talking Hair Metal here.
You just can't make traditional dark Industrial Metal from the urban wastelands of Birmingham,UK, in California,or replicate the claustrophobiz in the wide open spaces of  Texas with a Van Halen guitar solo.
Having said that, "In Slaughter Natives" are apparently Swedish ,which is just another word for German,or, Norman,or even Viking for that matter. These Scandinavians can do Metal extremely authentically. Which also includes, Thudding Hard Electronics such as this, which feels like one is receiving a damn good, and well deserved kicking if one turns it up a notch.
Dark Electronic God Gary Numan is back at number one ,so i am informed,by copying Nine Inch Nails apparently?......Please let me never hear this potential atrocity ever!
Anyway, we all know who invented Industrial Rock don't we?...yep....Killing Joke innit!?

Tracklisting:

A1 Death, Just Only Death... 5:24
A2 CHRIST 5:24
A3 Media 4:33
B1 Cryptic Slaughter 1:52
B2 Head 5:16
B3 Structure (See Circule Say Cube) 2:43
B4 Then Gothic 5:24

DOWNLOAD a smorgasbord of cold meats HERE!

Friday, 11 August 2023

Nadja – "Radiance Of Shadows" - (Alien8 Recordings – ALIENCD72) 2007



One day we will look back at the CD era with fond affection for the times we selected a CD from the endless racks in HMV or Virgin megastores ,endured the minuscule text,and proceeded to listen to an hour and twenty minutes of whomsoever the lucky band were,but pressing stop on the remote at around the  40 minutes mark whilst stifling yawns .....ironically, the length of two sides of a vinyl LP. A natural ending point for any album in the modern age of pop.
There was a compulsion for artists raised in the Vinyl era to put as much material as possible on this new extended format,even if it was the shite usually reserved for the 'Bonus Disc' of  an anniversary remaster.
So what we have here is an artist determined to fill up every nano-second of memory space provided by the aforementioned Digital Compact Disc format,rather than just satisfying the ever shortening Human attention span. Mine is currently about twenty minutes max of anything.A limit I have always adhered to in the live arena. Twenty minutes, then its off to the bar.
First wave Ambient Doom originators Nadja, are very typical of the CD age .Releasing a dumpster full of very similar sounding drone metal versions of wonky airport noises that very rarely clock in at less than twenty minutes a track,like a fuzzy Tangerine Dream fed through a cheap Flanger.
One of  those unfortunate groups who sadly fall between several stools of the 'Metal' category,so frequently get labeled as any one of the following: Doom Metal.,Ambient Metal,(my personal favourite) Dreamsludge (?), ambient-doom, and shoegaze-metal.
Sounding more like My Bloody Valentine rather than Sunn O))) , the Metal label is becoming a more and more tenuous a description for any experimental Rock band,but if it contains any hint of a 'Heavy' riff it's 'Metal',filtered through a barrage of pro-nouns ,prefix's and suffix's.
Topical Oppenheimer references aside, It has it's quiet moments,so Ambient Doom is arguably the most accurate sub-genre of the available choices? Not a large section in your resurgent vinyl store, but I'm sure it exists somewhere?

Am I getting too mainstream?

Tracklist:

1 Now I Am Become Death, The Destroyer Of Worlds (23:26)
2 I Have Tasted The Fire Inside Your Mouth (27:26)
3 Radiance Of Shadows (28:59)

Thursday, 1 June 2023

Die Sonne Satan – "Fac-Totum" (Slaughter Productions – T. 07) 1993



As background music to your Tupperware themed fondue soirée, this isn't gonna put you off that much needed purchase of  the resealable Salad tosser......you tossers.It does,however, have a Tupperware party favourite from  "Le Mystere Des Voix Bulgares" album on 4AD,nicked,sampled and adapted ,only slightly, for the average Italian dark ambient fan,and renamed "Dismal Chant"? If you have any trendy art gallery attendees who dress like members of Chumbawumba (NHS Glasses and black polo-necks) as friends,this will go down like a Flux of Pink Indians remix at a Yoga class.......generally attended by actual Pink Indians, with a cloakroom full of ethic textiles awaiting their departure to hang out in the organic section of an ethically based supplier.All kept fresh in the very same recyclable Tupperware knock-offs that have put Tupperware out of business.One down several billion to go.
A stone carving appearing to predict Donald Trump appears on the cover ,depicting "The Donald" showing appropriate reverence,(Fear), upon meeting the very same vengeful Deity he so recently adopted as his own personal explanation for his own undeniable greatness.
As for, One Man band, Die Sonne Satan's very deniable greatness;again, its very listenable Dark Ambient for the decernable misanthrope's tea-party.Nothing original, or disturbing going on here,especially the clubby number with 'beats'?;but, it makes for a similar type of background music that James Last provided the extinct beast that was the suburban housewife with, in the 70's; except this is for the Subhuman housewife of the post industrial 90's.
You can play this whilst staring at yourself in the mirror pretending that life is a really terrible thing....and you'd be right, but not for the reasons you think it is. If you like John Carpenter's soundtrack music,and wearing black,This is very you. And it says 'Satan' too....TeeHeeHee.
Gee Mom you're so square,Satan's been cool since the first Black Sabbath LP.He/her/they have all the best tunes...except for that Hair Metal bunch of reprobate twats that is.I'd sell my soul to Jesus if he could sort out some eternal pain for Motley Crue.....who wouldn't?

(The tracklisting's up there innit,so i won't bother pasting it in here)

Thursday, 3 March 2022

Two Daughters – "Gloria / Kiss The Cloth" (United Dairies – UDT 026) 1981

Two Daughters...Two cassettes!? Who'd have believed it?
On this one they courted the ear of Steven Stapleton,yes he of Nurse With Woooooounduh.....sorry, I nearly dropped off there for a minute. 
So this is on United Dairies as a result.
The Burkes,Anthony and Paul, upped the ante in the tape loops department,and eagerly manned the fader knobs on their cheapo mixer. Whereas NON made loops of Nazi marching bands,the Burkes shockingly use 23 Skidoo-style loops of Gamelan orchestra's,something the Skidders took to its logical limit,and please don't do it again,on the studio side of the otherwise brilliant "The Culling Is Coming".
Blatant copying, some call it 'Inspiration' was thinly disguised in the early industrial world,the most popular source of inspiration ,along with many other item's Cab-like,was Cabaret Voltaires' found dialogue method.....of which there are thankfully none on this tape, well-done Daughters.Others went for Cosey's space-echoed badly plsyed Cornet....see 400 Blows (and indeed 23 Skidoo again)for that one;also not nabbed by the daughters. With relief they also don't plagiarise Genesis P. Orridge's obsession with murderers and Nazi's,or any obvious pilfering of anything William S. Burroughs. All clichés that induce within me a inescapable desire to sleep....even more than that bloody Nurse With Wound List for prog rock trainspotters like me. But they obviously had a chat with the Turnbulls of Skidoo fame, who evidently lent them an album of the music of Bali to indulge their zest for making tape loops.
Having said that, if this tape had a couple of Skidoo style funky workouts, it would have wiped the floor with anything the Skidders did......which,frankly isn't saying much.

Update: I just listened to the extended version of Seven Songs and its fucking brilliant...although on a couple of tracks they do sound uncannily like Modern Romance or Haircut 100,but whats wrong with that?..so ignore that last paragraph,print it out, burn it,eat it, and swallow the evidence......but they (23 Skidoo) went shit rather rapidly after that;going Hip Hop is an unfathomable and unforgivable crime worthy of being indicted by the Hague international court of terrible music, of which i am the self-appointed and only Judge.

Tracklisting:

Kiss The Cloth
A1 Part 1
A2 Part 2
A3 Part 3

Gloria
B1 
Part 1
B2 
Part 2
B3 
Part 3
B4 
Part 4
B5 
Part 5

Wednesday, 2 March 2022

Two Daughters – "Two Daughters" (Methane Music ) 1980



More Old Skool Industrial chaps ,chapettes and other types of chaps? Anyone whose gender self identity I've not included,write your name and address on a postcard and send it to Vladimir Putin who has recently come out as a Chick with a Dick......no....wait....small error on my part...a bloodthirsty dictator and child killer.Please feel free to add that definition on your postcard.
This cassette was made by a couple of Burkes,Anthony and Paul, who had excitedly just heard about the festive joys of Tape Loops and 23 Skidoo's more ethereal percussive moments. Add to that zesty cocktail a stiff portion of cheap effects and you've got one thick slice of DIY Industrial, 1980 style.The watershed year for popular music.
Suitably analogue and darkly ambient, I could could listen to this in a darkened room for at least an hour,non-stop, breaking only for tea and biscuits and a nice long piss. Hang on, this only runs for fifty minutes, so it's not a shop bought brand name C-60,these Burkes spent money on it!The sell-outs!
Of course, newly rediscovered cassettes like this are lauded as works of near-genius by culture starved geeks hither and yon,but back in 1980, everyone was doing this.....some still are,like a UK Subs of Industrial music.What d'you want?....A Medal?

Tracklisting:

A1 Ladder Of Souls 
A2 Return Call - We Are
A3 Sad Horizons
A4 So I
B1 Return Call
B2 Drums
B3 Air Lair
B4 Aaaaaar

Wednesday, 2 September 2020

Jonathon Briley ‎– "The Loss Of Innocence" (Broken Flag ‎– BF 54) 1986


Blimey Guvn'r, Briley got on a proper UK Industrial Noise cassette label too! Broken Flag,as run by Gary Mundy , late of premium power electronic outfits Whitehouse,Sutcliffe Jugend, Ramleh, Kliestwahr etc.
Somehow ,the devils' representative on earth, the 'evil' Jonathan,or the very silly Jonathan, got his work on cassette in the UK,whereas the rest of Sleepchamber didn't.
Ahaaaaa, 'Loss Of Innocence',an occurrance I mourn deeply within myself. I wish I didn't know about Dachau,Bestiality,Bloodfucking,whimpering wails of woe...well...so-called 'evil' in general really.
You may laugh,but I have managed to claw back a modicum of denial within the black whole of experience in my soul, but after watching that Polish War film "Wolyn" the other night,I think I've returned to square one! Bloody Hell Humans are capable of such bestial deeds that I'm beginning to be frightened of my own reflection. I wouldn't call it 'Evil' though, we merely represent the brutal ruthlessness of mother nature,and the will to survive.There's no place for morals in this fruitless struggle just to survive for one second longer than your opponents,or your neighbours.
In Nature, Innocence is just weakness;but being blessed, more accurately Cursed, with some kind of insideous intelligence, we are placed in a position of contradiction between higher being and beast.....and the Beast invariably wins out.
This is basically what Industrial culture bangs on about to the point of cancelling itself out. The music has become nothing more than the background musick to a lifestyle,or a pose,however entertaining. Scrapes,deep fried electronics,and self-immolating effects have replaced mantovani's string sections, and Richard Clayderman's syrupy piano as the muzak of the early 21st century. I, in particular enjoy cooking to the sound of Sutcliffe Jugend's "We Spit On Their Graves" especially. This may be a symptom of my unending search for my Innocence,but it's true.
Even Jonathan Briley has a tribute track to Mellow Jazz Chanteuse Sadé at the end of side one.....or is that 'de' Sadé or 'de Sade',as in the Marquis of?.....I'm sincerely hoping for the former. There IS a place for humour in Industrial culture....isn't there????

Tracklist:

A1 Feral 4:22
A2 Blackfields 4:09
A3 To The Power 4:33
A4 Corpus Experimentale 5:51
A5 Whimpering Wails Of Woe (Live) 4:13
A6 For Sade (Live) 3:45
B1 Bestiality 4:51
B2 The Long Thin Line Between A Whisper And A Scream 11:43
B3 Last Exit To Dachau 4:47
B4 Bloodfucking 2:55

Monday, 31 August 2020

Jonathan Briley ‎– "Darker Profits" (Inner-X-Musick ‎– XXX 26) 1985


 

Well I like this stuff, even if it is akin to listening to Green Day (or Brown Day as I prefer) and saying you're into Punk Rock. It does also represent the blind alley that making Industrial musick leads one into. One can only listen to Throbbing Gristle, and their a-likes from the old Skool era so many times before you wish there was someone else making similar tones that everyone hated because they were "jonny-cum-lately's", yet if we didn't know what we know we would have a different attitude,would we not? Hearing something you haven't heard before does have its merits.However after saying that, I would never allow a Green day album anywhere near my record player no matter how many times i've heard The Clash.....I could always dig out 'Sandinista' if i wanted something sobering,even though I don't think i got through the first side before filing it away in a dark corner of my attic.Another band that shouldn't have made a second album!Like Sleepchamber,but nobody noticed the forty plus 'second albums' they released from 1983 onwards.

Tracklist:

1 Whimpering Wails Of Woe 4:24
2 Sea Of Bones 3:31
3 Arbeit Macht Frei 5:07
4 The Pain Of Sleep- Soundtrack Excerpt 7:08
5 Seranade Grute'sque 5:57
6 Into The Abyss 3:53
7 Metal Erection 5:37
8 Please The Lord (In Praze Ov Hymn) 4:04
9 The Hunter 5:59
10 At The Alter Of Lies 5:29
11 Site Of Pain, Site Of Pleasure 7:17


Jonathan Briley ‎– "The Will To Power" (Inner-X-Musick ‎– XXX 34) 1985


 Hmmm a Nietzchean title, images of torture on the insert,inverted crucifix's, the odd reference to the Marquis de Sade,faux biblical text readings....this must be a mid eighties Industrial tape?
Heavens to Murgatroyd,it IS a mid eighties industrial tape dagnabbit!
The opening track,Requiem To A Small Blind Boy,has the most hilarious amateur dramatic rendering of some silly alternative Bible style parable,probably something to do with Satan or things equally as daft.It seems that our Jonathan is a frustrated actor,and he'd do any Faustian deal to be famous.
He so wants us to think he's evil, the poor lad.
The music is a nicely relaxing style of Industrial Dark Ambient of the Lustmord variety,encrusted with lots if Industrial bling.Especially pleasing are the dialogue sections on the rather controversial subject of Vivisection,which i assume the 'evil' Jonathan is all for?

Tracklist:

1 Requiem To A Small Blind Boy 4:32
2 Wheels Of Agony 6:23
3 Vivisection 5:43
4 Scorn Of The Sireens 8:37
5 The Breathing Meathod 4:44
6 For Silling (The 120 Days) 3:58
7 Insanity Loop 3:31
8 Of Purest Blood 4:59
9 13 Steps To The Whipping Pole 3:23
10 Metropolis 4:58
11 Shemham Forash! 7:05


Sunday, 30 August 2020

Jonathan Briley ‎– "From Kain To Abel......." (Inner-X-Musick ‎– XXX 45) 1987


Enter another Sleepchamber member who made better music on his own.
He was the one from the eighties incarnation who looked like a naughty school teacher.
It's all well made standard Dark Ambient Industrial style muzak.Real good as background sounds to a board games evening with a group of special friends.Which is probably why I don't have any friends anymore?
This stuff may get dismissed as american late-comers by those Industrial snobs who were....er... "There"... when these things were happening,but its jolly good fun to just absorb the silence by.
Right, now where's me Toast?

Tracklist:

A1 Vortex-(Instrumental Remix) 7:51
A2 Heaven's Sounding Sweeter All The Time 5:21
A3 Rize Ov The Carrion 3:02
A4 Dead Virtues 6:45
A5 Sermon Sur La Mort 4:00
A6 Kiss Ov The Whip 2:43
B1 (Untitled) 2:13
B2 To Baudelaire 6:41
B3 Hour Ov The Wolf 4:53
B4 Rituals 4:00
B5 The Last Time We Made Love 7:09
B6 Final Vision 3:50


Saturday, 29 August 2020

7 From Life ‎– "Tantra Vendetta" (Inner-X-Musick ‎– XXX 40) 1985


"Nostalgia is an act of Cowardice", says Lawrence Van Horn on the insert for this score for a Ballet about the Chinese invasion of Tibet. Whether its pro or anti-Tibet is anyone's guess. I may run a small opinion poll,....For the Occupation; Against the Occupation; Occupation,what Occupation?;or Don't care!,are your choices......I rather think 'Occupation,what Occupation?, would win comfortably, with 'Don't Care!' clear in second place.
Whenever a left field underground artist starts writing music for a Modern Ballet, it's a sign that he's finished as a creative force.
As Nostalgia is now a form of Cowardice,according to the philosopher that is L. Van Horn, then this blog is full of Cowards,and I don't like being called a Coward ,mainly becuse I am a Coward;and let's face it, this Blog overfloweth with Nostalgia......otherwise why the hell would we be listening to a bunch of 35 year old cassettes by Lawrence Van 'me?A Coward, Naaah' Horn? Nostagia for the invasion and occupation of Tibet doesn't seem to bother him one bit.
The music itself is like walking through a fog of tear gas during a slow motion riot....which in itself is a kind of Modern Ballet.Actually its a Ballet i'd probably go and see,as long as it's coreographed by actual rioters.It can start off with a real innocent man being shot in the back by some dumb Cops,then take it from there until the theatre is in flames.

Tracklist:

Act One
A1 Tonal Reflection #1 : An Ocean Of Stars 15:00
A2 Spellbondage 6:02
A3 Panic In A State Of Grace 2:43
A4 A Face Full Of Pie-In-The-Sky 5:33

Act Two
B1 Tonal Reflection #2 : Horizans In Flames 21:56
B2 Llaman Lamentation 5:50
B3 Guerrilla Mantra 3:53


Friday, 28 August 2020

7 From Life ‎– "Coral Assault" (Inner-X-Musick ‎– XXX-21) 1985


 
In a time when Coral is under assault from all angles due to the stupidity of the human race, it seems Lawrence Van Horn, of 7 From Life, wanted to draw this idiotic anti-life violence to our notice thirty years before it was even mentioned? Well maybe not,maybe he just wanted to creep us out, and make doomy music? It does have a tune about the bombing of Dresden on it,of which my father was a very rare witness.He was on a forced death march from poland back to the fatherland,when they rested on a hill over looking Dresden on the evening the British were bombing it flat.I could add the relevant section from his memoirs,but it would take over the post, and poor old Lawrence would feel ignored.....just like he must have been by all of woman kind......(you can download the entire memoir HERE if you're so inclined. He described it as being a "lovely display of colour's like a firework display";not a mention of the innocent civilian life being lost in the ensuing firestorm. That's what he was like,stoic and emotionless,which were the talents that got him through the whole of the war.
Oh Yeah, the tape!?
I dunno about you's but by 1985 I'd had enough of all this industrial and Punk shit,and had adopted an ironic Miami Vice look,and was starting to get into easy listening. But in america, they were only just getting into this Industrial fad,and duly claimed ownership,just like they did ten years after Punk Rock had died. Richard Hells' haircut wasn't enough evidence,especially when confronted with a picture of Bowie on the cover of Space Oddity's re-released version in 1972;when RichardMeyers was still in reformed school with Verlaine,who also didn't invent symbolist poetry,and also wasn't in Quicksilver Messenger Service,which was basically Television in bad clothes. The USA did in fact invent Rock'n'Roll,but why aren't they satisfied with that?
We may have all been bored with Industrial by 1985, but 35 years later we can now appreciate the late-comers contribution ,and it seems to have come from so far back that it all sounds as thought they had invented this pop-fad after all; and in the future, with all this revisionism going around, who knows, but maybe "7 After Life" did invent it all after all?...maybe he even invented Rock'n'Roll..I dunno anymore, or, care!?

Tracklist:

A1 Tombs Of Maya 5:41
A2 Shroud Of White Darkness 7:21
A3 Fome And Tide 4:13
A4 Hash Of Masks 6:07
A5 Cobra Dance 1:50
A6 Dresden 1945 4:05
A7 Insolation 2:15
B1 Invocation 3:07
B2 Stigma Machine 5:14
B3 Beyond Worms 4:21
B4 Chello Tango 2:18
B5 Nous Sommes Tous Sauvages 2:15
B6 Light Vector 4:31
B7 Mental Anguish Psyhic Reflex 5:31
B8 Withdrawl 3:07
B9 End 0:16

Thursday, 27 August 2020

7 From Life ‎– "Sting Of The Honey Spider" (Inner-X-Musick ‎– XXX 27) 1985


 He had the name of a Porn Star, and the looks of a toilet cleaner, but Lawrence Van Horn's recorded output is probably the best stuff on the Inner-X-Musick label.Another from the Nurse With Wound sonic collage school,who had in turn nicked it from former 'Homosexual' Jim Whelton,and his various terminally obscure cassette releases; the most well-known being L.Voag. It turns out that NWW had appropriated virtually everything to make their first album,and i'm sure Larry uses the same time-trusted method with his sound sources.
To blot his copybook a tad, Van Horn was in several line-ups of the not-so-good,and very dated sounding, Sleepchamber,but don't let that put you off.

Tracklist:

A1 The Cliffs Of Oblivion 5:52
A2 Lagoon Noir 2:44
A3 Necklace Of Tears 8:09
A4 Phantom Pain 3:30
A5 Anathematical Arousal 2:26
A6 The Gathering Thorns 4:43
A7 Rain Of Ashes 2:23
B1 Resisting The Limit 3:32
B2 Fruits Of Abuse 4:21
B3 A World Of Pure Salt 3:12
B4 Bitter Rapture 5:27
B5 Plate Tectonics 4:29
B6 Ascendancy In Tatters 3:16
B7 Intermezzo 2:13
B8 Lying In Wait 4:33


Tuesday, 21 July 2020

Various ‎Artists – "Musical Offering / Музыкальное Приношение" (Мелодия ‎– С60 30721 000) 1990


The Soviets insisted that anything the capitalists could do,they could at least match it,usually making these things on a budget of close to zero,held together with straw and snot, like their version of Concorde,the supersonic passenger jet,Concordski,which crashed at the Paris airshow in 1973. As soon as the "more Equal Than Thou" members of the Polit Bureau heard of the EMS synth,they wanted their own 'Socialist' version, that their great and glorious electronic composers could all use.......this was called, the 'ANS' synthesizer;notice any similarities there?
One of the first synthesizers in the world (aka in The USSR), it was created by the Russian engineer E. Murzin over a period of twenty years from 1937, and it created music using light, rather than electrical variations, unlike all other synthesizers,except Daphne Oram's Oramics machine of course.This replaced the soviet version of the synth which involved high voltage cables attached to the genetils of 88 Oboe playing dissidents,and a series of levers that, when thrown in a sequence, would apply the adequate voltage to make the dissedent play his allocated note on the Oboe stapled to his mouth. This was fully polyphonic,but had its drawbacks, like the oboe player dying, and it emitted an awful smell of burning ball-bag hairs.Now that's what i call 'Electronic Music'!?

For Murzin's light synth,he,or the KGB, invited,or ordered, young,but qualified, composers to come and work on some new electronic pieces....this time without electrodes or any pointing guns,and the resulting works are showcased on this post Berlin wall collapse album released by crumbling state label Melodia.
Recorded between 1964 and 1971,these bizarre dark electronic excursions didn't see the light of day until 1990,as the communist bloc was collapsing;but the rest of the recordings that never made it onto the album were rediscovered and are now included here as bonus tracks.Whoppeeeee.......now, where did I put those electrodes,and where are those cheap economic migrants I bought?

Tracklist:

1 –Oleg Buloshkin- Sacrament 3:34
2 –Sofia Gubaidulina - Vivente-Non Vivente (Alive & Dead) 10:44
3 –Edward Artemiev - Mosaic 4:00
4 –Edward Artemiev - 12 Looks At The World Of Sound 12:52
5 –Edison Denisov - Birds' Singing 5:05
6 –Alfred Schnittke - Steam 5:50
7 –Alexander Nemtin - Tears 4:41
8 –Alexander Nemtin - I. S. Bach: Choral Prelude C-dur 2:30
9 –Schandor Kallosh - Northern Tale 5:38
10 –Stanislav Kreitchi - Voices Of The West 2:00
11 –Edward Artemiev Music From The Motion Picture "Cosmos" 12:15
12 –Stanislav Kreitchi - Intermezzo 2:00

Thursday, 2 July 2020

Edward Artemiev ‎– "Solaris Original Soundtrack" (Мирумир ‎– MIR 100705) 1972


Dunno if its because I'm pissed (drunk, not angry, you americans!) but this is fantastic!
Everytime I've seen 'Solaris',the Soviet funded answer to '2001', I've been pissed and woke up thinking it was Fantastic.
Then I saw it sober, and fell asleep,woke up thinking that it was an incredibly boring crock of shite!
It's a film that you need to be in the correct time and place, and state of mind to enjoy.Unless you are a psuedo intellectual who would never admit to being bored by Tarkovsky.
Right now,i'm Loving this dark ambient foray into the darker energy of the ultimate isolation on the shores of a lifeless infinity.
No-one captures emptiness better than Artemiev.....unless you're sober that is.
A contemporary of the equally demanding "Andromeda Strain",which I have seen very sober in the daytime, and thought it was a masterpiece....then saw it drunk with some mates and we all thought it was a boring crock of shite,then switched over to watch 'Godzilla vrs Mechagodzilla', which is a work of unappreciated genius!
What is good and what is shite is a complicated science indeed;but right now i'm saying Solaris is one of the greatest films ever made, as is 'Godzilla vrs Mechagodzilla'.....as for 'the Andromeda Strain',i'll see next time i'm off my tits on strong continental lager......i may have already labelled it 'dull' in the previous post featuring the hexagonal soundtrack album that mashes up your stylus.
However both soundtracks are unsttling dark ambient excursions into the black heart of the human condition.......can't really say that about the "Mecha-godzilla" soundtrack,but i will post it for a classic 'contrast and Compare' moment.


Tracklist:

1 Part I 2:48
2 Part II 2:32
3 Part III 2:22
4 Part IV 3:13
5 Part V 2:27
6 Part VI 7:18
7 Part VII 3:55
8 Part VIII 2:56
9 Part IX 1:26
10 Part X 0:38
11 Part XI 2:09
12 Part XII 1:42
13 Part XIII 4:44
14 Part XIV 0:44
15 Part XV 4:36
16 Part XVI 6:19
17 Part XVII 1:21


Wednesday, 1 July 2020

Gil Mellé ‎– "The Andromeda Strain (Original Electronic Soundtrack)" (Kapp Records ‎– KRS 5513) 1971




One the very few records whose sleeve cost 200% of the gross profit,and the hexagonal ,unique in itself,record inside destroyed your turntable if you forgot to switch it to manual......how cool's that?
Jazzer and electronics dabbler Gil Mellé,was commisioned to make a weird electronic soundtrack for one of the most painstakingly boring science fiction movies this side of Tarkovsky's 'Solaris',which also had a electronic soundtrack too ,did it not, by Eduard Artimiev?
A tiresome science-fiction techno-thriller documenting the efforts of a team of scientists investigating the mysterious outbreak of a deadly extraterrestrial microorganism/Virus.Hmmm,where have I heard that before?These ambient style horror electronics are really the work of the Synth rather than the 'artist'. Give a chimp a go on a EMS synth and something similar will emerge....you don't even need an infinite number of Chimps either....maybe one or two,or just one aging Jazzer looking to move into soundtrack work.
This was the first all-electronic soundtracks ever released,but not the first to be commisioned.No-one thought anyone would want to listen to this stuff in their homes until the seventies.It's sonically challenging, ominous and discordant. Like a haunting electro-acid patchwork of analog synthesizer experiments...but,experiments that could be done by the infinite chimp that resides in all of us.For that reason alone this should be praised;and then there's the packaging,and the stylus mashing record shape.Which makes this all quite perfect.It's a perfect soundtrack for a film about containing an outbreak of an extra-terestrial virus,and perversly turns out to be the perfect soundtrack for these times...there's a virus outbreak apparently that's slaying 0.004% of the human population....run for your lives,but wear a mask, disinfect your hands,and listen to the soundtrack of "The Andromeda Strain" while you're running,not dying.


Tracklist:

1.Wildfire 2:41
2.Hex 3:57
3.Andromeda 2:33
4.Desert Trip 4:14
5.The Piedmont Elegy 2:22
6.Op 2:43
7.Xenogenesis 2:40
8.Strobe Crystal Green 4:45