Showing posts with label Australia. Show all posts
Showing posts with label Australia. Show all posts

Sunday, 31 October 2021

Pip Proud – "Adreneline & Richard" (International Polydor Production – LPHM-108) 1968


Resembling,as well as sounding like the mythical fourth Shagg. Proud Australian Philip Proud's debut album from the hippie era has very little to do with Adrenaline,even though it appears in the title; but has more in common with an anesthetic. Yeah, he can't sing,has a speech impediment,wears glasses like the bottom of a couple of beer glasses,can't play a guitar or write songs!?...not a good start for a wannabe hippie troubadour who seems to walk around in a bin-bag?.....but gimmie that anyday rather than the bore fest forced on us by any of those trendy 'singer-songwriters' from Laurel Canyon back in '68 (Judee Sill excepted by the way)......excuse me ,a bit of sick just came up into my mouth.
Whereas, Pip could have come from Stan Laurel Canyon, if it ever existed? For the hundreds, if not thousands of acoustic waving folk singer wannabees from the sixties and seventies who were just plain Awful!....not all of them were funny though,so this is why Pip stands out from the crowd of long-hair earnest strummers so much...he's fucking hilarious.Unintentionally so,but funny enough for us to still listen to this terrible dross to this day. His name will be name-dropped at hipster coffee shop get togethers,where they will stroke their beards in appreciation,....and that's just the women.He's played at Outsider Art appreciation evenings alongside the mighty Shaggs,Wesley Willis,The legendary Stardust Cowboy,and the other outsider legends that make our failed lives seem like a raging sucess. Yeah, we need these losers to make ourselves feel good, but it isn't your lost album we're playing is it? Your poetry doesn't get read out at Hipster beat soirée's does it? Oh No!...So who's the loser now eh?
Philip may no longer exist upon this mortal coil (RIP) to unveil his latest work,and he did continue making his idea of what music is well into the new millenium;but he lives on in the form of black plastic disc's,binary codes,and magnetic waves,which is a remarkable turn around for something that we all should acknowledge is patently complete rubbish as modern standards dictate......but, Fuck that shit and Fuck their modern standards.
It's funny too.
But not as funny as Mike Leigh's "Nuts In May",which includes Pip's female equivalent, Candice-Marie,who has an uncannily similar voice. 

Tracklist:

A1 Adreneline And Richard 2:25
A2 The Tennis Player 3:38
A3 There Was Melancholy 3:58
A4 Latin Version 2:12
A5 Into Elizabeth's Eyes (To Mother Whilst Dying) 4:32
A6 Sounds 3:40
B1 Purple Boy Gang 2:20
B2 De Da De Dum 2:34
B3 When Each Descends 2:18
B4 We Crossed The Atlantic 3:07
B5 The Old Servant 6:32
B6 Laughter And Laughter 2:21


Saturday, 30 October 2021

Pip Proud – "A Bird In The Engine" (International Polydor Production – LPHM-109) 1969


When the land mass of Australia broke away from Pangaea a billion years ago, the isolation led directly to the evolution of the marsupial . Then in the sixties,the cultural isolation directly led to the evolution of Pip Proud. A self-described singer-songwriter, poet, novelist and dramatist....when in fact he was shite at all of these vocations.....it's another way of saying I'm a lazy fucker and I ain't gonna work.No one can prove that a poet isn't working on his next 'poem',even when it looks like lying down. Not that this lisping tone deaf myopic missing Shaggs member was employable in any way.The fool who signed him to Polydor could not have even met Pip,or heard him in action until it was too late. To think that he could have been Australia's answer to Donovan,was a miscalculation of decca-esque proportions!? Whoever it was must have been sacked.Its the opposite to the prat who rejected the Beatles for Decca......having said that I would have done the same if i'd heard Love Me Do....but certainly signed Pip Proud,looking from a twenty first century perspective therein.
Pip's output, is often compared with Syd Barratt's solo work,of which Philip denied all knowledge;but this stuff makes Syd sound like more like Wagner rather than the acid casualty we know he was.Worse news for Pip is that Syd Obviously had a talent for songwriting,something no-one could say about Pip. 
Pip's song's are constructed along the same lines as The Shaggs first album,as if he had been locked away from any music in a cupboard for 18 years,then let out to make his impression of what music should like to someone who has never heard any.It's no coincidence that he even looks like the mythical fourth Shagg.There are no verses or chorus's as such,with the droning guitar chord sequences strummed in a barely conscious stream of hazy unconsciousness kind of way. His pronounced lisp is not only charming,but adds that seed of a doubt whether this is all just another of those 21st century fake band Jokes,recorded by a comedian taking the piss out of Sixties Folkies, and record collecting saddo's.....it's hilarious either way....especially if it turns out that pip Proud was actually Real!?
Something he does actually share with Syd Barratt, is his wavering time keeping,exacerbated by his glaring tone deafness.
Of course there are those who hail this work as the product of undiscovered genius,and take it deadly seriously.....Maybe I'm the idiot who got it wrong? I sincerely doubt it, but whatever is the truth of the matter, this record is fucking hilarious.

Pip does actually sound uncannily like Candice-Marie from BBC drama classic "Nuts In May" by Mike Leigh (1976)
Check out Candice's protest song(click the embedded video) that plays over the end credits. If you haven't seen it,you have never lived...you can right this dreadful wrong by watching the whole thing by clicking HERE!


Tracklist:

A1 Marie
A2 Hey Sue
A3 A Fraying Space
A4 She Says To Me
A5 She Dwindles Her Fingers
A6 A Bird In The Engine
B1 Eagle-Wise
B2 French Girls
B3 Vida
B4 There Is No Rest
B5 Nancy
B6 Lover, Lover


Sunday, 14 June 2020

Don Harper ‎– "Homo Electronicus" (Columbia ‎– SCX 6559,) 1974


Don Harper....if ever there was a more Australian name I'd like to know.....luckily,escaped the Australia of the 1970's for the hip recording studio's of the UK. He found ample work for his musical talents within British TV, for both the BBC and ITV, where he was the man who made Dickie Davis groovy with his musical arrangments for those tiresome sporting collages on ITV's World of Sport programme, where he stayed for 15 years!...poor fucker!
He regularly appeared in the Radiophonic workshop, and did a Library electronic album with Delia Derbyshire and Brian Hodgson..."Electrosonic" for KPM.
Don was either making a statement with the title of this solo album, which would explain why he escaped the land of Dennis Lillie,Rod Marsh, and Merv Hughes (celebrated purveyours of the noble art/arse of Cricket) or he was actually referring to the marriage of man, as in mankind, with the blossoming technology of the age.
Releasing an album called anything with 'Homo' in the title could have got you killed in seventies Australia. I suspect that Dennis Lillie,Rod Marsh, and Merv Hughes were probably gay anyway....just look at those moustaches for fucks sake! Freddie Mercury's wet dream.
Some obviously GAY Australian Cricket legends.
Well as a proud...er... member....coff...I could do this all day!....of the Homo Erectus species(Tee-Hee) of modern man, I can proudly announce to the world that I am,unfortunately, Straight....I would love to be Gay but I think Blokes are a bunch of twats without twats, so i prefer the less competitive world of Ladies......no I don't mean I want to be a lady....look,lets not go there, this attempt at humour is complicated enough!?
I dunno if Don was or was not gay, with glee,I just saw the prefix 'Homo' , and went off on one....sorry Don(RIP).
He was ,however,the Stephane Grappelli of the antipodes, and scrapes those violin strings with the spunkiness of a recently de-closeted 'puffda', as Merv Hughes would say, lubing up Brad Pitts bare arse. You'll never hear a funkier version of the Dr Who theme anywhere outside the James Last Orchestra,and the rest of the tracks are classic Library Music standards that wouldn't be out of place in an elevator, which is NO criticism.And, of course, Don whips out his Syntheziser much to the disgust of his former college Ms Derbyshire,whose influence can be heard on every track.
I wasn't labelled a 'Homophobic Fuck' in the pages of Discogs for nothing you know; but there isn't a statue of me to decapitate as of yet, so I don't give a fuck.......here's my chance to unleash the classic Homophobe's non-argument....."Some of my closest Friends are Gay"....you could sub the word 'Gay' for 'Black' too if you're that way inclined.....i've been called a'Racist Fuck' too y'know.
I have to say I do like the new look of the Churchill Statue,its a Brutal post-modernist statement,and could also be the prediction come true of the Space Odyssey Obilisk?.....definitely a case of 'Don't mention the War'.....I let it slip once but I think I got away with it!"....but, of course Fawlty Towers was banned from UKTV as of yesterday.....then apparently reinstated after a lot of moaning.It all depends on who moans loudest it seems!?
            After............and.............before.......Good innit?

Tracklist:

A1 Dr. Who Theme
A2 Cold Worlds
A3 Fiddle Chop
B1 The Blue Book
B2 Nightmare
B3 World Of Sport


Sunday, 17 May 2020

Delia Derbyshire / Brian Hodgson / Don Harper ‎– "Electrosonic" (KPM Music ‎– KPM 1104) 1972


Again Delia and Brian earning a few extra quid moonlighting for a soundtrack library,under the pseudonyms of Li De La Russe,and Nikki St.George,inexplicably, with Aussie Jazz violinist Don Harper.
A lot of these kind of electronic ditties used to frequently turn up on kids programmes,and programming for schools when i was a nipper.So there's a nostalgic feeling about them, ironically, as they were supposed to invoke visions of the future;but as always, the future envisaged in the past is so much better than the actual future we actually get.

Tracklist:

1 Quest 1:40
2 Quest-fast 1:05
3 Computermatic 1:10
4 Frontier Of Knowledge 2:02
5 The Pattern Emerges 2:50
6 Freeze Frame 1:32
7 Plodding Power 1:46
8 Busy Microbes 1:35
9 Liquid Energy 1:50
10 Liquid Energy (Rhythm Only) 0:55
11 No Man's Land 1:46
12 Depression 1:24
13 Nightwalker 1:55
14 Electrostings 0:16
15 Electrobuild 0:17
16 Celestial Cantabile 3:26
17 Effervescence 1:57
18 The Wizard's Laboratory 2:03
19 Shock Chords 0:35


Sunday, 21 October 2018

Various Artists ‎– "E.M.C. Electronic Music Club" (Subterranean Tapes) 1983


More Ozzie minimal wave for ya.
It says on the insert 'Electronic Music Club released this compilation cassette during their opening on the 16th May 1983'....which suggests that this was a social areana rather than a subcription to a magazine for geeks.
Good to see more by Human Backs and Modern Jazz....fine stuff indeed.
The opening track is one of those limp-wristed camped up versions of former 'hits' that has one reaching for the fast forward button;but the remainder is a prime analogue kick in the nuts.
Indeed not all Australians are bemulleted, loudmouthed,culturally ignorant over competative Jocks.

Tracklisting:
A1 –Second Glance - You Really Got A Hold Of Me
A2 –7/8 World - Kitchen Logic
A3 –Dance Synthesis - Electromance
A4 –Human Backs - Takayama Rising
A5 –Donno Detti - Automation
A6 –Cannon Fodder - One Ton Sombrero
A7 –Human Backs - Pulse Music
A8 –Boptronics - Another Life
A9 –Bill Tolson - Basketweavers Of Venice
B1 –Lub Dub - Lights
B2 –Tanzmachine - Inside
B3 –Shanghai Au Go Go - Un-compatible
B4 –Tester Housing - An Igloo For Accomodation
B5 –Software Seduction - New Collision
B6 –Informatics - The Great X-1
B7 –Modern Jazz - Boom Boom Baby
B8 –Ollie Olsen - Excerpt From "The Bad Planet"


Saturday, 20 October 2018

Various Artists ‎– "The Signal To Noise Set" (Only A Revolution ‎– Only 2) 1984


Lets go back to Australia, and get a hefty dose of antipodean minimal synth from the Orwellian watershed year of 1984.All downhill from there, creatively, politically and culturally.
This album is an absolute Minimal Wave classic from the prime period BM (Before Midi), when man and machine were still in balance. Fingers were largely still needed to press the keys and buttons in real time, and computers had less processing power than a Tamagotchi.
Every track on here is a brutal slice of stark, 'Phat' analogue beauty, uncluttered by banks of computer driven synth modules.The only thing that was digital in 1984 was generally your wrist watch.
This compilation of Australian minimal electronicists is easily up there with the best of the European hordes.....but it was from Austrailia.....so it was ignored.

Tracklisting:

A1 –Informatics-The Great X-1
A2 –Modern Jazz - Radio Scream
A3 –Dono-Detti - Man Unlimited
A4 –Second Glance - Shackles & Chains
A5 –Software Seduction - Try
A6 –Shanghai Au Go-Go - Talk Back
B1 –Dono-Detti - Flesh And Steel
B2 –Into The East - I Stand Still
B3 –Nuvo Bloc - Living Brigade
B4 –Human Backs - Frankenstein
B5 –Dono-Detti - Forbidden


Wednesday, 4 July 2018

The Thought Criminals ‎– "Chrono-Logical (1978-81)" (Doublethink ‎– DT1984) 2005


Staying in Sydney, We have the creators of one of thee DIY outsider Punk anthems, namely, "I Won't Pay (For Punk Records)" by the Thought Criminals.
They cleverly noticed that to provide a product to buy seemed to contradict the whole message that Punk rock put forward. Naturally they suggest that we 'punks' should boycott any product that should appear in traditional channels.
I was aware of their first two classic DIY singles, but one had no idea that they recorded skip loads of material.
They looked quite good too...:


Tracklist:
LP 1
I Won't Pay (for Punk Records)
Fun
More Suicides Please
Hilton Bomber
Fuck The Neighbours
Cut Out Man
So All The Superheroes
Termination
The Innocent
Winston Smith
Victory
Lonely Ones
Stolen Air
Confusion
The Orphan 

LP 2
We Promise You
OK 767
Oceania
Edge Of Time
Equidistance
My Mind Ain't So Open
Land Of The Living Room
Victims Of Today
Episode
Sound Of Changing Places
Take Another Look
La Mer (Live)

Tuesday, 3 July 2018

Systematics - "Pulp Baby7" EP" + "Rural 12"EP" + Rural Side 3 Cassette" (M Squared/Doublethink) 1979/80



"Pulp Baby 7" EP (Doublethink) 1979

Tracklist:

Pulp Baby
Nuts To You
Product




"Rural 12" EP" (M Squared) 1980

Tracklist:

A1 Numbers In General
A2 245T
A3 When I'm Older
A4 Flowers On The Wall
B1 Vanessa Teratology
B2 Dinner's On The Table
B3 Stuh Echipidah
B4 Mmmm


"Rural - side 3" Cassette (M Squared) 1980

Tracklist:

A1 Livewire in the Bathroom
A2 Stringbag Of Death
A3 Living in a Blue Light
A4 Bride of Surface
A5 Amniotic


Sydney based Minimal Wave combo who made introspective electronic tunes with that classic bedroom ambience we all crave....don't we?
The "Pulp Baby" single could qualify as the Southern Cross area's version of Thomas Leer's DIY electronic classic "Private Plane" seven incher;but with pretentions to be The Normal's "Warm Leatherette". Obviously recorded whilst Mum and Dad were asleep in the next room.The vocals are as quiet and unobtrusive as possible so as not to wake the parents....or girlfriend, as was the case with Mr Leer.Just in case someone found out what they awere doing.
It gives the recordings an intimate sound, as if we are privileged to eavesdrop on the process.
For the Rural Cassette, they get a bit more experimental and droney, and why not?

Sunday, 1 July 2018

Essendon Airport ‎– "Palimpsest" + "Sonic Investigations (Of The Trivial) EP" (Innocent Records) 1980/81


"Palimpsest" (1981)

Tracklist:

Correct Pitch?
No Quarter
Re-funkt
I Feel A Song Coming On
Jig
Like Young
Trad Jazz
Science Of Sound
Beguine
What Is This Thing Called Funk?
Rhythm Method
Entrance Of The Gladiators
Happy Ending


"Sonic Investigations (Of The Trivial)" (1980)

Tracklist:
Take Off
A1 Runway Rock 3:27
A2 How Low Can You Go... (?) 3:26

Touch Down
B1 Wallpaper Music 5:38
B2 3 Against 4 1:47

Well you know that '→ ↑ →' and 'Asphixiation' involved the members of Essendon Airport right?
Well here's Essendon Airports early records featuring no less than those very same members of Essendon Airport!
Blatantly the music of educated university graduates, this electronic version of Muzak suggests there must be an underlying theme to all this? Something we are too dumb to understand.There is a track title here, called "Wallpaper Music",which I suggest nakedly reveals the artists intention.
Its minimalism and non-rock uncommerciality is in itself admirable to behold;but there's again something rather sterile about it......nothing wrong with that however,just an observation.
I know this is good, but it just feels disposable,like the Elevator music it parodies.A world where humans are optional, except as consumers.....which you aren't if you download this file without the vulgar process of exchanging tokens of credit for it.That would just ruin everything!

Saturday, 30 June 2018

Asphixiation ‎– "What Is This Thing Called 'Disco'?" (Innocent ‎– ONO-001) 1981


This is basically an conceptual satire of the Disco cult by → ↑ →  and Essendon Airport, as a fictional group called 'Asphixiation'.
The LP was made as a backing track for the group members to mime to during a few performances at the George Paton Gallery in july 1980, where they pranced and mimed, badly, to an openly displayed reel-to-reel tape machine.

As it says on the official promo blurb from Innocent Records: 
"Ten arse-kicking tracks that encompass the wide dissemination of the most recent and prolific enigma yet to seduce the mass-market and tickle the art-cult: DISCO." 
It was quite popular around 1980 to do a tongue in cheek version of Disco by the more serious minded among the experimental pop community, of which there are many examples; notably The Residents disco version of their critically acclaimed album 'Eskimo', as 'Diskomo'.
This satirical experiment predates a lot of the 'Mutant Disco' stuff from downtown Manhatten in the early 80's, but this usurps all that by being a strictly one-off joke on both the Disco and Art worlds.
The provocative cover of an under-endowed male augmented with lit cigarette only serves to emphasise the subversivness of penetrating the ordinary home with subjects real Disco kept hidden behind the scenes.The music had the ability to lure children away from their parents like a piped piper to a taboo world of decadence and sexual discovery.Ohhhh La Laaa!!?
A similar swindle was attempted by Throbbing Gristle with their "20 Jazz Funk Greats" album. The idea being that any unsuspecting member of the public, when leafing through the record racks in Woolworths would happen upon this fake Jazz-Funk compilation,take it home and play it, but instead of the smooth danceable sounds of Level 42, they had Genesis P-Orridge groaning about 'Persuasion' and other dodgy sadistic topics. However on that album there did appear a couple of psuedo-disco tracks that did indeed presage House music by almost a decade......shame on you TG!!!!
Asphixiation, also touched on these same taboo's(I mean look at the cover and the groups S&M moniker?),but with far more humour involved than the largely humourless Throbbing Gristle.
Well....I could almost dance to this and think it was proper Disco.....dunno about you?

Tracklist:

Long Player Album:

A1 The Beat Aesthetic
A2 Feelings
A3 Asphixiation
A4 Blurred Movement
A5 Hunger-Food-Nausea
B1 Innocent Rhythms
B2 Aural Risk
B3 Traditional Europe
B4 Self Denial (Is A Beautiful Thing)
B5 African Disco Queen 


Twelve Inch Single (for A.M. Radio)
A L'Acrostique D'Amour

Twelve Inch Single (for Discotheques)
B The Crush

Friday, 29 June 2018

→ ↑ → ‎– "Spaces(1981)" + "3 EP's (1979-80) (Innocent ‎Records) 1979-81


Yes another 'request', but an admirable one, as I like any group that is unclassifiable alphabetically. This is why '→ ↑ →'(Philip Brophy & Essendon Airport basically) are often referred to as 'Tsk Tsk Tsk'. So the anal record store worker could file their output under 'T'.....ahhhhh the relief.
Another important bi-product of being unclassifiable in any filing system is 'No Sales!'.The casual browser would not find it easy to stumble upon a '→ ↑ →' record in any record store,which is how I managed to find most of my favourite LP's back in the day, just by looking at the cover art, and reading the track titles on the back (yes I can read...but I can't write!?!).
The music on this mini-lp and subsequent EP's (all on Brophy's Innocent records), is a kind of sterile art gallery bound variety of passionless brass enhanced electronica.Very 'Downtown', for people who boast of degrees and of reading books.Bereft of the accidental.....an important factor in human music.

Spaces Tracklist:

A1 Video Space
A2 Color Space
A3 Synthetic Space
B1 Total Space
B2 Flat Space
B3 Expressive Space


Venitian Rendezvous EP (1979)


Tracklist

A1 Lampadina
A2 Pallini
B1 Sportelio
B2 Canzona Di Una Notta




Nice Noise EP (1979)


Tracklist

A1 Nice Noise Theme
A2 Rock Song
B1 Doing Very Little
B2 One Note Song




"Caprice EP" (1980)


Tracklist

Born Again (Christian Revival Medley)
Caprice
AC/DC Current
Lunar Medley
Midnight Serenade
Moon River

Thursday, 28 June 2018

Primitive Calculators ‎– "Primitive Calculators" + "I Can't Stop It " (Self-Released) 1979/1982


Down in the classier part of Australia, we find the Synth Punk stylings of the Primitive Calculators of Melbourne. Home of The Birthday Party, formerly The Boys Next Door, whom The Calculators supported the night this live LP was recorded in 1979.
Of course The Boys Next Door contained one gothic crooning bore, Nicholas Cave, and we will hold that against them.
As the years have slipped by, we now know that The Primitive Calculators were,and are, vastly superior to any of Cave's future combo's.One reason why being decended from convicts is not as bad as its made out to be,as long as one leaves that curse of the inferiority complex behind with the other rubbish.
No studio LP was preserved for use in evidence,so we are left with a single and this live magnum opus to argue the case that they were the worlds largest islands equivalent of The Screamers......who needs recording studios anyway?
Like memories are the best photographs,sometimes things should be just left in the moment to burn brightly and then die.....which, ironically, the Calculators weren't allowed to do, as they resurrected themselve in the late eighties,and recently released a new LP??? for fucks sake!......yeah lets fuck up our legend like every fucker else is doing these days.
A lot's to be said for early deaths in the pop world. Jimi Hendrix was just beginning to suck real bad when he choked on vomit, and a lot lesser lights would have been thought of far more fondly if the reaper called just before that difficult second album.......Bono excepted of course;that particular gnome was beyond redemption as soon as he sported his mullet and placed a pixie boot on the monitors for the first time.A fine advert for abortion.

Tracklist:

A1 I Can Tell
A2 Do The Icepick
A3 Signals
A4 Stains
A5 Mud In My Eye
A6 Beat Goes On


B1 Lullaby
B2 Do That Dance
B3 I Can't Stop It
B4 Bake In The Sun
B5 Shout


"I Can't Stop It" 7" (1979)

A - "I can't Stop It"
B - "Do That Dance"

Wednesday, 27 June 2018

Negative Reaction ‎– "Negative Reaction" (Terse Tapes ‎– trs012) 1980


Australia did a good line in Dark Industrial, and Negative reaction are a fine example of the lesser known part of the thriving early 80's Aussie Industrial sub-culture.
What have Australians got to moan about one may ask? Sunshine,large open spaces,high standard of living....er....sunshine.
Well, for one, its a country full of loudmouthed 'Jocks',whose overcompetitiveness tends to annoy somewhat. So no wonder the pale young boys of Australia seeked solace in the dark pleasures of Industrial culture. Eternal sunshine can be a real downer also,not to mention the heat of the long antipodean summers.Overexposure to such a climatic strait-jacket can lead to a longing for the grey skies of the mother country, The UK, and the cleansing properties of rainfall.

Tracklist:

Jubilee 3:25
Frustrate Flats 1:13
The Desert 8:04
Mass Culture 5:03
Street Paranoia 3:29
Dead 2:44
Theme 1 6:10
Vietnam 10:58

Live at I.C.E

Tuesday, 26 June 2018

Slugfuckers ‎– "Transformational Salt" (Dogfood Production System ‎– Dogmat#2) 1981


With a name like 'Slugfuckers' you certainly ain't lookin' fer chart action, and with an LP like this, you definitely ain't!
There aren't too many looser combo's than this from the land down under. Falling apart abstract punk funk played by pale white boys from the Sydney suburbs who'd heard The Pop Group.
Thankfully, unlike The Pop Group, Slugfuckers don't resort to pounding the listeners skull with endless political soapboxing.
The lyrics, delivered in a half-assed quasi-conversational style, are suitably vague and abstract enough as to compliment the collapsing syncopation of the music. This is the kind of stuff I like to relax to of an evening, protected by a ring of salt.

Tracklist:

A1 Wail
A2 Mr. Insanity
A3 Tricked You
A4 Poem
A5 Obbligato Necroplasm
A6 Skizo Disko
B1 Corkscream
B2 Dolphins Aren't Fish
B3 Tell Me Who You Are
B4 Movie
B5 Artificial Slits
B6 Germange


Sunday, 24 June 2018

Various Artists ‎– "A Selection" ( M Squared ‎– M2010) 1981


A broad local band compilation from Sydney Australia  in 1981.
Featuring future Industrial legends as SPK and Severed Heads.
There's also plenty of local Sydney underground heroes like Slugfuckers (can't see them getting very far with a name like that....top marks), and Negative Reaction.
Terrible artwork, but full of gems.

Tracklist:

A1 –Wild West - Pelican
A2 –The Dead Travel Fast - Urchin
A3 –Negative Reaction - Land Of Surrender
A4 –The Limp - Pony Club
A5 –Severed Heads - Eat Roland
A6 –Slugfuckers - Reggae
B1 –Tame O'Mearas - Curl Curl
B2 –Splendid Mess - Nasa Secret Anzac
B3 –Pel Mel - Click Click
B4 –Systematics - Die For My House
B5 –Scattered Order - I'm Not Whole
B6 –Solipsik (SPK) - Zombod
B7 –Aural Indifference - Baby Love


Saturday, 23 June 2018

Various Artists ‎– "Growing Pains" (M Squared ‎– M2003) 1980


A strange Australian compilation of local Sydney post-punk bands from 1980......er...thats it!?


Tracklist:

A1 –Pleasant Peasants - Pussman Polka
A2 –The Barons - Paint It Black
A3 –The Systematics - Midnight On Balancing Day
A4 –EST - Yvonne Is Out Again
B1 –Height/Dismay - Girl From Ipanema
B2 –Scattered Order - Bent Up
B3 –The Dead Travel Fast - Untitled


Friday, 22 June 2018

Various Artists ‎– "A Terse Sample" (Terse Tapes ‎– TRS002) 1980




I suppose this was the Austrailian 'Weird Noise ep"? An actual vinyl release from Oz's Fuck Off Records Equivalent, Terse Tapes.A thing of great beauty.
The only place outside of the UK to achieve this kind of DIY sound was, for some reason Australia? It had it all, muffled under a duvet acoustics, cheapo instruments, a noticable lack of ambition or commercial instinct,musical ability optional,and an inate desire to be experimental or stop doing it.
Every tracks a winner from these obscure antipodeans.
Maybe it was because no band or group in Oz had the slightest chance of making it in the commercial pop arena, so they might as well do whatever the fuck they wanted, rather than move to London like AC/DC and The Saints did!.A bit like Germany in 1971, which spawned 'Krautrock'. The Uk's excuse was the opposite to that. There was so much commercial pop and Rock that your poxy pop group got drowned by the shear quantity of it all....so, if no one else was gonna do it for you, you had to do it yourself, for yourself and yer mates. Of course, like in everything else, redneck America was ten years behind everyone else, and 'invented' cassette culture just as the rest of the world were stopping.Bless 'em.

Tracklist:

A1 –The Wet Taxis - Donny And Marie | Polio Baby | Riso Riso | Max And Peter Marmite Jar
A2 –Mindless Delta Children - Go Go Dancer P.V.C. Apron
B1 –Agent Orange - The Uncle Song
B2 –Rhoborhythmaticons - Knife And Fork


Sunday, 17 June 2018

Various Artists ‎– "Mysterious Kitchens" ( Terse Tapes ‎– TRS004) 1980

Another Terse Tapes cassette compilation, this time featuring a load of impossibly obscure Australian DIY bands; the better known of which would be The Wet Taxis.
It's a mixture of classic bedroom DIY, minimal synth, and aussie Industrial.
as normal with Terse tapes, its all good.

Tracklist:
A1 –In Church - Saving Souls
A2 –Pissy Relay Switches - Diskettes
A3 –Pissy Relay Switches - The Snack Chip
A4 –Pissy Relay Switches - Good Times
A5 –Pissy Relay Switches - Good Times Too
A6 –Holiday Funn - Each Tick
A7 –Holiday Funn - Sounds Familiar
A8 –Holiday Funn - Schplatt!
A9 –Headless Corpses - Axe Murderers
A10 –Lamington Lady - Untitled
A11 –The Nobodies - Introducing
A12 –The Nobodies - Play It Again
A13 –The Nobodies - Carry My Books
A14 –The Nobodies - Nothing Like It
A15 –The Nobodies - I Don't Care
A16 –The Nobodies - Lassie Come Home
A17 –2 Man Submarine - Machines That Walk
A18 –2 Man Submarine - Being Boiled 

B1 –Mr And Mrs No Smoking Sign - Come Home And Have Your Tea
B2 –Wet Taxis - Feel The Carat
B3 –Wet Taxis - Inflate Your Baby
B4 –Wet Taxis - Harmonix One
B5 –Wet Taxis - Joy Of Life
B6 –Wet Taxis - Dare You?
B7 –Wet Taxis - Make Cake
B8 –Rhino Rhino RH+ - Mr. Hat
B9 –Rhino Rhino RH+ - RFMOD
B10 –Rhino Rhino RH+ - In The Soup
B11 –Rhino Rhino RH+ - My Mother The Car
B12 –Rhino Rhino RH+ - Utensil
B13 –Japanese Gene Kelly - How I Lost My Drumstick But Went To The Shops And Bought Some Soap And It Was Real Exciting
B14 –Burt Blanka - Ya Ya Twist Electronics
B15 –Mindless Delta Children - All Clones Look The Same To Me

Saturday, 16 June 2018

Various Artists ‎– "Fire On Boat" (Terse Tapes ‎– TRS006c) 1980





A C90 compilations from Terse Tapes (ran by Tom Ellard of Severed Heads) featuring UK DIY bands/Artists from the midlands compiled with Mark from....poor lad....Coventry.
This is why we find bands from Northampton,Nuneaton, Coventry and beyond on an Australian cassette label.
There are brief, but very worthwhile forays into the north via Liverpool with the Legendary Phillip Johnson,and Edinburgh with Josef K frontman Paul Haig,doing a very raw version of Josef K tune 'Pictures'.Not forgetting south Humbersiders,and DIY foundation stone layers, Instant Automatons, and chums, Alien Brains!
Not to mention some pre-fame Eyeless In Gaza stuff.
We also have something from DIY legend Gary Ramon in his WeR7 incarnation, and fellow Color Tapes stablemates 'Lives Of Angels',appearing here as the Body Electric.
Its ALL enrobed in that classic DIY small room ambiance,lashings of  fuzz and hiss; played on the cheapest equipment possible.
A classic compilation on a classic DIY Label.


Tracklisting:

A1 –Rota Rhythms - The Age Of The Fun Cassette
A2 –PR5 - Private Armies
A3 –Dave Carson - Crashing And Gasping
A4 –Paul Haig - Pictures
A5 –Philip Johnson - Nothing
A6 –Philip Johnson - Holiday Train
A7 –Paul Reekie - Drugs At School
A8 –A.D.H. - Ruins/Drive
A9 –Ron Crowcroft Lock/Unlock
A10 –WeR7 - Disquiet Music 2
A11 –The Ordinary - Fight The Good Fight 


B1 –Religious Overdose - 25 Minutes
B2 –Body Electric - Red Suit
B3 –Martyn Bates - Engine Failing
B4 –Douglas Barrie & Stuart Wright - March
B5 –Kevin Harrison - The Boy Was Dead (Ambulance Song)
B6 –Alien Brains - 2 Minutes Of Alien Brains
B7 –The Instant Automatons - Brains Under Glass
B8 –Eyeless In Gaza - By Proxy
B9 –Disintegrators - Disintegration (Excerpt)
B10 –Tony Clough - Isolation 1
B11 –Excitement Pathetix - Fun Cassette

Friday, 6 October 2017

Die Haut ‎– "Burnin' The Ice" (Paradoxx Records ‎– PA 5502) 1983


Oh Dear, it's say "Contains Shocking Lyrics" on the sticker. Whether that means shockingly bad lyrics or otherwise I wouldn't like to say, but they were contributed and sung by none other than the Van Morrison of Gothic Crooners himself, Mr Nicholas Cave.
The Birthday Party had made a fashion statement by moving to West Berlin to fit in with their tiresome 'miserable sod' image. It was there that Mr Cave met The Skin(die Haut)....sounds like a terrible schlock horror film. 
The results of this conflagration are somewhat better than most of the Birthday Party back catalogue.
This is where Cave found his drummer victim, Thomas Wydler, for his endlessly repeating 'Bad Seeds' project.

Tracklist:

A1 Stow-A-Way 7:14
A2 Tokyo Express 2:57
A3 Truck Love 3:51
B1 The Victory 3:43
B2 Pleasure Is The Boss 3:50
B3 Dumb Europe 6:30
B4 This Flame Will Never Die 1:18