Showing posts with label Charlemagne Palestine. Show all posts
Showing posts with label Charlemagne Palestine. Show all posts

Friday, 24 January 2020

Charlemagne Palestine ‎– "Four Manifestations On Six Elements For Bösendorfer Piano" (Sonnabend Gallery) 1974




Like some kinda sound alchemist, Chuck Palestine began his crazy  more avant garde than thou creative life by blending sonic elements over and over again through years of non-chemical 'research',(read that as fucking about), searching for the so-called, 'Golden Sound'.Similar to the search of the thirteenth note,thus reducing sound to the essence of the chord or harmonic structure itself.
The resonant Bösendorfer allows Palestine to create a complex variation of tones, intervals, overtones and rhythms. "One Fifth" evolves by reinforcing the fundamentals of a fifth with their higher octave(it says here!?).....my brane 'urts! Each performance of this work is different as Palestine reinterprets these simple elements listening within them for variations of amplitude, mixture and inertia at the moment of the performance. "One + Two Fifths" deals with the way a rhythmic sonority sounds when the sustain pedal of the piano is not used, thus focusing on the rhythmic aspect. Gradually by adding the sustain pedal the external rhythmic pattern begins to internalize becoming an inert part of the whole tymbral fabric(wow!)- a piece expressing the battle of rhythm versus timbre for dominance.

Thats the technical shit out of the way.Basically track one and six are drones produced by the resonant capabilities of The Bosendorfer Grand with the sustain pedal fully engaged.The rest are more rythmic and repetitive without the Sustain pedal,which is slowly introduced to create waves of resonance that submerge the rythmic pulse somewhat. The final note takes an age to decay,and sometimes with this digital technology one can hear it being cut off before it ends on the recording....tut tut tut!
If you're caught in a situation when your clever than you work acquaintances request some Chalremagne palestine at your networking gathering in uptown manhatten, don't panic!Just moemorise the first paragraph wot i wrote above....They won't know what the fuck you're going on about and think you're some kind of intellectual Thresher Shark,nod wildly feigning complete and utter understanding,and concurrance.
Christ, humans are pathetic!?......"Hmmmmmm,yes, yes, genius....and what are your thoughts on Glass(Philip)?".....thats when the next batch of stuffed olives appears,along with some specially imported French cheeses.
"What are your thoughts on Clayderman (Richard)?"
It must be great to be Sofisticated? 
Pina Colada anyone?

Tracklist:

A1 Two Perfect Fifths, A Major Third Apart, Reinforced Twice (1973)
B1 Perfect Fifths In The Rhythm Three Against Two For Bösendorfer Piano - One (1973)
B2 Perfect Fifths In The Rhythm Three Against Two For Bösendorfer Piano - Two (1973)
B3 Perfect Fifths In The Rhythm Three Against Two For Bösendorfer Piano - Three (1973)
C1 Sliding Fifths For Piano (1972)
D1 Three Perfect Fifths, A Major Second Apart, Reinforced Twice (1973)

Thursday, 23 January 2020

Charlemagne Palestine ‎– "Strumming Music" (Shandar ‎– 83517) 1974

Born around at the same time that Moondog first stood on the corner of 54th street and 6th Avenue, Charlemagne Palestine, or Chaim Moshe Tzadik Palestine ,or, Charles Martin......so we'll just call him 'Chuck'.....was from the school of the streets, rather than some high Falutin School of Music. Early in life he fell victim,willingly, to the same Guru that grabbed LaMonte Young and Tony Conrad,
Pandit Pran Nath,who taught them the sheer thrill-less-ness of the Drone. 

That single note had the sheer bejesus squeezed out of it in the ensuing years,decades after 1965, and still gets a hammering today.
Somehow Chuck managed to get a foolish philanthrope to buy him, as he says in the sleeve notes, "the Rolls-Royce of Pianos", a Bosendorfer Grand from Vienna.They cost somewhere in the vacinity of two hundred grand,or thereabouts.
Most people, yes pianists are people too, would take full advantage of the 9 extra notes on the Bosendorfer Grand, and show off their dextrosity using most of those 97 keys...but not Chuck, oh no.....he plays one note,or one chord and holds it until your eyes bleed, and your ears have a specific hole burnt in their sonic spectrum.
Hit a key on a piano with the sustain pedal pressed down,especially with the extra resonance of the Bosendorfer, and you’ll hear the struck string ring out unencumbered. Add another note to make a chord, and the undamped strings will begin to resonate with each other and those around them, creating ethereal harmonics that ghost over the notes being struck by the hammers. Repeat in rapid succession for fifty minutes. This is the principle behind Strumming Music.
If you're looking for a nice melody,this one isn't for you.If you wanna zone out while the music resonates with the alpha waves in your brain, then this is the tool for you to switch off that troubled organ and be one with the oscillating wave forms transmitted by a quarter of a million bucks worth of kit......it's a hard life being a musician ain't it?

Tracklist:

A Strumming Music 25:10
B Strumming Music 24:40