Showing posts with label Fushitsusha. Show all posts
Showing posts with label Fushitsusha. Show all posts

Sunday, 14 February 2021

Zchivago's Disco Dystopia - "Japanese Special" (05/02/2021)


Mechagodzilla says,you better listen to this or shit's gonna happen ....Rikai suru???? (that's japanese for Capishe? Which is probably Italian for 'understand'?....just do as he/it tells you basically.

Disco Dystopia Febuary 2021

“Japanese Special”


1. OTOMO YOSHIHIDE'S NRW JAZZ QUINTET – playgirl BGM
2. MABUKI JUNKO - Mr Lonely
3. MAMUSHI – Old River
4. DAISUCK AND PROSTITUTE – The Witch hunt Of The Jug Rat
5. GROUND ZERO – Live Mao '99
6. MASAMI KAWAHARA'S EXOTIC SOUNDS - Taboo
7. SELF-DECONSTRUCTION - Disaster
8. FLAGITIOUS IDIOSYNCRASY IN THE DILAPIDATION – Studeny Klih
9. INCAPACITANTS - Leprosy
10. MASAMI KAWAHARA'S EXOTIC SOUNDS- Manha de Carnaval
11. FUSHITSUSHA - Marianne
12. LES RAILLEZES DENUDES- People can choose
13. HIGH RISE – T.F.B.

WITH A SPECIAL APPEARENCE BY GODZILLA

or

Sunday, 7 February 2021

Various Artists – "Tokyo Flashback" (P.S.F. Records – PSFD-12) 1991


 
The original Tokyo Psychedelic noise sampler,or volume 1, which features several bands who would appear on most of the follow up Tokyo Flashback volumes to come. The usual suspects are there again, and, as always, Keiji Haino appears twice,solo and as part of Fushitsusha. Which doesn't help the westerners' misconception that there weren't many Japanese bands in Japan.The flood started here in a vane attempt to save us all from Grunge.

Tracklist:

1 Marble Sheep & The Run-Down Sun's Children– 22 February.1991 8:21
2 High-Rise – Mainliner 10:24
3 Ghost – Tama Yura 10:13
4 Fushitsusha–  Omae kotchi 10:17
5 White Heaven– Blind Promise (Alternate Take) 4:53
6 Verzerk– Heavy 7:12
7 Kousokuya – The End Of The Dawn 7:38
8 Keiji Haino – Just Now 8:37

Saturday, 6 February 2021

Various Artists– "Tokyo Flashback 2" ( P.S.F. Records – PSFD-24) 1992



I like how it says 'Incredible,...11 Groups from Tokyo!!!??.....they had that many?
I'm sure the inhabitants of Tokyo already knew they had far more than 11 groups,but as westerners,especially comedy western Rock musicians, famously, can't count beyond 11,its displayed on the cover....in English.
In the early 90's,I, for one, had no idea Japan had any pop groups at all, never mind this brand of raw noisy psychedelic fuzz.This is where compilations come into their own,as this series of Jap comps virtually discovered this scene by proxy.Then us western types could claim to be weird by playing their mates some wild Japanese group that they'd never heard of,and go away envious of how on the cusp you were. The aural politics of Envy,or musical socialism in action.....no groups are created equal;unless they're on a compilation.

Friday, 5 February 2021

Various Artists – "Tokyo Flashback 3" (P.S.F. Records – PSFD-34) 1993




 Yeah I dig,I dig,Alan!
This Alan Cumming geezer gets it right in his sleeve notes. As Japan was cut off from the outside world in centuries gone by,they were again in the post war era,as far as the west was concerned, albeit only musically.
Before 1993,all I knew of Japanese pop music was the bloody awful Yellow Magic Orchestra, and The rather amusing Frank Chickens,who i saw as a novelty act more than a musical turn.
The afore mentioned eclecticism that is so evidently rife in all Japanese music,tended to produce an identifiable form of extreme music that specifically came only from Japan and nowhere else.Their Free Jazz is more extreme, Their Rock is noisier,their Noise is Noisier, their Pop unfathomable, fueled by,as Cummings puts it, an Interzone of possibilities trapped behind one way glass,observing outwards at a wonderland through the looking glass.
Western ears were not attuned to this ,even if they did have the same record collections, their Branes needed to be trained,and the membrane penetrated.
Enter the Tokyo Flashback compilations......ahhh now i understand, I think?
There's plenty of noisy stoner rock, free improvisation,skewed versions of classic anglo-saxon pop,and other unidentifiable stuff.White Heaven,for example, features a rather bizarre singer who sounds for want of a better word, Drunk;but i suspect its a Japanese accent of some form?
As Krautrock was populated by bands who couldn't really play their instruments like those Anglo-Saxon Progressive Rock stars,so had to play within their abilities to create something accidently 'Neu'. Japrock was full of equally unschooled musicians who tried and failed to play the Psychedelia of that tired western template,but instead of playing within their abilities ,they focused on the noise and the freedom and went further.Embrace your inabilities and magnify them There was nothing like Fushitsusha anywhere else,not even in West Germany, 1970......and don't forget Fushitsusha were going even before then!?

Tracklist

1 Overhang Party– Fever 7:49
2 White Heaven– Midsummer Stroll 5:36
3 Fushitsusha – Began To Notice 11:28
4 Cobalt – Woodcutter Mountain People -3:01
5 Komo Ta Hae– Bottom Of The Night 8:47
6 Sweet & Honey– Ritual Of The Sun 4:44
7 Ghost – Suspect Tells Of Dog Under The Sun 6:19
8 Daiichi Hakkensha – All Die Anyway 4:22
9 Uchu Engine– Certificate 6:11
10 Maher Shalal Hash Baz– Tapes (Tuning-Casey Don't You Know How It Makes Me So Damn Crazy-うつ病のくすり~The Night Of Notins) 9:48
11 Schizuka – Mother Of A Child that Has been Unwound 7:44

Saturday, 4 May 2019

Derek Bailey, Keiji Haino ‎– "寄り添い合いし 秩序と無秩序の気配かな = Drawing Close, Attuning - The Respective Signs Of Order And Chaos" Tokuma Japan Communications ‎– TKCF-77017) 1997

No, this isn't two chimps playing deulling banjo's on guitar!
Its Keiji Haino in yer left ear and Derek Bailey in yer right ear,or the otherway round depending on which direction you placed yer earphones.
Derek Bailey,as you know,was thee pioneer of the free jazz guitar, and Keiji Haino was....well.....Keiji Haino!? They both wear glasses,one of them perscription, the other off the rack shades that seem permanently sellotaped to his head.
Both have a tendancy to flesh out Chaos Theory on the six strings of a guitar,but without conventional chords,notes, or technique.
This was their first collaboration, or abberation, depending on your point of view,and I personally find it inferior to their second, called,ironically,"Songs", which you can find HERE!
I dunno, maybe this really is actually two chimps, and we've read too much into it,which is basically an artistic statement within itself?

Tracklist:

1 Untitled 1:19
2 Untitled 2:15
3 Untitled 1:47
4 Untitled 3:58
5 Untitled 9:40
6 Untitled 26:01
7 Untitled 30:28


Friday, 3 May 2019

Keiji Haino ‎– "わたしだけ?(Watashi Dake?)" (Pinakotheca ‎– PRL#2) 1981


Never seen without a pair of sunglasses on,(but unlike Bono, he can actually carry it off!), Keiji Haino, late of Free Rock pioneers Fushitsusha, entered the solo arena with this unhinged work called "Watashi Dake?", or ,for our japanese readers, "わたしだけ?".
For the majority of this record Keiji sounds not unlike an amped up Jandek on a really,really, bad trip.
This being the expanded CD version, we are treated to a half hour long bonus track of Hainos famed guitar noise and feedback onslaught, where his Gibson SG sounds like its being raped,while a sqaudron of kamikaze guitars smash into music retail establishments everywhere.Jimi Hendrix this is most definitely NOT!
Rather marvellous.

Tracklisting:

1. Ore no arika
2. Yurusarezaru monotachi
3. Yomigaeru
4. Rowa ni sasero
5. Owari ni sasero
6. Umaku dekinai
7. Motto motto motto
8. Tsuki nukete mo
9. Kuzurete yuku
10. Koko made kite miro
11. Waraitai no ni
12. Kaeritai
13. Sasageru 


DOWNLOAD and live for the emperor of noise HERE!

Thursday, 2 May 2019

Keiji Haino / Loren Mazzacane Connors ‎– "Live At Downtown Music Gallery, New York City, August 1, 1992" (Persona Non Grata) 1995



Another of my favourite guitar abusers,as if anyone cares, is, obviously, Keiji Haino, late of Fushitsusha.
So, when this improv performance with Loren Mazzacane Connors came into existence, one had to hear it. Two guitarists with intrinsically opposite styles don't make obvious bedfellows,and in this case, it shows. Haino seems to struggle to adapt himself to the quieter understated style of Connors, rather than do what he does best,ie making a soul shattering racket,inbetween the quiet patches,with the odd death rattling scream.
Nah, doesn't work, for me anyway;Despite what it says on the sleeve notes ,but well worth a try.
There's a second record apparently,maybe thats better?

DOWNLOAD this downtown improv dynamic duo HERE!

Wednesday, 4 June 2014

Doo-Dooettes with Keiji Haino & Rick Potts ‎– "Free Rock" (P.S.F. Records ‎– PSFD-131) 1982


This is without doubt one of the finest pieces of music I have ever heard. A collaboration between Free Music's finest improvisers, The Los Angeles free Music Society and Fushitsusha's Keiji Haino.Recorded in 1982, and released, finally, in 2002 on the legendary japanese label P.S.F.
It does exactly what it says on the sleeve, it's free rock, very experimental Free Rock, but nevertheless Rock,albeit,Free of Rock as ballast to hold it down.
To some this sounds like several persons ,who can't play their instruments, recorded in seperate rooms. At times one is reminded of AMM's interplaying Radio and strings,which is praise indeed; but with the outsider rock of Haino,this is elevated to some self-proving musical M-theory,powered by the Dark energy of channeled 'out-there-ness'. This is all the proof I need that other membrane universes exist just nanometres away from us; we just need inspired artists to reveal them.
Or, it could all be just a complete fucking NOISE!......and what’s wrong with that?
Inspiration, Insight, Intuition, plus the opposite of Intelligence = real intelligence. Or I*+I#+I°+[-I]= I(\infty).

Tracklist:


1 Blueprint For The Shimmering Quivers Of The Deep Purple Ultraviolet Tuning Fork 34:54

Friday, 23 May 2014

Keiji Haino & Derek Bailey ‎– "Songs" (Incus Records ‎– CD 40) 2000

Thanks to Jan Maarten, we now have the Haino/ Bailey collaboration.A true gent.On behalf of all, we bring you gratitude in bucketfuls.

Two guitar hero's that are as far removed from Jimmy Page, and those other incredibly boring standard axe wielders, than you can imagine.
This is like taking any guitar solo from the first fifty years of Rock music, feeding it through a hardcore pulverising unit, and separating the dust and the shards, gluing them to a music box cylinder, playing it once, before smashing it with a sledgehammer.
It has NOTHING to do with conventional guitar traditions whatsoever!
Haino's vocalising is similarly split into micro-syllables and splinters of words that seem to mimic its six string equivalent, and vice versa.
If in your world, Jimi Hendrix was from Mars, then this is from an exo-planet sucked through a wormhole from an anti-universe somewhere that barely exists.

Tracklist:

1 Yume Ga Ichiban Muchi
2 25 No Seimeitai
3 Aru Kanashika No Juni
4 2 To Mugen No Torihiki
5 Zen'i No Yokubo
6 Boka Ga Nejirekireru To Ai
7 Zureteyuku No Ha Watashi, Soretomo Ima
8 Ten To Tomo Ni Ishoni Itagaru Shugo
9 Egatai Kanashimi O Te Ni Ireta
10 Chotto Burusu Ni Aisatsu
11 Kotaerarenai Hazu Na No Ni
12 Ichi O Tashikamete Kara...
13 Fukuzatsu To Iu Zurusa
14 
Tsumasaki Kara No Keikoku
15 Kikiakasarerarenai Koto
16 Massugu Tte Kore De Ii No?

DOWNLOAD some songs HERE!

Tuesday, 20 May 2014

不失者 (Fushitsusha) ‎– "悲愴 (Pathétique)" (P.S.F. Records ‎– PSFD-50) 1994

Yes, all the covers are the same, and to the untrained ear, so are the contents.
Yet, here we have a full spectrum Fushitsusha workout. Starting with the slow descent into hell to find that we are already there, march, of track one.
Then we have what a Punk Rock anthem would sound like if it was made of glass and smashed violently on a steel floor.
"Song" number three shifts from a "catchy" yet dissonant, descending, mantra-rock groove into more improvised, feedback bliss at all the "right", “wrong” moments.
Finally, at well over 40 minutes, track four stretches out a solid ocean of distortion into one of those “timeless / infinite moments”that make the terrifying  prospect of eternal life seem almost desirable.
Probably my personal favourite 不失者 album,less sprawling, and to the point than the other epics.
What I can't work out is how "悲愴" translates into bloody french? This has to be bollocks, surely?
To ease this minor irritation the album is also referred to as "4" or "Hisou"; which is anglicised Japanese for.....mmmm....Pathetic! 

Tracklist

1 Untitled 5:00
2 Untitled 9:35
3 Untitled 15:59
4 Untitled 44:21

DOWNLOAD this pathetic/pathétique album HERE!

Monday, 19 May 2014

不失者(Fushitshusha) ‎– 寓意的な誤解 (Allegorical Misunderstanding)- (Avant ‎– AVAN 008) 1993

Fushitsusha captured in laid back form, in a Studio. Noisey freak outs are replaced by medium paced,disjointed, improvised cleanish guitar slashing; backed up by barely syncopated bass and drums. 灰野敬 (Haino Keiji) interjects with his trademark tortured whispers and anguished screams, to make a kind of Japanese Blues, totally devoid of any afro-american influence.This is a good thing is it not?


Tracklist

1 Magic I 2:42
2 Magic II 8:45
3 Magic III 1:11
4 Magic IV 3:32
5 Magic V 5:34
6 Magic VI 4:04
7 Magic VII 3:28
8 Magic VIII 2:33
9 Magic IX 13:54
10 Magic X 2:44

DOWNLOAD and misunderstand allegorically HERE!

Saturday, 17 May 2014

不失者 (Fushitsusha) ‎– "不失者 (S/T Live 2)" (P.S.F. Records ‎– PSFD-15~16) 1991





The follow up to 不失者 (Fushitsusha), also titled 不失者 (Fushitsusha), like the 1989 debut.Also live, and in the same cover,with the same improvised free rock noise workouts.Sometimes referred to as "Live 2" or, "Number 2" (not a reference to toilet habits I suggest; ie the next on the scale from a number 1).
A Paint peeling, room clearing racket, like Rock'n'Roll is meant to be.

Tracklist:

1-1 Untitled 10:28
1-2 Untitled 14:42
1-3 Untitled 11:57
1-4 Untitled 13:46
1-5 Untitled 12:23
1-6 Untitled 9:34
2-1 Untitled 16:37
2-2 Untitled 9:04
2-3 Untitled 6:17
2-4 Untitled 6:49
2-5 Untitled 9:41
2-6 Untitled 11:25
2-7 Untitled 14:13


DOWNLOAD disc one of live 2  HERE!
and now......
DOWNLOAD disc two of live 2 HERE!

Friday, 16 May 2014

不失者 (Fushitsusha) ‎– "不失者 (Fushitsusha, or Double Live)" - (P.S.F. Records ‎– PSF-3/4) 1989

After all these Jandek posts, one turns ones mind to similar artistes from other country's of the post-rock'n'roll world. You know the one's, who plough the same deeply unpopular furrow continuously for decades irrespective of public, or critical opinion.
For example, I can think of Whitehouse,or even Mark E. Smith (but maybe he's too popular?) , from the UK, The Dead C from New Zealand, Magma from France,and 不失者, or Fushitsusha from Japan.
I suppose there's also Merzbow,but even that's got the smell of Industrial chic that is increasingly popular these days. Fushitsusha straddle that awkward no-man's land middle ground between, Noise, Metal, incompetence, and the Avant Garde.
Keiji Haino (灰野敬) is the Jandek of Metal, who plays his guitar as if the instrument was being tortured for information, emitting screams and yells as he applies the electrodes to its genitalia. The vocal sounds Haino regurgitates are also from a similar place, like a political prisoner before he's dunked in the bath of shit.
Also admirable is the fact that this group(formed in 1978) played live for a decade before they even released a record(this is their first release!),and even longer before they even ventured into a recording studio.Hardly a commercial thought entered their pure little minds.
The thing about improvisation, is that there is a very real need to keep it in the moment; a once only experience, never to be repeated or relived. That is the purest form of improvisation in a live environment. Here it has been caged for this insane double album, so we can stare through the bars at this trapped animal; and what a vicious wild beast it is.
The exception for improvised music, is if it is done in a studio direct to record,as it needs an audience to exist.Fushitsusha managed to hold on another few years before they took that route.
Enjoy this primal blast of Free ambient freak out noise rock, created in the moment, and captured for you to reanimate in the future.

Tracklist:

A1 あっち 12:32
A2 暗号 10:21
B1 すきにやればいい 11:38
B2 とどかない 10:27
C ここ 26:06
D1 ふわ ふわ 8:04
D2 なったんじゃない 7:46
D3 迷子 10:03


DOWNLOAD this absolute racket HERE!