Showing posts with label Eduard Artemiev. Show all posts
Showing posts with label Eduard Artemiev. Show all posts

Tuesday, 21 July 2020

Various ‎Artists – "Musical Offering / Музыкальное Приношение" (Мелодия ‎– С60 30721 000) 1990


The Soviets insisted that anything the capitalists could do,they could at least match it,usually making these things on a budget of close to zero,held together with straw and snot, like their version of Concorde,the supersonic passenger jet,Concordski,which crashed at the Paris airshow in 1973. As soon as the "more Equal Than Thou" members of the Polit Bureau heard of the EMS synth,they wanted their own 'Socialist' version, that their great and glorious electronic composers could all use.......this was called, the 'ANS' synthesizer;notice any similarities there?
One of the first synthesizers in the world (aka in The USSR), it was created by the Russian engineer E. Murzin over a period of twenty years from 1937, and it created music using light, rather than electrical variations, unlike all other synthesizers,except Daphne Oram's Oramics machine of course.This replaced the soviet version of the synth which involved high voltage cables attached to the genetils of 88 Oboe playing dissidents,and a series of levers that, when thrown in a sequence, would apply the adequate voltage to make the dissedent play his allocated note on the Oboe stapled to his mouth. This was fully polyphonic,but had its drawbacks, like the oboe player dying, and it emitted an awful smell of burning ball-bag hairs.Now that's what i call 'Electronic Music'!?

For Murzin's light synth,he,or the KGB, invited,or ordered, young,but qualified, composers to come and work on some new electronic pieces....this time without electrodes or any pointing guns,and the resulting works are showcased on this post Berlin wall collapse album released by crumbling state label Melodia.
Recorded between 1964 and 1971,these bizarre dark electronic excursions didn't see the light of day until 1990,as the communist bloc was collapsing;but the rest of the recordings that never made it onto the album were rediscovered and are now included here as bonus tracks.Whoppeeeee.......now, where did I put those electrodes,and where are those cheap economic migrants I bought?

Tracklist:

1 –Oleg Buloshkin- Sacrament 3:34
2 –Sofia Gubaidulina - Vivente-Non Vivente (Alive & Dead) 10:44
3 –Edward Artemiev - Mosaic 4:00
4 –Edward Artemiev - 12 Looks At The World Of Sound 12:52
5 –Edison Denisov - Birds' Singing 5:05
6 –Alfred Schnittke - Steam 5:50
7 –Alexander Nemtin - Tears 4:41
8 –Alexander Nemtin - I. S. Bach: Choral Prelude C-dur 2:30
9 –Schandor Kallosh - Northern Tale 5:38
10 –Stanislav Kreitchi - Voices Of The West 2:00
11 –Edward Artemiev Music From The Motion Picture "Cosmos" 12:15
12 –Stanislav Kreitchi - Intermezzo 2:00

Monday, 7 October 2019

Edward Artemiev /Э. Артемьев ‎– "Метаморфозы / Metamorphoses" (Мелодия ‎– С 10—13889-90) 1980


When Eduard Artemiev, Yuri Bogdanov and Vladimir Martynov got their clammy hands on the massive, British made, Digital/Analogue synthesizer Synthi 100  by EMS systems as owned by "Melodia", the result was "Metamorphoses - Electronic interpretations of classic and modern musical works".Which consisted of electronic interpretations of ‘classical’ and neo-classical pieces by Claude Debussy and Monteverdi among others . Yuri Bogdanov features on every track, on some tracks together with Edward Artemiev, among others. Other tracks feature Vladimir Martynov.
The record was made with the basic concept of a kaleidoscope: it's interspersed with pieces of various styles, genres and eras. For example,for these pieces the authors wanted to show a variety of ways to use a synthesizer, starting with the direct simulation of now or once existing instruments, to the establishment of new not yet known sounds. Thus, the record is like a small musical walk through time,as realized by the SYNTHY100 synthesizer.

Yes, the only synth I know of with a built in Oscilloscope!?
There were only thirty of these beasts made,and luckily for Iron curtain dwelling modern composers the state label shelled out the 6.5 grand necessary to purchase one of these mighty beasts in the late seventies.....of course the BBC Radipphonic Workshop had one since 1970. Now dodgy pop stars all over the planet salivate at the prospect of finding one of these in the local thrift store. Billy Corgan has one....but don't let that put you off.


The Synthi 100....they don't build 'em like this anymore!?

Tracklist:


A1 Ветер На Равнине = Le Vent Dans La Plaine 4:25
A2 Я Молод И Радостен = Io Mi Son Giovinetta 2:15
A3 Почему Ты Спрашиваешь? = Why Aske You? 2:32
A4 Весенний Этюд = Spring Etude 5:20
A5 Сарказмы = Sarcasmes 1:20
A6 Канопа = Canope 2:15
B1 Летний Канон = Summer Cannon 2:25
B2 Утро В Горах = Morning In The Mountains 3:30
B3 Гольдберг-Вариации № 5 И 8 = Goldberg Variations Nos. 5 And 8 1:44
B4 Паруса = Voiles 4:44
B5 Движение = Motion 8:35


Sunday, 6 October 2019

Edward Artemiev / Э. Артемьев ‎– "Moods / Картины-Настроения" (Мелодия ‎– С10 21077 002) 1984



Moving on from soundtracks for communist cheating at sports.I promised more of the Neo-Classical electronica,of Eduard Artemiev.So here's Eddie treating us to the shorter side of his composition spectrum, with epic tracks combining synthesisers and real instruments, plus more chilled out ambient affairs.Rather like a doomier Klaus Schultz or Tangerine Dream, these are from his soundtrack work for Soviet cinema,and works like a more traditional album with more light and shade for those with short attention spans,like Communist Party Officials or American Presidents.

Notes:
From the music to the films:
«Сибириада» [Sibiriada] (A1, A4, A6, B1),
«Куда уходят киты» [Where The Whales Are Gone] (A2),
«Лунная радуга» [Moon Rainbow] (A3, A7),
«Ночь рождения» [Night Of Birth] (A5),
«Инспектор Гулл» [Inspector Gull] (B2),
«Жаркое лето в Кабуле» [Hot Summer In Kabul] (B3, B4),
«Охота на лис» [Hunting The Foxes] (B5)
«Загадки перуанских индейцев» [Mystery Of The Peru Indians] (B6)

Tracklisting :


1. Fire
2. Constellation Of Past Times
3. Training Ground
4. Native Shores
5. Lullaby
6. Reminiscences
7. City
8. Crusade
9. Dream
10. Hot Summer
11. Meditation
12. Hunting
13. Top Of The World

Thursday, 3 October 2019

Eduard Artemiev / Эдуард Артемьев ‎– "Ode To The Bearer Of Good News / Ода Доброму Вестнику" ( Мелодия ‎– С60 21277 005) 1984


Keeping with the Soviet sporting theme, here be Edward Artemiev's tribute to the Moscow Olympiad of 1980.The one where the western powers were under pressure from Reagan's America to boycott the games....so much for the land of the free.The UK sent a team,which i'm not so sure they would do if it happened today.
Eddie was the guy who made all those creepy soundtracks for those creepy Andrei Tarkovsky films,like Solaris and Stalker.As near as one can get to arty perfection.
This album is a mixture of Proggy Kosmiche music and neo classical electronic hybrid ambient weirdness.
Its fantastically intense,and darkly dramatic stuff.Like a soundtrack for a Nordic Noir Siberian Gulag crime thriller,including the disco scene.

Tracklist:

1 Факел/Fakel 3:28
2 Добрый Вестник/Dobry Vestnik 7:00
3 Гармония Мира/Garmonya mira 3:39
4 Вечный Прогресс/Vechny progress 4:26
5 Красота Земли/Krasota Zemli 7:38
6 Интерлюдия/Interludia 3:47
7 О Спорт, Ты - Мир/O sport ti mir
Ensemble – Мелодия 6:47