Showing posts with label The Dead C. Show all posts
Showing posts with label The Dead C. Show all posts

Saturday, 13 October 2018

Various ‎Artists – "What's That Noise? - Another XPRESSWAY Compilation" (WTN004) 1992


As it says on the package...another Xpressway compilation!?
Yep, you guessed it, its got The Dead C, Peter Jefferies, and Alistair Galbraith on it again.
And its yer normal lo-fi New Zealand style guitar abusing noise.

Tracklist :

Here:
1–The Terminals- Something Dark 3:34
2–The Dead C. - Tränenbeutel 1:10
There:
3–Jefferies / Carter / Bull - Guided Tour (Live) 2:37
4–Alastair Galbraith- Screaming E 3:04


Friday, 12 October 2018

Various Artists ‎– "I Hear The Devil Calling Me(an Xpressway Sampler)" (Drag City ‎– DC008) 1991



12 one minute length sorties in the traditional Lo-Fi New Zealand Avant Rock genre, provided by the usual suspects from everyones second favourite musical island (the other being Japan......ok maybe the |UK too?).
Of the new (in 1991) acts on here, Cyclops and The Queen Meanie Puss made my ears tingle more than the others.

DOWNLOAD from devils island HERE!

Thursday, 11 October 2018

Various Artists ‎– "Making Losers Happy (Xpressway NZ Singles 1988-91)" (Drag City DC024) 1992



Thank Christ(church) for the oasis that New Zealand had become for modern intelligent music in 1988-91. While I was busy projectile vomiting at Happy Mondays concerts, the non-musicians of these isolated Islands were more concerned with taking down the rock'n'pop bohemoth,by forsaking any advancement in sound quality or technology;and more to the point not trying to rob the blackman of his funky dance beats. NZ, although blessed with an indigenous population, seemingly well integrated into post colonial society, is not renowned for having a particularly large black population. As a result this music is very very 'White'.
This collection for Beta-males and women, is drawn from the early singles that were released on the legendary Xpressway Records from 88-91.A bunch of Lo-Fi, sometimes folky forays into the dark world of Avant pop and Rock, expectorated forth with a modicum of unapologetic intelligence.
Its made this Loser very happy anyway.

DOWNLOAD HERE LOSERS!

Wednesday, 10 October 2018

Various Artists ‎– "Xpressway Pile=Up" (Xpressway ‎– X/WAY5) 1988



An essential compilation of the essential parts of the New Zealand underground,featuring all the usual suspects, Dead C, TKP, and the Jefferies brothers in various guises.Almost faultless.
1988, was a dodgy year for music in the UK, where MDMA had turned any decent group into tambourine shaking idiots.
Living in the arse end of the planet has its advantages sometimes,so no stripy tops, maraccas and idiot dancing on show on this tape.
By the way, the file is from the second edition, so its got more tracks on it.


Tracklist:

A1 –Plagal Grind- Midnight Blue Vision
A2 –Victor Dimisich Band- Native Waiter
A3 –Wreck Small Speakers On Expensive Stereos- Rain
A4 –The 3D's- Meluzina Man
A5 –Dead C.- 3 Years
A6 –Shayne Carter & Peter Jefferies- Randolph's Going Home
A7 –Peter Jefferies- On An Unknown Beach
A8 –Snapper- Emmanual
B1 –The Cake Kitchen- Airships
B2 –Double Happys- Big Fat Elvis
B3 –Snapper- Death & Weirdness In The Surfing Zone
B4 –Stephen Kilroy- 45 Degrees Below Frozen
B5 –Double Happys- I Don't Wanna See You Again
B6 –Nocturnal Projections- Walk In A Straight Line
B7 –The Terminals- Uncoffined
B8 –Shayne Carter- Hooked, Lined & Sunken


Friday, 5 October 2018

Gate ‎– "Metric" (Precious Metal ‎– PM10) 1991



More lo-fi guitar fuck-uppery from Michael Morley of The Dead C.
Parts of this sounds like an amped up Jandek if he was 'cool'.
Fizzing fried amplifier transistors rasp and burp at the behest of the main guitar abuser  from the 'C'.
It in fact sounds like his main group but without the other two, but thats what this is...isn't it?
The object of the 'Solo' record is to do something different to your principle project, so this is only 'Solo' because the rest of the band aren't on it.

Tracklist:
A1 Openingmyarms
A2 Hope
A3 Callconstellations
A4 Forcedsight
B1 Yourface
B2 Selfhate
B3 Freedomchild
B4 Evidence


Thursday, 4 October 2018

Gate ‎– "Fear Of Music" (Precious Metal ‎– PM03) 1989


Michael Morley of The Dead C, also know as 'Gate', decided to call his debut solo cassette appearence the same title as one of the greatest Albums ever made; "Fear Of Music" by Talking Heads. A tenth anniversary tribute this is not, its also not as great as its namesake, but still rather marvellous in its own way.
Whether Mr Morley can actually play his guitar in a proper fashion is open to conjecture, but if he can, he does a very good impression of 'somebody who has no concept of the instrument;...he was blowing into it' (Take The Money And Run,Woody Allen,1968).
At times this record makes Jandek sound like Robert Fripp....who also worked with Talking Heads coincidentally....Fripp, not Jandek,which would have been one of Eno's braver Ideas methinks?
Its not so much a noise/drone album, but a car accident of an album.A harsh lesson in 'unlearning',getting back to year Zero with as little bloodshed as possible.Careful with that axe eugene....or in this case,Michael.

Tracklisting:

A1 Love
A2 Hell
A3 Faith
A4 Gallons
A5 Smoke
A6 Animals
A7 Drugs
A8 Head
A9 Buildings
B1 Electric Guitar
B2 Air
B3 Hey
B4 No Lists (Faith)
B5 Wartime
B6 Shitvice


Saturday, 29 September 2018

The Dead C. ‎– "43 Sketch For A Poster" (Diabolic Root) 1987


The Dead C are Dead good ain't dey?
On their second C-30 of 1987, each member seems to be playing in isolation inside their own cardboard box. Scraping their instruments as if the definition of music was left blank in the dictionary, replaced by a description of what a song might be, written in the blood of a deaf mute.Filling the vacuum with toxic primordial gases.
Its Pol Pot Pop,a Khymer Rouge version of rock, stripped back to a single cell organism playing dead underneath the corpse of Punk Rock in the Killing Fields of Rock'n'Roll.Thats what this is. 

Tracklist:
A1 Crazy I Know
A2 3 Years
A3 Polio
B1 Retune
B2 Light My Fire
B3 3 Years
B4 Crazy I Know


Friday, 28 September 2018

The Dead C ‎– "The Dead See Perform M. Harris" (Diabolic Root) 1987


Comfortably the best band from New Zealand are, obviously, The Dead C. Roundly disliked by musicians everywhere, they perfected the art of sounding incredibly awful, which isn't as easy as it sounds.
I remember,possibly inaccurately, a Dead C member responding to a question about why their records were so badly recorded; to which he replied, "They're not,they are extremely professional and accurate recordings of what we actually sound like."
This C-30 of live rehearsals from early in 1987, is a typical scratchy improvised deconstruction of rock music into somekind of musical no-mans land,strewn with bomb craters full of dirty water,bone fragments and rusty barbed wire. The vocals are inaudible, the guitars sound like they replaced their plectrums with hacksaws,and it all sounds like they were playing in the next room.Perfect.

Tracklist:
A With Help From Max Harris
B Beyond Help From Max Harris


Tuesday, 30 September 2014

The Dead C ‎– "Eusa Kills" (Flying Nun Records ‎– FN130) 1989

Well, I won't go through a description of the Dead C sound again! I'm sure everyone knows what they sound like anyway, as they are probably one of the most famous groups featured in these revered pages. This is a collection of 'out-takes' from earlier times,but is easily the equal of their best work.
What's interesting ,in these dangerous times, is the title. EUSA, for me means the European U.S. cabal that at this moment is plunging us into another conflict that has nothing to do with us. Yes, this 'Islamic' army has, allegedly, beheaded our citizens; but they behead far less people than one of our new allies, the lovely Saudi Arabia.A place where Adultery, Sodomy,Sorcery(?),"apostasy", "blasphemy" and Robbery, can result in you losing your head, literally!
Islamic State,if the media can decide on what they are called, if they exist at all, are labelled "Terrorists". Whereas, the Zionists, who,after WW2, enthusiastically hung British Soldiers, (who,incidentally, came from a place that was a haven for Jews and fought against Nazi Germany),in the name of a Jewish Homeland and are called "Freedom Fighters"? Creating a Nazi style mirror state that builds ghettos for Muslims,freely bombs, and invades its neighbours at will,searching for Lebensraum! Bizarrely they are another "Ally" of Saudia Arabia. Now, a year after all "Free" democracies voted against military action in Syria, Eusa are attacking the very people that the Obama administration were supplying,illegally, with weapons!?
The title of this fine record sums it all up....."EUSA KILLS". Its the war of the acronyms......EUSA vrs ISIS.......even though one suspects that ISIS is a creation of the west to keep this endless war against terror going; they certainly supplied them. And they almost certainly pay them. More Fear, more business for Halliburton etc, and more control, both economic and Orwellian.

ed's note from 2022 - Mr Zchivago now distances himself from most of what he wrote above, and describes it as conspiracy nut bullshit.

Tracklist: 

A1 Scary Nest 2:43
A2 Call Back Your Dogs 0:38
A3 Alien To Be 2:50
A4 Phantom Power 6:09
A5 Now I Fall 3:37
A6 I Was Here 1:49
B1 Children 3:33
B2 Bumtoe 3:32
B3 Glasshole Pit 1:05
B4 Maggot 7:01
B5 Envelopment 2:17

DOWNLOAD from Mega.co.nz HERE!
or
DOWNLOAD from web terrorists google HERE!

Monday, 29 September 2014

The Dead C - "DR503" (Flying Nun FN092) 1987



Don't ask me what DR503 stands for, could be a Roland Drum Machine,but can't be arsed to google it;not relevant.

This is Dead C in half-baked song mode, caught in the no man’s land of composition and improvisation. These tracks seem to be songs, but they don't really qualify as such. A half thought of a constructed song, ripped apart by the need to explore the sonic extremities of unpopular sound. The sounds that record company producers and engineers have told us are awful and worthless!? What do those insiders know about anything?......fuck all, is the answer. The number of great groups they have ruined throughout the decades amounts to a cultural atrocity of jail-able proportions. When I think about how great Pink Floyd were before EMI got hold of them, turned them into some rinky dink mickey mouse psychedelic group,and forced Syd towards insanity ;I start to spontaneously implode! (although I do actually like “Piper at the gates of Dawn”,but that ain't the point!)

The Dead C explore all these areas that were hitherto thought of as unlistenable. Like they are recorded by a set of tin cans and string instead of microphones, direct to a wax cylinder. Decades of Hi-fidelity technology is laid redundant in just a few short crackling, fizzy detuned notes.

This is the Dead C's debut album, and the fact that it has very little of that “please like me” attitude of many a debut recording, is something to cherish. This is the sound of a dying society, and the funeral dirge for the rock'n'roll myth.

Tracklist:

1 Max Harris 5:33
2 Speed Kills 4:28
3 The Wheel 4:46
4 Three Years 4:49
5 Mutterline 5:14
6 Country 1:19
7 I Love This 3:09
8 Polio 9:09
9 Max Harris 2 13:36
or

Sunday, 28 September 2014

The Dead C ‎– "Runway" (Precious Metal ‎– PM1) 1989




Now we're back on a guitar noise improv kick, I can put up some Dead C. The perfect example of minimalist maximalism in the long drawn out death throes of rock. This is rocks Battle of Berlin,one last prolonged scream before it finally died and finally became just entertainment.

The Dead C are, of course, not dead; in fact they are still churning out barrel loads of the same weedy transistor frying no-fi tuneless racket that they always did.

For me, the 'Runway' cassette is their most perfect manifestation of their carelessly crafted sound. A Dead C member was once asked how is it that their tunes are recorded so badly; he replied that “those recordings are in fact very good recordings of what the group actually sound like”. It takes a real effort to sound so bad,and its getting harder by the day, with all this easily available technology, ironing out every glitch. It used to be difficult to get a perfectly recorded sound, now its almost impossible to get a crap sound. The Dead C is a reaction against the homogenisation of this planet. When they started, inspired by a few seconds from the Outro of 'Expressway to yr Skull” by Sonic Youth, New Zealand was considered an isolated outpost where nothing of interest could possibly lurk. This was an obvious advantage,as there was no possibility of a career in pop music in such a place, so why not do whatever you wanted, no matter how unappealing to the general public.

The ten untitled tracks on this cassette are formless, non-fi, sizzling and fizzing non musical atrocities based in the classic rock group format of Guitar, Bass and Drums. We even have a pop single for track 2, admittedly a single fed through a lawnmower with a failing motor, nevertheless a submerged,red zone,overloaded two chord classic. There's even some plunderphonia hidden amongst the hiss,and the drones,and the slack buzzing strings; when we get some clear sounding US metal record being sampled by placing the needle randomly upon its atrocious grooves.Another comment on the death of the R'N'R dream?

If you like the smell of low budget electronics smoking under the strain of a detuned Jandekian guitar being fed through 'em like a catheter along a urethra, recorded in a vast empty sports hall, then this is the group for you. Like the Fall, they are always different, always the same.

Track Listing:

Side A 5 Untitled tracks
Side B 5 more Untitled tracks.

DOWNLOAD from the runway ready for take off HERE!
or
DOWNLOAD from runway 2 HERE!