Sutcliffe Jügend – "When Pornography Is No Longer Enough" (Death Factory – DEATH-982) 1998

The living Jug End that is Kevin Tomkins's Whitehouse facsimile project named after the Truck driver from Leeds who had it in for a dozen or so Sex Workers,and looked remarkably like Odd-Bod from Carry On Screaming.I've been through this before on the excellent write up wot i wrote for "We Spit On Your Graves" so I won't bore you with anymore comedy look-a-likes.

There's no real reason to own more than one Sutcliffe Jugend album,they all sound exactly the same and exactly like Witehouse,same subject matter,same room emptying effect.

I found the Album Title amusing, especially in these days here in France when Porn Hub and associated sites, have pulled out,before you've pulled off,and left a disgruntled message where before there were pies full of flying Jissom hitting various parts of a naked young lady's body now there are none or Nun.(its coming to your town soon). 

So as a social experiment to discover what effect the lack of Pornography has on the Sex Crimes creamy pie chart.Either someones gonna get murdered,or those naughty teenage chaps are gonna display a new found respect for Ladies,and use their imaginations if they want a wank, and stop murdering and raping. I strongly suspect the murdering and the raping will likely increase somewhat. Chemical castration may indeed be the next refuge for the righteous,either that or just listen to Sutcliffe Jugend when you get a semi on,and that should put you off non-consensual sex for at least a week.The days of the "Dirty book" and brown paper bags are back.

"When Pornography Is no longer enough" we get Donald Trump and the moral maga-jority,putting a federal ban on unregistered consensual Sex,bringing The Handmaids Tale and 1984 combined, into a AI controlled reality.Strict control, by machine,aborting adult males by the millions,and enslaving the female population for the Catholic Priests and the powerful.That should solve the problem of those filthy criminals with the disgusting "Y" chromosome. "Y" indeed.....I think you know why........fuck this,I need a Wank!.....probably accompanied by track 3 I reckon?.....wait! There's someone at the door.....it's the Thought Police AGAIN!?

TRACKLIST:

1 When Pornography Is No Longer Enough. 2:04
2 First Victim : With Knife : Left To Die With Many Cuts 4:20
3 Second Victim : With Brutal Force : My Pleasure Your Pain 3:06
4 Third Victim : With Control : Message To The Mother 5:50
5 Fourth Victim : With Murderous Passion : Homage To De Sade 4:30
6 Fifth Victim : With Murderous Passion : Homage To De Sade 3:38
7 Sixth Victim : With Venomous Contempt : F. B. C. 4:20
8 Seventh Victim : With A Beauty Beyond Compare : Slow Torture 6:13

DOWNLOAD when misogyny is no longer enough HERE! 

Lille Roger – "For Life" (Konduktör Rekords – KR12) 1985

From the land that gave us ABBA,Volvo,IKEA,endless numbers of Punk bands that no-one'e ever heard of,neutrality in WW2,and virtually nothing else,we present 'Lille Roger' and his take on Old Skool industrial musick.

There'a song called Dachau (yawn),some German marching Band samples,tapes of American evangelists,a cover dedicated to a sadist, and lots of very attractive distorted electronic sounds.

Lille Roger, or Roger Karmanik, wisely avoids the most horrific subjects,by not mentioning the terminally awful rhyming dictionary rapists ABBA, whose only other connection to the old Skool is that Chris Carter of TG had an ABBA badge proudly, or Ironically(ha ha ha) pinned on his pullover....the Irony of that acktion completely flys over my confused little bonce.

Apparently this is the chap that started the Cold Meat Industries label....er.....well done?

Refreshingly crammed with Industrial cliché, its the type of Industrial music I listen to while i'm preparing the Fondue for my lower middle class nouveau riche guests. 

That's interwesting moozick Jonny, it that the Thex Pistols?.....to which I always reply, "Yes"and proceed to drop my bread in the cheese.....but,of course this is actually how second album Pistols should have sounded, so i wasn't entirely lying.

Next Up it's The Clash's greatest hits as interpreted by Vagina Dentata Organ.

Tracklist:

A1 Fighting For Freedom
A2 Is This Wrong?
A3 Thanks For The Memory
A4 My Hands Ain't Dirty
A5 Dada-Dead
A6 My Girl No. 2
A7 Dachau
B1 Blow On The Top
B2 We Are Too Much
B3 Don't Wanna Hurt You
B4 A Modified Method
B5 The Fist Of A Man
B6 Free At Last
B7 For Life

DOWNLOAD and get a lust for life HERE!

Various Artists - "Cultural Terror Volume 1 and 2 (" a Zeal SS Sampler) (Zeal SS – .77) 1986

Well, i've never been more insulted in my life!?...these chaps seem to think Nazi's are great blokes, shocking. I've a good mind to phone the bizzies * (*a collective scouse noun for the police in Liverpool". The one man Power Electronics band, Con-Dom, used to grope female members of the ,admittedly very small, audience....until attitudes on such behaviour changed in recent years. His act would now result in serious jail time for sexual assault,all in the name of Shock Value......but that's Rock'n'Roll innit?

Most of the acts on this patience testing double C-60, spend most of their time being Whitehouse for five minutes or so,with seemingly very little interest in doing otherwise; ironic as William Bennett (the bloke in Whitehouse) himself has very little time for a few of the acts/bands featured on this exceedingly nasty compilation.

What my mother must have thought when she brought a cup of Tea up to my bedroom in the early 80's I'll never know. She seemed oblivious to the 'orrible racket emanating from these tapes,and other similar recordings of the time.Not as shocking as one may think.Similarly, my father seemed equally disinterested in the scraping and rumbling upstairs,even when one of Hitlers speeches blasted out of the noise and echoed down the street. No-one else seemed to give a Fuck either.....and y'know what I think they were right.

In the desperate struggle to achieve shock value ,the creators of this non-musicianly cacophony forgot one thing,'avoid being boring'.

I'm desensitized to noise in general,so for me,a subtle splash of melody here and there could only add to the Horror,like in a John Carpenter film......admittedly there are a couple of tracks which do have these qualities on here,but another thirty or so that certainly do not.

Don't let this put you off if you haven't yet been numbed to shock values.....exposure to such oscilloscope breaking phenomena is essential if you want to advance oneself in the subtler arts of music,and put the Roland space-echo and Hitlers' Speeches LP out to pasture.

Yeah,that's Right, I Like this tape.....a-lot.

I just wanna hear something I haven't heard before.
 

Tracklist:

Volume 1:

A1 ESP Kinetic– The Message Is No Message 4:21
A2 Stasis– Blurrb 2:14
A3 Der Verboten and Tabu – Untitled 3:01
A4 Ashenden– Corrosion 2:00
A5 -– A Return To Hohta 2:08
A6 Con-Dom– The Coming Of Christ 2:44
A7 Human Trapped Rhythms– And To Z With Human Trapped Rhythms 4:42
A8 Pax Romana– Songs Of The Distorted Mind 2:51
A9 The Grey Wolves– No New Jerusalem 3:48
A10 The Unkommunity– Sense Of Unmaking 3:54
B1 Irritant– The Disaster Area 4:00
B2 Ashenden– Catamite 2:45
B3 Con-Dom– Live Assault 1 & 4 3:15
B4 The Unkommunity– Dhol Chants 3:28
B5 La Otra Cara De Un Jardin– Brikolage 1:59
B6 White Hand– 2nd Edition 3:03
B7 Do Easy– Death In A Milan Square 3:30
B8 Ramleh And Irritant– Tomorrow We Live 9:57Volume 2:

 

Ramleh And Irritant– Tomorrow We Live 9:57
C1 C,llaaps– Plenty Of Pricks 3:53
C2 Comando Bruno– Clise Hermetico 2:10
C3 Bomb The Daynursery– William Bennett... 5:04
C4 Face In The Crowd - New 7th Music– Glider 2:25
C5 Adventures Of Twizzle– Krafty Whank 2:34
C6 Con-Dom– Calling All Aryans 2:04
C7 No Lie G.I.– Sin Loi Victor Charlie 3:40
C8 Aspisis– The Glory Of Punishment 1:10
C9 Apostles and Mesh – Visions Of The End 2:45
C10 The Unkommunity– Ex-Oblivione 2:14
C11 The Grey Wolves And Con-Dom– Intolerable 1:28
D1 Nails Ov Christ– Beat Of The Blood 4:42
D2 Con-Dom– Our Pleasure In The Pain 2:30
D3 Final– Inheritance 4:15
D4 Opera For Infantry– 20th Century Genocide 4:31
D5 Blacksirt Orch – Ode To The Young Men 4:03
D6 Kapotte Muziek– Gematria 1:01
D7 Nails Ov Christ– Dark Night Of The Soul 2:50
D8 Final– Execution Of The Will 6:22
D9 The Alternative – How Dare You 1:52

DOWNLOAD the sheer terror of melody HERE!

Udder Milk Decay – "Take A Teat" (Self Released Teat-001) 1981

It has been brought to my attention that this LP had the signature of Jim Whelton of The Homosexuals, Amos and Sara etc written all over it..'tis hard to say without hearing Amos's trademark pisstake singing style.,but the artwork,and prankster style use of repurposed northern NWOBHM gods, Saxon, record labels,tended to suggest that maybe this rumour was correct?

Turns out that ,(thanks to the tireless research of PJ...you know who you are), that this speculation was utter bollox,or bullocks, as one of the culprits has been located.

'Twas one Jim Hunkin, rather than Jim Whelton,, with his brother Tim Hunkin, not Tim Whelton, buggering about at Brighton Art College with various sound generators what done it..

Listening to it with this new enlightenment, it's obviously nothing to do with Amos and Crew at all, despite the aesthetic parallels.

It sounds more like the BBC Radiophonic Workshop with a spoonful of Perrey and Kingsley during their "In sound from way out" days. Could easily be a lost soundtrack to a wiped Dr. Who episode from 1965.

Which therefore makes this a supremely collectible piece of post modern  proto-electronica musique concréte which won'y get you much more than a Donkey's change out of a Monkey.

Although I sincerely hope they aren't taking the Piss out of Saxon?....my NWOBHM band of preference,the kings of the the one note bassline.

er......happy new fucking year you bunch o'cunts.

Tracklist:

TOP:

1-4 untitled

BOTTOM:

5-7 Untitled

DOWNLOAD this decaying milk HERE!

 

Peter Sotos – "Buyer's Market" (AWB Recording – AWB 016) 1992

Hmmmm,Rolf Harris died yesterday....so I thought....this....?!

Perhaps the only album on this blog that has been made by a person convicted for the possession of child pornography....(no.not Steve Albini!!!!). The Putrid Voyeurism collected on this brutal compilation of  victims accounts of sexual violence, would be explained away as a grim portrait of the Human capacity for ...for want of a better word...Evil?.....were it not made by a geezer who blatantly gets off on stuff like this. No-one called the Moors Murderers 'Artists' did they. And i'm sure Sotos would go to any lengths to get his grubby little hands on the Lesley Anne Downey tape made by Brady and Hindley back in the day,an obvious  obsession of his, as Lesley appears on the front cover of this CD,and even appears as the main subject in one of his books, "Selfish,Little...".

As aural Pornography goes, this is a far less subtle,but equally disturbing,honest, version of "Come on Baby One More Time" by Britney Spears, and other similar Aural sex Pop Vehicles for corporate satanic abuse rings.

When I first heard this collage ,I inexplicably played it straight through,and disturbingly felt precisely nothing, except a modicum of boredom. Was I a Monster, Am I a Monster?

Repeating this process some 30 years later, I got quite effortlessly upset at several points in this thoroughly unwholesome experience.........the boredom was still there,but It seems I am no longer a monster? Why is this? Is it that we are protected from truths such as these in this modern age,or are we more emotionally empathetic ......very trendy.Or am I depressed enough to allow the real effect of this exploration into the darker side of human nature penetrate,what i previously thought, was my desensitized black heart.

During the height of Grunge, Nirvana's producer somehow thought it was a jolly good idea to edit Soto's tapes into the collage we pretend not to know and love today. Our Steven would have had to play and listen to these harrowing accounts hundreds of times before his job was finished;then the poor sod had to go and produce Nirvana after this?Including the tasteless "Rape Me" tune........recorded(not produced) by the four-eyed grunge psychopath himself? Albini was in a band called Rapeman after all I suppose?

What Sotos, the Artist,not the Perv, examines here is the Culture of the Victim– how family members left behind are manipulated by the media, and ultimately, how their identity is redefined in the process.

Perhaps one of the starkest documents, assembled for maximum impact, accounting the darkest side of human nature on the booming industrial culture 'Buyers Market'.I feel Dirty....as in unclean rather than 'Got the 'orn!?' in the Derek and Clive sense.Although i rather suspect Peter Sotos likely got 'The 'Orn',and knocked one,if not several out frequently during the process of acquiring the recordings for this dubious piece of 'Art'. 

Alas,be it far more offensive and disturbing than anything any of those snowflake Death Metal/Grindcore bands could ever possibly come up with.They're just playing with it,silly boys.Which is in fact worse than Britney Spears and her awful daddy.

If you're not moved by this profoundly disturbing record in any way,except,of course, turned on sexually (turn yourself into the nearest police station if this is the case), you probably are the fucking monster I no longer am and Fuck you.

Tracklisting:

1 Children 17:52
2 McMartin 9:03
3 Trash 11:24
4 Bundy 10:04
5 Victims 13:23

DOWNLOAD and tear yourself a new soul HERE!

Alan Watts – "This Is IT" (MEA – LP 1007) 1962

With an album cover that looks like its made with the included graphic design software on your brand new Windows 98 PC, Alan shows us all how to empty rooms as well emptying the after-life with some truly horrible,but hilarious primal screaming,ecstatic chanting, and general middle class tomfoolery that would send your soul banging their ghostly fists  and screaming to be let in at the gates of Hell.Only to be informed that they were already there,and were victims of all that christian,Islamic,Jewish and Buddhist propaganda.The punchline being that the former underworld of eternal punishment was in fact the best place to be post-mortem.In other words This was NOT....IT!

Listening to the opening 'spontaneous musical happening', as Alan calls it, was indeed an experience of great joy on my part.So much so that i simply had to play it again.Hearing university drop outs, expunge all that middle class Caucasian guilt by speaking,or in this case shouting, in tongues to a tabla backbeat, is enough to make one trot along joyously to the nearest new age happening at the local community centre.As well as screaming like a lobotomized buffoon,you can keep one eye open watching your fellow inductees gurning and idiot dancing to a CD of indian percussion.Stifling the wrong kind of laughter.....that is unless they're watching you with one knowing eye open too of course.Which is better,because then you can go down the pub together afterwards and have another laugh.See you next week John?...er...yeah?

No spring chicken in the sixties,Alan Watts (RIP) sported a distinguished Guru look,that proved very successful with the ladies...so I am Told....but not surprised.This blog is full of tiresomely similar stories. I may start a cult....it's an earner,no work involved, and you get laid.....,no strings! What's not to like....oh yeah, the fucking awful music!

I have a trustafarian Belgian friend, who was the victim of some pretty horrific sexual abuse as a child,and he has tried everything new age that has been invented, or will be invented.He's done Ecstatic Dancing, Primal Scream,re-birthing, and south american 'shrooms;his favourite being the very popular fuck-up magnet,the 'Ayahuasca' experience. Suffice to say that all this has helped the flashbacks not one iota ,yet neither has conventional Psychiatry either,so the logical conclusion is to do neither but use the time honoured, and very unfashionable, male method of 'Not Talking About It'. Build a compartment in your mind ,put all the fucking rubbish in there and throw away the triggers.

So my answer to your mental torture is simply to compartmentalize,while playing idiotic proto-hippie nonsense like anything by Alan Watts,and cheer up for fuck's sake! You only live once....and its very short.

There was a box set called "The Essential Alan Watts",released after his migration to eternal paradise in 1973.

I think the word 'Essential' is some-watt un-essential in this context?

The other best track on here is "The End" by the way.

THE END.

Tracklist:

A1 Love You 3:15
A2 Onion Chant 4:40
A3 Gagaku-Ku 0:50
A4 Fingernail Poem 2:20
A5 Umdagumsubudu 7:40
B1 Metamatic Ritual 14:00
B2 The End 6:00

DOWNLOAD it that is this HERE!

Throbbing Gristle ‎– "At the Veterans Auditorium L.A. 22.05.1981" (Bootleg) 1981

 

Yer average American's idea of Industrial Music is the rather shit Nine Inch Nails, Ministry,Skinny Puppy, Front Line Assembly.....in other words. Rock music with a prefix...'Industrial Rock' they call it,just a tad of an oxymoron methinks.. They'd turn up at a venue featuring those English faggots Throbbing Gristle expecting Motley Crue and getting something almost intrinsically opposite to rock,except for the fact that it's loud. ........yeah,yeah we know there's more extreme noisey ouitfits out there to fuck yer brane up, and well done for telling us 'cus we know already fanx..The noise loses its effect without the silences,and TG make you wait for the noise.All the best horror films leave out the graphic stuff and leave it up to you what the horror is.TG does this very well indeed,leave the gore to Whitehouse......a group Genesis detested by the way.
Some Americans got it,notably Monte Cazzaza,who was credited with coming up with the genre name.He hales from San Francisco,the scene of TG's final dissolution,and the gig after this penultimate show in Los Angeles.Ah,those poor californians,living in the richest place on the planet had it so hard;but at least they could now slum it and pay to listen to what its like to exist somewhere where suffering is not just waiting for the next shipment of Cocaine from Mexico.I do understand,however, that when one has a long way to fall, it ain't no picnic to climb back up when faced with such wealth flaunted in the starving underclasses face. We all have our own private hell's...what's yours?

Tracklist:

1.Dimensia / Scorched Earth 11:33
2.Tangible / Carnality / Marriage Carriage 17:25
3.Still Walking 5:56
4.Slam 9:18
5.Principa Disciplina / Forbidden 13:59

DOWNLOAD some california sunshine HERE!

Else Marie Pade ‎– "Face It" (Dacapo Records ‎– 8.224233) 1957-1970

Denmarks version of the BBC Radiophonic Workshop was basically just Else Marie Pade, who made weird aural backing tracks for Danish Radiophonic plays.
Musique Concrete is very much in evidence for Symphonie Magnétophonique, but the Little Mermaid, is very much in the realms of Daphne Oram and Delia Derbyshires work for the BBC. For us non-Danish speakers, it sound even weirder because of the narration of this Classical Danish fairytale,which sounds like someone speaking backwards to the average Anglo-Saxon ear.
Face It's title track is where it gets really weird,with some unknown Danish phraze concerning a certain ranting German dictator, repeated in a loop,with filtered extracts from one of Adolf's very nasty nazi rally speeches.This was a full decade before William Bennett decided to do the same thing, rather less subtly I may add, for his various Throbbing Gristle aping Come Org projects.Especially unsubtle were his remixes of Maurizio Bianchi's work
Else Marie got there first,and she even fought against the Nazi's in the resistance too,before GPO and Bennett were even a twinkle in their fathers eye,and still in short trousers when these recordings were made.Having said that, I severely doubt they ever heard any of Pade's work....even if they were Danish.


Tracklist:

1 Symphonie Magnétophonique (1958) 19:27
2 The Little Mermaid 42:54 (1957-8)
3 Face It 7:58 (1970)

DOWNLOAD and face it HERE!

Larry Wendt ‎– "Sound Poems For An Era Of Reduced Expectations" (Underwhich Editions ‎– Underwhich Audiographic Series – No. 5) 1979

You know what? I could listen to stuff like this all day long.Its got it all, abstract repetitive tape loops, disintegrating ambience, glitching 1970's computers,urban field recordings, lo-fi sound processing, drones, concréte poetry, a bloke with a beard sitting in room fiddling around with cassettes,a good pessimistic title, and tape hiss.Who needs instruments, in fact bin the instruments off,if I hear another guitar line, or 'phat' synth bass notes, I'll go as nuts as Larry Wendt obviously is.
The use of the adjective 'Sound-Poems' for this is rather tenuous, stretching the poetry part to an extreme.It has far more in common with Musique Concréte and old skool Industrial than Hugo Ball or even Jaap Blonk.Its basically the music I grew up with after glam and punk had burnt out and left me with UK DIY.There were legions of kids who would churn out tapes like this every week in 1979/80, mainly the wide ranging influence of Throbbing Gristle and Cabaret Voltaire rather than Larry Wendt, or even Hugo Ball.....although there is certainly a thread of distinct Dada influence by proxy that worked its way down from world war one era Germany into the bedrooms of Britains Youth......not that they were aware of this at all;but there were clearly many references in the works of The Instant Automatons and their various offshoots, like the Alien Brains, 391,and ,of course,Merz,which was a thinly veiled reference to Kurt Schwitters if ever there was one?
I'm figuring that the Dada influence on the North American continent was from a more intellectual angle,rather than fashion driven, as is mostly always the case in the UK,which exists as a mass consciousness as opposed to the individualism that US/Canadian culture is based on....its the vast distances involved in these north American countries that kills universal consciousness dead.
This is no longer the case however, as before the Internet the only way of meeting strangers from the other side of the continent was by snail mail,or telephone calls.Like communicating with an alien race,a conversation was impossible outside of your own town or star system,and that's where it stayed. In the UK anything good or bad, would invariably spread to the whole country within a month,generally stopping at the English Channel,and importing itself into the United States.The classic example being how American kids discovered UK Punk before they had even heard of the New York proto-punk groups from their own country.
Larry Wendt would not have heard of the UK Industrial Bands,but he was doing something very similar in Isolation.Naturally he wouldn't have stood a chance in Britain because he didn't 'look good'.You can't have one without the other 'inna inglan',as our jamaican sub-state would say,just like Americans would have never heard Reggae without it passing by 'Inglan' for the thumbs up first. Weird innit?
Welcome to a world of expanded expectations which expanded so much that it has destroyed entirely the thrill of the new.


Tracklist:

A1 Actaeon
A2 Zoo
A3 Gasoline
B1 Bugs, Crashes, And The Trash-80
B2 My Computer's First Words
B3 Rooster Music
B4 Next Door

Link removed at the request of the Artist.....buy it HERE if you're from a family of great expectations

Charles Bukowski ‎– "70 Minutes In Hell" (Chinaski Records ‎– BUK02CD) 2003/1977

One poet forward slash,raconteur, I can't get enough of is Charles Bukowski, who is such a misrable fucker that he makes me look like Ronald McDonald.
His slow motion apathy is as infectious as a dose of Malaria......i was gonna say thrush,but thats sooo yeasterday.
The black comedy of these readings can go over the head of persons who laugh at clowns,who are fucking weird anyway so who cares? Humour is an essential quality when faced with the sheer horror of existence,and especially when staring in the face of the grim reaper or the ferryman on the banks of the river Styx. The underworld is on both sides of the river. Bukowski is underwhelmed and he doesn't particularly care who knows it. The bard of drunken indifference.

This is the CD version of the original 90 minutes in Hell double album, but it now has 102 minutes of Hell on the file,after I added a few missing tracks.So we have extended the torture for y'all.Enjoy.


Tracklist:

1 Buffalo Bill 3:03
2 A Little Atomic Bomb 1:34
3 The Hairy Hairy Fist 5:58
4 An Action Afternoon 2:19
5 Finish 3:09
6 No Charge 0:49
7 Love Is A Piece Of Paper Torn To Bits 0:52
8 Something For The Touts, The Nuns, The Grocery Clerks And You 9:02
9 Songs For Sadists Without A Place To Sit Down 2:17
10 The Genius Of The Crowd 3:57
11 Farewell, Foolish Objects 5:09
12 Experience 3:21
13 At The End Of Feet The Blackbird Walks 4:37
14 I May Make Paris In The Morning 1:28
15 Men And The Sun 5:54
16 The Japanese Wife 2:52
17 Bukowski Still At It 5:05

18 The Report (8:58)
19 Freedom 3:29
20 True Story 4:06

DOWNLOAD 102 minutes of hell HERE!

Brion Gysin ‎– "Recordings 1960-81" (Perdition Plastics ‎– PER 004) 1995

Here we go again.....anyone called Brion,not Brian,or Bryan, is certainly posh and reeks of privilege. With a brief bit of research these suspicions were confirmed.Educated at a Fancy public school near Bath (UK),and by the age of 18 he was studying at the Sorbonne in Paris. Hangin out with the likes of Max Ernst's missus, Salvador Dali and Picasso in the "Surrealists Group", from which he was inexplicably expelled by André Breton,as happened frequently were i came from,all at the age of 19. Needless to say,if you were of modest means it would be extremely doubtful you would be anywhere near André Breton, never mind being expelled from the community centre for crimes against Surrealism. I, for one,was never sent home from the local underclass abstract expressionism club and ,thankfully,never had to explain to my mum that Mark Rothko had me expelled for not being abstract or expressive enough,and could I invite Willem de Kooning over for beans on toast later? 
The only art happening where I came from, was the odd swastika sprayed on a wall over the admitedly abstract phrase of "Pakis Out"*. Nowadays those very same 'Pakis' are spraying stuff like 'Brexit Now' to get rid of the Poles. Epitomised by the new tory Home Secretary, a child of ugandan asians,who is determined to shut the door on any more poor immigrants...like her parents were? Fucking Insane!
I don't wanna go through Gysin's life story, but lets just say, he never seemed to need a job,and drifted effortlessly around the globe meeting up with famous artist and bohemian types of all statures.
Most famed for the re-invention of the Dada-ist 'cut-up Technique, which was in fact nothing new,and gave it to William Burroughs to mess around with.Burroughs explained that Gysin was "the only man that I've ever respected in my life. I've admired people, I've liked them, but he's the only man I've ever respected."...slightly arrogant?
I suspect that Burroughs was the victim of that intellectual arrogance that all Public School boys,and upper class twits in England get drip fed at birth,even if they know fuck-all,which generally is the case.I'd say Bill respected Gysin because he was intellectually intimidated by those insideous British upper-class vibes,as most Americans are.
As far as I can see Gysin was just more inventive in his stealing from the past,and could explain it all away as his own doing, without actually saying so.
However These writings and sound experiments were a considerable influence on the Industrial Music,and culture of the late seventies......so says I.
Gysin enjoyed messing with language ,what makes a word a word,and how easily words change their meaning,or effect, by just rearranging a few letters or their speed.One short phrase could be transformed into a new language......or,as is the case in most of these pieces,into complete stuff of nonsense.
The same could be done with sounds,as in the Pistol Poems,with vari-speeded recordings of a gunshot,which he made for the BBC. A resurrection of another Dada-ist idea,'The Sound Poem'
This CD has all of Gysin's most influential recorded moments collected in one place.
Best listened to with one of Gysin's other claims to fame, he and Ian Sommerville's "Dream Machine",which was probably just the work of Sommerville,and Gysin named it afterwards?:

Build your very own Brion Gysin Dream Machine HERE!


*Paki is a derogatory term used generally for anyone from the asian subcontinent,and is even used for Arabic and semetic people by the ignorant.The equivalent of the 'N' word but for asians. I've even heard it used by Indians as an insult to white people, as in "White Paki"......its crazy ol' world out there innit?


Tracklist:

1 I've Come To Free The Words 1:16
2 Vocal Cut-Up 6:14
3 Where's That Word 1:58
4 Thoughts On The BBC 2:50
5 I Am That I Am 4:35
6 Pistol Poem 1:29
7 Pistol Poem - Part 2 0:39
8 Recalling All Active Agents 1:25
9 Thoughts On Censorship 1:53
10 No Poets Don't Own Words 1:01
11 Thoughts On Jean Genet 8:55
12 Readings At The October Gallery 5:36
13 Kick That Habit Man 1:08
14 Junk Is No Good Baby 2:04
15 Thoughts On Surrealists 5:27
16 Thoughts On Modern Art 2:29
17 Thoughts On The Dream Machine 4:19
18 Thoughts On The Value Of Art 2:29
19 Sound Poem 1:46
20 Duet 0:41
21 In The Beginning Was The Word 1:49
22 I Am This. . . 2:02

DOWNLOAD our brian's recorded life HERE!

Robert Ashley ‎– "Wolfman" (Alga Marghen ‎– plana-A 20NMN.048) (2003)

Ok then, who invented Harsh Noise as entertainment?...I thought it was AMM,but turns out Robert Ashley, he of catatonic spoken word operas fame, beat them to it by a couple of years. The track "Wolfman (1964) could have been a early Merzbow out-take!? A fucked up mess of tape,voice and feedback that should have scared the living bejeezuz out of any Beatles fans.
Then he had a go at very early 'Ambient',with his 40 minute long tape collage "The Bottleman". This was the best part of 20 years before his dialogue operas for TV started taking shape.
The the late fifties and early sixties this was an extraordinary glance into an unimaginable musical,or non-musical future.
Now every fucker does this for home entertainment with their Granny on the effects table.

Tracklist:

1.The Fox (1957) electronic music and voice
characters adapted from a folk song by Burl Ives (5:15)

2.The Wolfman (1964) tape, voice and feedback
produced at the University of California at Davis by Composer-Performer Edition
first performed at Charlotte Moorman's "Festival of the Avant-Garde", New York, fall 1964 (18:10)

3.The Wolfman Tape (1964) tape-speed manipulation and mixes of many layers of "found" sounds
used as "sound environment" by Bob James for a jazz improvisation (ESP Records, 1965) (6:01)

4.The Bottleman (1960) tape composition with contact microphones, loudspeaker, vocal and other "found" sounds
composed for a George Manupelli film of the same title; single-projection version (43:30)

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Jack Smith ‎– "Silent Shadows On Cinemaroc Island - 56 Ludlow Street 1962-1964 Volume II" ( Audio ArtKive Ag 47) 1997

More camp shenanigans from Jack Smiths apartment on Ludlow Street,as recorded,one assumes by mr minimalism,Tony Conrad,who also appears.
It manages to be both weird and hilarious at the same time,a feat only achieved by such luminaries as The Residents.
I would write more,but I had a heavy night down the pub yesterday evening.Never again!

Tracklist:

1 Carnival Of Ecstacy
Performer – Tony Conrad 3:19
2 The First Memoirs Of Maria Montez
Finger Cymbals – Jack Smith Performer – David G., Mario Montez, Tony Conrad 22:12
3 Buffalo Song
Performer – Mario Montez Violin – Tony Conrad Vocals – Jack Smith 2:10
4 Mario And The Flickering Jewel
Voice – Jack Smith, Tony Conrad 3:51
5 Contadina Tomato Paste 3:03
6 Silent Shadows On Cinemaroc Island
Performer – John Cale, Tony Conrad 8:45
7 The Horrors Of Agony 10:50
8 Jack, Mario, And Tony
Voice – Mario Montez 6:00

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Jack Smith ‎– "Les Evening Gowns Damnees - 56 Ludlow Street 1962-1964, Volume I" (Audio ArtKive ‎– Audio ArtKive 01) 1997

If fucking around with your mates and recording it is Art, then so be it. Hell, we've all done it ain't we?...if not ,then you should have.
Jack Smith, who virtually invented 'Camp Art' and zero budget trash cinema, seemed to have a great time at 56 Ludlow Street with his artsy chums, which included most of the nascent Velvet Underground.
It all sounds great fun to these ears.
This is where Lou Reed stole his lyrics from and Warhol stole the ideas for his movies.
Jack Smith is another one of those ignored and forgotten counter culture heroes who accidently inspired others with greater ambitions to achieve imortality.Without Smith there would have been no John Waters,or Laurie Anderson;but Smith did all of this for no other reason than to entertain himself,because there was nothing out there like his films or his living artwork,himself, existed pre-Smith.
He certainly had his fifteen minutes,but thats all he wanted,and all he got.Others,like Lou Reed, outlived their quarter of an hour,and how we wished they hadn't.
In the future everyone will be as obscure as Jack Smith for Fifteen Minutes.

Tracklist:

1 Earthquake Orgy
Voice [Screams] – Arnold Rockwood, Jack Smith, Kate Heliczer, Mario Montez, Piero Heliczer 3:53
2 Love Is Strange
Featuring – Frances Francine, Tony Conrad 17:51
3 Jack Smith Reads From "The Great Moldy Triumph" On His 31st Birthday
Engineer – Robert Adler*Voice, Effects – Frances Francine, Ron Rice 6:35
4 Cold Starry Nights
Featuring [Sarinda] – John CaleStrings [Bowed Cembalom] – Tony Conrad 2:19
5 Jack Smith Tells Tales Of Francine 8:08
6 The Second Dance Of The Harem Mongos (Excerpt)
Cymbal [Finger], Drums – Jack SmithFeaturing [Mandola] – Tony Conrad 4:00
7 Jack Smith Reads "Les E. G.'s Damneés"
Guitar [Lute] – Tony ConradStrings [Bowed Mandola] – Angus MacLise 16:13

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"LSD - promotional version" (Capitol Records) 1966

This is the companion release to the other LSD documentary album (LSD - A Documentary Report- 1966 Capitol Lp). 
It was released to radio stations to promote the lp and contains an "open-end" interview with Doctor Sidney Cohen, M.D.. 
This "interview" is similar to the open-end interview album released by the Byrds to promote the "5D" album where DJs would play this record and have a list of questions that would be "answered" by playing back the record,or even better ,you could conduct the interview yourself and make believe that you were there? An ingenious way to promote both the album and the drug, saving the artist a lot of time and travel;even though the artist,if on LSD would have had all the time in the world slowed down and should be able to travel around without leaving the room. It also contains several excerpts from the released album.

Tracklist:

Side A:

An Exclusive Open-End Interview With Dr. Sidney Cohen
Interviewee – Dr. Sidney Cohen 12:13
Excerpts From Capitol Records' Documentary Album, "LSD" 15:48

Side B:

1. A Reading By Poet Allen Ginsberg, Accompanied By Psychedelic Music
Voice – Allen Ginsberg 2:47
2. The "Lost Generation" Expresses Its Excuses For Experimenting With LSD 2:36
3. The Source For The Market Of Users, Their Dosage, And Some Over-dose Results 4:05
4. The "Trip" As Experienced By Two Teen-age Users Of LSD 3:38
5. Dr. Timothy Leary Expresses His Opinion That LSD Is Religion
Voice – Dr. Timothy Leary 2:17

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Wavy Gravy ‎– "Old Feathers - New Bird (The 80's Are The 60's Twenty Years Later)" ( Relix Records ‎– RRCD 2032) 1988

Like a hippie version of Steven Kings 'It', Hugh Romney, better know as Wavy Gravy from the Merry Pranksters bus, has been spreading the same kind of redundant Hippie humour since this affront to taste began.
One thing I found more creepy more frightening and not at all funny than Hippies when i was a boy, were Clowns! And Wavy Gravy would have been my ultimate choice for the movie role of 'Pennywise', the evil clown from the aforementioned schlock horror novel,'It'.
Just the tiresome Psychedelic humour is enough to send me screaming into the street begging the nearest policeman to take me into protective custody.
Yeah, there are some obvious anti-social aspects to his routine that one can't disagree with,but who cares what 'I' agree with, I don't!
The title of the album is nonetheless quite accurate,the last thirty years of the 20th century in fact were exactly like the sixties.Full of right on rhetoric about a non-existent rebellion,of the mind if not with direct action.But, the enlightened new breed still carried on feeding the consumer machine,and pushed priorites like the enironment back behind job prospects,'partying' and nice stuff for the house.
Someone else can do it, and that is never gonna change.
He may be a creepy clown, but Wavy Davy has kept some kind of faith in what he says,even if he is stuck in an eternal childhood,even in his eighties.
And why not?

Tracklist:

1 The Green Acid At Woodstock 2:32
2 The United States Of Chicago 1:24
3 Nobody For President (A Casual Conversation With The Audience While Putting On My Clown Makeup) 4:20
4 Livermore Or Less / The Mutant Bunny For Peace 3:46
5 Bubbles For Buddah 2:45
6 Harpo's Ladder 5:39
7 How Hugh Romney Became Wavy Gravy And A Tiny Tip Of Texas Went To Heaven 7:38
8 Basic Human Needs 6:47
9 The Perfect High 10:35

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The Merry Pranksters - "The Acid Test Reels" (Bootleg) 1966

Hey cats,Dig Those Crazy Beatniks getting off their tits dude. A psychedelically painted school bus full of middle class drop outs ,pseudo intellectuals,and proto-psych muso's try to outdo each other  for 'crazy' weirdness maaaan,on a trip,both chemically and physically,around the posher parts of the US of A.
The music ,mainly by the nascent Grateful Dead, is mostly dreadful.....The Dreadful Dead.
Sounding like a really bad version of The Banana Splits,but with less depth.
Lots of crap white boy blues riffs and rock'n'rooooolllllll maaaaaan. They sound like a right bunch of hipiddy-doody twats on a trustfund cop out mission to make everyone they meet as pointless as they were. Personal freedom maaaan.......i notice they were free enough to do a drug fuelled trip around the USA.Maybe if they'd have done it in East Germany,or through Africa handing out food rather than LSD there would have been a worthwhile point to all this spoilt brat Counter Culture posing.
The Merry Pranksters, like a 1950's university fraternity reunion, are less annoying than Gerry Garcia's psychedelic cheerleaders.
They tend to use the word 'Rap' a lot,which was 'hip' talk for talking for the Beat generation. The spoken word sections and the tape collages are a better recreation of what it was like to be out of your skull on the Acid Tests of 1966.It is also an accurate portrayal of what a pain in the arse it is to around some idiot off his tits on drugs.There is no more boring a person than a person on any class A,or class B for that matter, drug.Alcohol is also included in this observation.
Just imagine being stuck on a bus with thirty or so of them quaffing jug loads of LSD.You'd be well advised to join them or be bored shitless.
Anyway, here's 6cd's worth of the recordings made during the Acid Tests of 1966.If you like bad blues riffs, 'poets' talking through echoplex tape effects,oscillator twiddling, and interviews with some trustafarian psychedelic narcisists,then this is for you.You can almost feel that you were there,even if you're glad you weren't.
Artists huh?

Tracklisting:

Disc 1:The Fillmore Acid Test,

Fillmore Auditorium, San Francisco, CA
January 8, 1966
1. Stage Chaos/More Power Rap
2. King Bee
3. I'm A Hog For You Baby
4. Caution: Do Not Step On Tracks >
5. Death Don't Have No Mercy
6. Star Spangled Banner / closing remarks

Disc 2:

The Pico Acid Test,
Danish Center, Los Angeles, CA
March 12, 1966
1. Viola Lee Blues
2. You See A Broken Heart
3. In The Midnight Hour
[mis-dated, according to David Lemieux, and not corresponding to the vault copy's setlist; these are probably from 3/19/1966]

The San Francisco State Acid Test,
Whatever It Is Festival
San Francisco State University, San Francisco, CA
Stereo Control Room Master (rec. 4:00AM - 6:00AM)
October 2, 1966
4. The Head Has Become Fat Rap
5. A Mexican Story: 25 Bennies
6. A Tarnished Galahad
7. Get It Off The Ground Rap >
8. It's Good To Be God Rap >
9. Nirvana Army Rap >
10. The Butcher Is Back
11. Acid Test Graduation Announcement
12. Send Me To The Moon >Closing Rap
Credits on 10/2/66:
Voices: Ken Kesey and Hugh Romney
Guitar: Ken Kesey
Violin: Dale Kesey
Organ: Jerry Garcia
Engineering: Steve Newman, Ken Kesey, Mountain Girl

Disc 3:

The San Francisco State Acid Test
Whatever It Is Festival
San Francisco State University, San Francisco, CA
October 2, 1966
1. Ken Kesey's dialogue (isolated remix)

Merry Prankster Sound Collage Sequences
October 2, 1966
2. Prankster Music/Sound Collage #1(sequence 1)
3. Kesey Rap > Prankster Music/Sound Collage #2 (sequence 2)
4. Prankster Sound Collage #3 > Prankster Raga(sequence 3)
Prankster Recordings broadcast over the P.A.

End of Whatever It Is Festival,
October 2, 1966
5. Closing Jam
6. Prankster Electronics

Acid Test Graduation Jam,
Winterland, San Francisco, CA
October 31, 1966
7. Jam Session (musicians unknown)
from The World Of Acid film soundtrack

Disc 4:

Related Recordings,
Neal Cassady & The Warlocks 1965
1. Speed Limit
studio recording/Prankster production tape circa late 1965
Straight Theater, Haight Street, San Francisco, CA July 23, 1967
2. Neal Cassady Raps (backed by The Dead)
recording released as a flexi-disc in the 1st printing of The Dead Book
Acid Tests Production Reel
3. Jerry Garcia commentary with Acid Test audio
710 Haight Street House, San Francisco, CA summer 1967
4. - 6. Jerry Garcia
one hour interview about music, drugs, politics and social changes circa 1967

Disc 5:
1. Who Cares Rap (Pigpen, Weir, etc.)
2. Viola Lee Blues
3. One Kind Favor
4. I Know you Rider
5. You See a Broken Heart
6. It's a Sin
7. Beat It on Down the Line
8. Heads up
9. Next Time You See Me
10. Unknown Blues Instrumental
11. Death Don't Have no Mercy
12. Midnight Hour

Disc 6:
San Francisco State Acid Test (alternate version)
1. Jerry Garcia Intro
2. A Mexican Story: 25 Bennies
3. Get it off the Ground Rap
4. It's Good to be God Rap
5. Nirvana Army Rap
6. The Butcher Is Back
7. Acid Test Graduation Announcement
8. Send me to the Moon
9. Jerry Garcia interview
10. Sound Collage
11. Ken Kesey Interview
12. Sound Collage #2
13. Jerry Garcia Interview

14. Music / Sound Collage #1
15. Ken Kesey Interview
16. Sound Collage

DOWNLOAD and fail the acid test vol 1 - 3 HERE!

DOWNLOAD a fourth,a fifth,and a sixth HERE!

Ken Kesey/The Merry Pranksters ‎– "The Acid Test" (Sound City) 1966

If a bridge from the Beatniks to the Hippie Era existed, it was Ken Kesey and his band of 'Merry Pranksters', who travelled the west coast in a psychedelic school bus called 'Further' dishing out LSD to those they encountered. This was called the Acid Test.
Kesey was better known as the author of "One Flew Over The Cuckoo's Nest",among other,lesser, works.
The nascent Grateful Dead,or the Warlocks as they were first known,or The Dreadful Dead as I prefer to call them, were frequently seen at the various venues for the Acid Tests, and contribute some extra drugged up nonsense to this recording of Ken's Gibberish, with BFF, Ken Babbs, adding more unhinged lunacy as resident 'Non-Artist'.
Kesey,like all self-promoting Artist types, wanted to see what would happen when hallucinogenic-inspired spontaneity confronted what he saw as the banality and conformity of American society.Predictably, lots of arrests and middle class outrage was the result,  which, contrarily, led to LSD being banned in late 1966.Little did Kesey realise,or maybe this was the underlying metaphor that most artists seem to strive for, that he was creating another form of conformity and banality in the rich kids playground called the counter culture of the mid-1960's.There really is nothing more banal than a drugged up idiot who thinks he's pushing the boundaries,but in reality is just another drugged up idiot who,apparently, doesn't need to work to feed himself,or pay for the drugs needed to extend his realm of idiocy further.
Yeah, they obviously had 'fun', but don't read too much more into it than that.The adolescent challenge to conformist society was already happening,it just didn't have a name,or a semi-celebrity benefactor,all done in the name of 'art'.Most of the sub-culture elite 'artists only please', passengers on the bus either died early, or became part of the post-woodstock society that they were allegedly against.There's no escape.
Alternatively, I suppose they could have done nothing? Now that's a real challenge to the status quo.....do nothing.Buy nothing,say nothing,create nothing,just enough to eat,drink,.... exist.End.

Tracklist:

A1 Ken Kesey
A2 Ken Babbs And Harmonica
A3 Take Two
A4 Bull
A5 Peggy The Pistol
B1 One Way Ticket
B2 Bells & Fairies
B3 Levitation
B4 Trip X
B5 The End

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Jim Jones ‎– "Jonestown Death Tape" (Stalker Records ‎– SR003) 1978

If a god told you to jump off a cliff would you do it?......er No, but i'll drink some Cyanide.Yeah, that'll show 'em!
Drugged up bible thumping commie, Reverend James W. Jones ,less than subtly suggested everyone kill themselves to 'step over from this world' to achieve peace. The silence at the end of part two of this casssette recording of the suicide event,seems to suggest that peace was indeed found, but only after all the screaming children had succumbed to the crude death potion the leaders had prepared for the, mostly, willing victims.
The most amusing aspect of all this,if you can find an amusing aspect,which I believe can be found in any situation;is that this alternative lifestyle,or alternative to life,was funded by welfare checks.So much so that they managed to leave around seven million dollars to the USSR in their collective wills;including half a million in cash in a suitcase that was supposed to be delivered to the Soviet Embassy in Georgetown.The suitcase courier was one of the lucky ones as he survived to tell the tale,incredibly after dumping the suitcase.....were these people dumb or what?
One assumes that the People's Church Choir were among the screaming victims as they convulsed before death in great pain.So we can see this tape as their farewell recording,or second album.
I've added a bonus track from one of the few survivors Laurie Kahalas,who 'channeled' this painfully weird poem in 1974,predicting,so she reckons, this future event within its cryptic structure. It also demonstrates why these people found it hard to fit in.


Tracklisting:

1. Rev. Jim Jones Speech
2. Death tape Part 1
3. Death Tape Part 2
4. Allegory (bonus Track- Laurie Efrein Kahalas 1974)

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Church Universal And Triumphant, Inc. Featuring Elizabeth Clare Prophet ‎– "Invocations for the destruction of Rock Music) ( Faithways International ) 1984/2001

I mentioned that there were little or no Female cult leaders in the "Lord of Lords" post;well I forgot about Elizabeth Clare Prophet, and the Church Universal and Triumphant.
Expecting a Soviet attack on the Ides of March 1990, the complete loonie toons of the Church Universal and Triumphant sect,sold everything to buy food,guns and ammunition, to retreat into their nuclear bunker to survive and spread the word....mainly about how nasty Rock Music was. The fact that after a nuclear Holocaust its unlikely that any Rock bands would have survived;and even if they did I doubt they'd feel like churning out their hits with the radiation sickness, lack of food an'all.
But, just in case some of these demons survived, they kindly recorded these chants and other moments of deranged madness to educate the mutants who would inherite the wastelands of Earth not to fall into the same trap.
Educate it will, if there's any electricity to play this disc, so the Mutants wouldn't be stupid enough to raise any religious beliefs from the ashes of that former civilisation.

I do, however, 100% agree with Elizabeth Clare Prophet's invocation against Rock Music, so I may have joined them in their underground bunker to avoid that Soviet nuclear attack that never came in 1990. Oh how foolish would I have felt after emerging into police custody and charged with illegal possesion of an automatic weapon.or worse, illegal possession of a wart,dancing with a mailman,and marrying a horse.(I paraphrase of course,from dodgy perv comedy genius Woody Allen's classic "Take The Money and Run"...pretty much a perfect title for most religious sects methinks?)
Unfortunately, doomsday never came, and Cindy looper (sic) still lives to spread her evil, along with:
(there are some exceptions*/** who have now followed Elizabeth to burn in Hell,but a lot are still harming our childrens ears and s0-called minds....so let us pray:

"All perversions of the third eye
Through distorted and exaggerated images
Perverted movements of the body and breakdancing
And other forms of dancing
And we especially call for the judgement in this hour
And the destroying of rock music directed
Specifically against children
Through the videos that were portrayed
And working specifically through these individuals
For whom we call for
The judgement of the sacred fire of this hour
Before the throne of almighty god

Michael Jackson*
Prince*
Bruce Springsteen
Tina Turner
David Bowie*
Van Halen
Madonna
Huey Lewis & The News
The Cars
Herbie Hancock
Bonnie Tyler
Stevie Nicks
Men at Work
ZZ Top
Paul McCartney & Michael Jackson*
"Weird Al" Yankovic
Cyndi Lauper
Pink Floyd**
The Pretenders**
Billy Joel
Billy Idol
Elton John
Neil Young
Sheena Easton
Patti Smith and Scandal
Fashion
Big Country**
Morris Day & The Time
John Lennon*
Appolonia 6
REO Speedwagon
David Gilmour
The Rolling Stones**
Pat Benatar
Hall & Oates
Wham!**
Randy Jackson
Adam Ant
Bananarama
Christine McVie
Queen**
Jack Cougar Mellencamp
U2
Spheres
Fleetwood Mac
The Alan Parsons Project
Rick Springfield
The Thompson Twins
Missing Persons
Duran Duran
Police
Eurythmics
Culture Club including Boy George
Band Aid
Relax
Stevie Wonder

(*) means they are now in Hell(**) means some band members are now in Hell

As you may have noticed a lot of these agents of evil are dead, so it must have worked? Hey,wait a minute, since when did Culture Club not include Boy George?
The best one is Band Aid.....oh the pure undiluted evil of feeding starving African children!!!!???

Tracklist:

1 Dedication To The Tackling Of The Beast And The Dragon - The Momentum Of Rock 'n' Roll 3:23
2 Call For Protection 3:38
3 Video Shorts With Two Announcements (Excerpt) 1:50
4 Preamble - Great Divine Rector's Call 0:53
5 Invocation For Judgement Against And Destruction Of Rock Music 3:14
6 Decree 12.10 27:57
7 Decree 10.05 3:06

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