Showing posts with label Giancarlo Toniutti. Show all posts
Showing posts with label Giancarlo Toniutti. Show all posts

Wednesday, 31 January 2018

Various Artists ‎– "Trial By Ordeal" (Broken Flag ‎– BF 31) 1983


Trial by Ordeal was the preferred method of finding out if that old hag from the shitty end of the village really was a witch. If she survived being held underwater for an inordinate length of time she was obviously a Witch and would therefore have to be burnt at the Stake...which apparently witches could not survive.
This tape is something similar, and if you survive sixty minutes of MORE Industrial sameness then you should probably self-immolate yourself before the Witchfinder general,or the Police, ring your novelty doorbell.
That said, probably the best way to listen to Industrial Noise is in the form of a compilation.Even in the Industrial corner that many acts have painted themselves into, there are subtly different shades of conformity available.Luckily we have Giancarlos Toniutti to provide some pretentious avant garde noise in between the balls to the wall stuff from fellow I-tie  Mauthausen Orchestra and Whitehouse copyists Ramleh. The other Italian act on the list LXSS (or Laxative Souls), also provide some welcome respite with some gentle echo laden Industrial Percussion. 
So, all-in-all, as Industrial comps go,this is a less dull one. 

Tracklist:

A1 –Giancarlo Toniutti - Some Fibres 5:55
A2 –Ramleh - Emaciator [1982] 3:58
A3 –This Body I Mutilate - Carnal Direction 1:10
A4 –Depilate - Corps Assault 3:06
A5 –Mauthausen Orchestra - Bloodyminded 5:58
A6 –Thee Un-Kommuniti - Live 30-11-83 8:13
B1 –Assailer - Annihilation 8:57
B2 –Giancarlo Toniutti - Neocortex 3:39
B3 –LXSS - U.I.K. [Pt.1] 5:31
B4 –The New Blockaders - Live 12-10-1983 2:16
B5 –Thee Un-Kommuniti - Spurt White/Cut Black 4:58


Thursday, 4 January 2018

Giancarlo Toniutti ‎– "Das Todesantlitz" (Self-Released - Giancarlo Toniutti ‎– 3) 1983


"Toniutti does minimal electronics".
You know you've made it in the modern composition world when you're referred to solely by your family name.
I think however, that Toniutti was still in the Giancarlo phase when he made these two repetitive electronic pieces. Probably only by his mama, and his rock'n'rolling mates at the Venice Conservatoire of music.I can almost hear him begging them all to just call him 'Toniutti'.
I'm sure he's made it to full-time surname obscurity now though.Bless his cotton socks.

Tracklist:

A - Die Letzten Augen (23:30)
B - Rand (Einer Wunde) (26:00)


Tuesday, 2 January 2018

Giancarlo Toniutti ‎– Metánárkōsis (Self-Released Giancarlo Toniutti ‎– 2) 1983


Another self released cassette of Giancarlo Toniutti's student electro-acoustic compositions that fit nicely in the more cerebral end of the Italian Industrial spectrum.
These minimal electronic field recordings,with the occasional submerged speech in German (probably by some unnamed Nazi?),and found object percussion,carry that signature feel of 'Control' that wannabe 'serious composers' force on the sound. Personally, I prefer a bit of chaos theory to invade my non-music.It becomes a bit predictable after thirty seconds of each track.
Nobody's perfect, especially if you try to be.

Tracklist:
A1 Wandnarbe 5:30
A2 Ätzete Stein 7:00
A3 Tra Piante 6:00
A4 Klar 4:30
B1 Here (Convulso) 7:30
B2 Bodenhelligkeit 4:30
B3 That Garden 6:30
B4 Zitternde Luft 4:30


Monday, 1 January 2018

Giancarlo Toniutti ‎– "Wechselwirkung" (Self-Released Giancarlo Toniutti ‎– 1) 1982


Giancarlo Toniutti was an actual 'trained Composer',studing electronic music at the Conservatoire in Venice between 1982-1985 under Alvise Vidolin.During this period there were a lot of Italians making self released cassettes in the recently formulated 'Industrial' stylee, like Maurizio Bianchi (M.B.) and the late Pierpaulo Zoppo's Mauthausen Orchestra.So, naturally Giancarlo obviously thought it'd be a good idea to get his work 'out there' with a few self-released cassettes.Although his work is decidedly bordering on the Electro-acoustic/Drone side of things,i'm sure we can lump it in with his more extreme compatriots.Yep, i'm comfortable with that.
Apart from cheesy house music, there are two areas that Italy took to like a fish to water,and never tired of;one being symphonic Prog Rock,and the other seems to have been Industrial.They were in there at almost the year zero of the genre,and continue to produce some uncompromising work.Their tanks may have been built with five reverse gears and their national flag regularly exchanged for a plain white one, but when it came to extreme music they never stopped advancing into enemy territory,and for once never swapped sides.
Anyway, this is what Toniutti says in the liner notes:

"Mechanic waters - interaction between 2 musical segments, each of which put on a channel of a stereo system.
Quertanz - interaction among 3 different rhythm segments.
Bianco (across the land) : interaction between 2 different sequences of notes of the same length.
Innenspitzen : interaction among 4 different repeated beats segments.
Nearly Human : interaction among 5 different segments of voice.

Recorded at home: 1.15. 6. 1982"

Tracklist:

A1 Mechanic Waters 16:30
A2 Quertanz 4:30
B1 Bianco (Across The Land) 11:30
B2 Innenspitzen 5:30
B3 Nearly Human 2:30


Sunday, 31 December 2017

Andrew Chalk and Giancarlo Toniutti ‎– "Tahta Tarla" (Pans'urlo Panseri ‎– G:Rᵐ–>Rⁿ / 03Rⁿ) 1993


Silence is often louder and more disturbing than the visceral noise that Andrew Chalk began his career with as Ferial Comfine.
This tinnitus style collaboration with early Italian Industrialist Giancarlo Toniutti, is as disturbing as being confronted by your own hidden thoughts.
As it's our last post of this very....very.... crap year of 2017,it will give you a chance to reflect upon the tragedy of the rise of a new dark age of popularism. For the first time since the Berlin Wall came down, there's a real danger that we have leaders stupid enough to start a nuclear conflict. So savor what could be your last chance to say 'Happy New Year',no matter how ironic are those words or vacuous those tedious fireworks displays are , because next time, we could all be DEAD!




Tracklist:

A Tienalauami(24:27)
B Warkswood (20:31)