The Young Tradition – "So Cheerfully Round" (Transatlantic Records – TRA 155) 1967

They look like one of those generic American Psychedelic groups from the cusp of 1967. They even have the creepy older bloke like many a Sunshine Pop combo from Connecticut. The psych era was a vertitable playground for the creepy old bloke who had a modern wardrobe. Free Love baby....or rather Free Rape...which meant, men could have sex with anyone they wanted even if the person in question didn't want to. A sort of acceptable rape trend (Groovy Pops!) .If the young lady in question didn't sleep around she was instantly labelled an off trend square. The sneakiest way around the consensual sex trap that the human male has ever invented in his long evil history. These psychedelic violators would have laughed at the idea of consent forms, which are looming in our mixed up muddled up society;which will surely lead to a boom in forgery will it not?

My favourite creepy old bloke in a pop group has to be the horrific manifestation of pure evil that was ,real name, Peter Mann,head honcho of sixties sunshine pop band 'The Sugar Shoppe'. It was even named after one of the pedophile's most trusted lures,a sweet shop.

Dig this...he's second from the right.....the one that looks like a sex pervert,not the one that looks like a little girl ready for beddie on the left.

The Unusual Suspects.....spot the perv in the line up.

I was once a sunshine Pop obsessive, and I found this 'Please Buy Me' item in Rhythm Records of Camden lock NW1 in the 90's.It pleaded with me to take it home, and I certainly wasn't disappointed......so i guess I should make a rare exception and post two download links.....if you want to hear the Sugar Shoppe,including drug references, then click HERE! Baby!

The run out of the opener, Skip-a-long Sam, is pure Hollywood cheese Psych gold.

I digress......But, don't get me wrong ,obviously Royston of The Young Tradition wasn't too much of a randy perv by all accounts....he was just Balding! Like me......er...but I'm a perv(like all men) so strike that comment!

The cover art and title,of the Tradition's album, is a naked attempt to infiltrate the UFO club psychedelic underground...after all, Fairport and The Incredible string Band played at all the Psych haunts in swinging London,so why not The Young Tradition?....of course they didn't,but they might sell some records to the less hip,a casual browser in Woolworths,or an out of touch grown up Beatle fan maybe?

However, once the casual buyer got this disc home,and slapped it on their Dansette,I doubt they would have continued past track one. No drums, no guitars,no sickly sweet harmonies,no songs about going to the cinema with yer girlfriend. If you liked Pop music, this would have been as shocking as a John and Yoko album.

Yes, they've been to Carnaby Street,but musically they were the real thing.....they just didn't look like it.

Tracklist:

A1 Daddy Fox 3:12
A2 The Season Round 4:02
A3 The Bold Dragoon 2:18
A4 Watercress-O 3:08
A5 The Old Miser 3:50
A6 The Foxhunt 1:40
B1 Knight William 4:39
B2 The Single Man's Warning 2:36
B3 The Pretty Ploughboy 5:25
B4 The Hungry Child 3:48
B5 The Whitsuntide Carol 2:15

DOWNLOAD the Young Tradition of being fashionable HERE!

Sandy Denny – "Studio Outtakes - Home Demos - Unheard Songs" (2010)

These are the "Studio Outtakes ,Home Demos ,and Unheard Songs" section of that massive 19CD box set of everything Sandy recorded ever!?..which would set you back quite a few hundred quid,mostly for stuff you already have...but not these 127 intimate versions of her future studio work,plus songs that were never heard beyond Sandy's various living rooms.Everything from Fairport to Fotheringay,from the Folk Club years to the record company compliant Adult Orientated rock of 'Rendezvous',is here in a superior, stripped down form with Sandy's perfect Voice whispering in your ears.Its like she's in the room singing you to sleep......i'm welling up now!.....just don't tell me mates!

Early Home Demos:
12-1 Sandy Denny– Blues Run The Game (Unreleased Home Demo)
12-2 Sandy Denny– Milk And Honey (Unreleased Home Demo)
12-3 Sandy Denny– Soho (Unreleased Home Demo)
12-4 Sandy Denny– It Ain't Me Babe (Unreleased Home Demo)
12-5 Sandy Denny– East Virginia (Unreleased Home Demo)
12-6 Sandy Denny– Geordie (Home Demo)
12-7 Sandy Denny– In Memory (The Tender Years) (Unreleased Home Demo)
12-8 Sandy Denny– I Love My True Love (Unreleased Home Demo)
12-9 Sandy Denny– Let No Man Steal Your Thyme (Unreleased Home Demo)
12-10 Sandy Denny– Ethusel (Unreleased Home Demo)
12-11 Sandy Denny– Carnival (Unreleased Home Demo)
12-12 Sandy Denny– Setting Of The Sun (Unreleased Home Demo)
12-13 Sandy Denny– Boxful Of Treasures (Home Demo)
12-14 Sandy Denny– They Don't Seem To Know You (Home Demo)
12-15 Sandy Denny– Gerrard Street (Unreleased Home Demo)
12-16 Sandy Denny– Fotheringay (Unreleased Home Demo)
12-17 Sandy Denny– She Moves Through The Fair (Home Demo)
12-18 Sandy Denny– The Time Has Come (Unreleased Home Demo)
12-19 Sandy Denny– Seven Virgins (Unreleased Home Demo)
12-20 Sandy Denny– A Little Bit Of Rain (Unreleased Home Demo)
12-21 Sandy Denny– Go Your Own Way My Love (Home Demo)
12-22 Sandy Denny– Cradle Song (Unreleased Home Demo)
12-23 Sandy Denny– Blue Tattoo (Unreleased Home Demo)
12-24 Sandy Denny– The Quiet Land Of Erin (Unreleased Home Demo)
12-25 Sandy Denny– Who Knows Where The Time Goes (Unreleased Home Demo)

Sandy Denny Solo And Fairport Convention:
13-1 Sandy Denny– Who Knows Where The Time Goes (Unreleased Home Demo)
13-2 Sandy Denny– Motherless Children (Unreleased Home Demo)
13-3 Sandy Denny– Milk And Honey (Unreleased BBC Session)
13-4 Sandy Denny– Been On The Road So Long
13-5 Sandy Denny– Quiet Land Of Erin
13-6 Sandy Denny– Autopsy (Demo)
13-7 Sandy Denny– Now And Then (Demo)
13-8 Sandy Denny– Fotheringay (Unreleased Version)
13-9 Sandy Denny– She Moved Through The Fair (Unreleased Version)
13-10 Fairport Convention– Mr. Lacey (Unreleased BBC Session)
13-11 Fairport Convention– Throwaway Street Puzzle
13-12 Fairport Convention– Ballad Of Easy Rider (Outtake)
13-13 Fairport Convention– Dear Landlord (Outtake)
13-14 Fairport Convention– A Sailors Life (Alternative Version)
13-15 Fairport Convention– Sir Patrick Spens (Outtake)
13-16 Fairport Convention– Quiet Joys Of Brotherhood (Take 1)
13-17 Fairport Convention– Quiet Joys Of Brotherhood (Take 4)

Fotheringay:
14-1 Fotheringay– The Sea (Unreleased Studio Demo)
14-2 Fotheringay– Winter Winds (Unreleased Studio Demo)
14-3 Fotheringay– The Pond And The Stream (Unreleased Studio Demo)
14-4 Fotheringay– The Way I Feel (Unreleased Alternative Take)
14-5 Fotheringay– Banks Of The Nile (Unreleased Alternate Take)
14-6 Fotheringay– Winter Winds (Unreleased Alternate Take)
14-7 Fotheringay– Silver Threads And Golden Needles (Outtake)
14-8 Fotheringay– The Sea (Unreleased)
14-9 Fotheringay– Two Weeks Last Summer
14-10 Fotheringay– Nothing More
14-11 Fotheringay– Banks Of The Nile
14-12 Fotheringay– Memphis Tennessee
14-13 Fotheringay– Trouble In Mind (Unreleased)
14-14 Fotheringay– Bruton Town (Unreleasedl)

Sandy Denny: The North Star Grassman And The Ravens:
15-1 Sandy Denny– The Sea Captain (Unreleased Demo)
15-2 Sandy Denny– Next Time Around (Unreleased Demo)
15-3 Sandy Denny– The Optimist (Unreleased Demo)
15-4 Sandy Denny– Wretched Wilbur (Unreleased Demo)
15-5 Sandy Denny– Crazy Lady Blues (Unreleased Demo)
15-6 Sandy Denny– Lord Bateman (Unreleased Demo)
15-7 Sandy Denny With Richard Thompson– Walking The Floor Over You (Unreleased)
15-8 Sandy Denny– Losing Game (Outtake)
15-9 Sandy Denny– The Northstar Grassman And The Ravens (Unreleased)
15-10 Sandy Denny– Crazy Lady Blues (Unreleased)
15-11 Sandy Denny– Late November
15-12 Sandy Denny With Ian Matthews– If You Saw Thru My Eyes
15-13 Sandy Denny With The London Symphony Orchestra– It's A Boy (From 'Tommy')
15-14 Sandy Denny– The Northstar Grassman And The Ravens
15-15 Sandy Denny– The 12th Of Never (Unreleased Studio Demo)
15-16 Sandy Denny– Sweet Rosemary (Demo)
15-17 Sandy Denny– The Lady (Demo)
15-18 Sandy Denny– After Halloween (Demo)

Sandy Denny: Sandy And Like An Old Fashioned Waltz:
16-1 Sandy Denny– It'll Take A Long Time (Unreleased Demo)
16-2 Sandy Denny– Sweet Rosemary (Demo)
16-3 Sandy Denny– For Nobody To Hear (Unreleased Demo)
16-4 Sandy Denny– Tomorrow Is A Long Time (Unreleased Demo)
16-5 Sandy Denny– Quiet Joys Of Brotherhood (Unreleased Demo)
16-6 Sandy Denny– Listen, Listen (Unreleased Demo)
16-7 Sandy Denny– The Lady (Unreleased Demo)
16-8 Sandy Denny– Bushes And Briars (Unreleased Demo)
16-9 Sandy Denny– It Suits Me Well (Unreleased Demo)
16-10 Sandy Denny– The Music Weaver (Demo)
16-11 Sandy Denny– No End (Unreleased Alternate Take)
16-12 Sandy Denny– Whispering Grass (Unreleased Demo)
16-13 Sandy Denny– Until The Real Thing Comes Along (Unreleased Demo)
16-14 Sandy Denny– Walking The Floor Over You (Alternative Version)
16-15 Sandy Denny– No End (Alternative Version)

Sandy Denny - Rendezvous:
18-1 Sandy Denny– Blackwaterside (Unreleased Granada TV Show 1975)
18-2 Sandy Denny– No More Sad Refrains (Unreleased Granada TV Show 1975)
18-3 Sandy Denny– By The Time It Gets Dark (Unreleased Acoustic Demo)
18-4 Sandy Denny– One Way Donkey Ride (Unreleased Acoustic Version)
18-5 Sandy Denny With Jess Roden– Losing Game
18-6 Sandy Denny– Easy To Slip (Outtake)
18-7 Sandy Denny– By The Time It Gets Dark (Demo)
18-8 Sandy Denny– No More Sad Refrains (Unreleased Alternative Version)
18-9 Sandy Denny– I'm A Dreamer (Unreleased Live In The Studio)
18-10 Sandy Denny– All Our Days (Unreleased Choral Version)
18-11 Sandy Denny– By The Time It Gets Dark (Demo)
18-12 Sandy Denny– Still Waters Run Deep (Unreleased Alternative Version)
18-13 Sandy Denny– Full Moon (Unreleased Alternative Version)
18-14 Sandy Denny– Candle In The Wind (Unreleased Alternative Version)
18-15 Sandy Denny– Moments (Outtake)
18-16 Sandy Denny– I Wish I Was A Fool For You (Unreleased Alternative Version)
18-17 Sandy Denny– Gold Dust (Unreleased Alternative Version)
18-18 Sandy Denny– Still Waters Run Deep (Unreleased Alternative Version)
18-19 Sandy Denny– Moments (Unreleased Alternative Version)

Sandy Denny: Home Demos 1974-1977:
19-1 Sandy Denny– The King And Queen Of England (Demo)
19-2 Sandy Denny– Rising For The Moon (Demo)
19-3 Sandy Denny– One More Chance (Demo)
19-4 Sandy Denny– The King And Queen Of England (Unreleased Demo)
19-5 Sandy Denny– After Halloween (Unreleased Demo)
19-6 Sandy Denny– What Is True? (Demo)
19-7 Sandy Denny– Stranger To Himself (Demo)
19-8 Sandy Denny– Take Away The Load (Demo)
19-9 Sandy Denny– By The Time It Gets Dark (Demo)
19-10 Sandy Denny– I'm A Dreamer (Demo)
19-11 Sandy Denny– Full Moon (Demo)
19-12 Sandy Denny– Take Me Away (Demo)
19-13 Sandy Denny– All Our Days (Demo)
19-14 Sandy Denny– No More Sad Refrains (Demo)
19-15 Sandy Denny– Still Waters Run Deep (Demo)
19-16 Sandy Denny– One Way Donkey Ride (Demo)
19-17 Sandy Denny– I'm A Dreamer (Unreleased Demo)
19-18 Sandy Denny– Full Moon 2(Unreleased Demo)
19-19 Sandy Denny– Makes Me Think Of You (Unreleased Demo)

DOWNLOAD to hear the unheard here Folkies!

Sandy Denny – "Live At The BBC (1966-1973)" (Island Records – 984 992-8)

Staying on the Folk singers at the Beeb kinda thing,here's a personal fav/obsession,the late,great, Sandy Denny.Of course Y'all have all her works i expect,so i'll restrict it to BBC appearances and the odd bootleg....you may be relieved to hear?

To use a maritime expression,something that Sandy often turned to in her lyrics,She sailed too close to the rocks of the Singer/Songwriter category on several occasions; but the lighthouse shone a dark light in her doomed direction, and she went under like most of the crews of the sea-faring vessels she wrote about.

The sheer nerve that Island Records have in releasing Sandy's BBC appearances after dropping her in '76,and after trying to get her to lighten up her material a bit is nothing short of despicable.They deserve all the illegal downloads we can muster.Of course they panicked because of Punk Rock,not only dropping some great acts,but ruining The Slits to boot!

"I'm Not Hearing A Single Here?", was often mentioned by the record executive twats,who were responsible for making her record a limp version of Reg's "Candle In The Wind" to release as a chart flop.Not to mention "Whispering Grass" and several terrible Rockers that spoilt all of her otherwise great albums.She should have kept those Dark and diminished chord structures. She herself thought she was gonna be a big star,and failed to realise that her material was an acquired taste,suitable for cult audiences only.That coupled with a drink problem,falling down stairs for fun, and having a boyfriend/Husband with a wildly roving eye...not that Randy Sandy was innocent of this too?...it all added up to the inevitable tragic ending that bewitched anyone that had anything to do with Joe Boyd,which reads like a list of Pop Star Do's and Don't's(Syd Barratt, Nick Drake, and the lovely Sandy). Failed fame's a killer kids,be content with anonymity and live a full life.

Tracklist:

In Session:
CD1-1 Fhir A' Bhata (BBC - Folk Song Cellar)
CD1-2 Green Grow the Laurels (BBC - Folk Song Cellar 2/12/66)
CD1-3 Hold On To Me Babe (BBC - Cellarful Of Folk 6/3/67)
CD1-4 Blues Run The Game (BBC - Cellarful Of Folk 6/3/67)
CD1-5 Late November (BBC Session - Bob Harris 24/8/71)
CD1-6 The Optimist (BBC Session - Bob Harris 24/8/71)
CD1-7 Crazy Lady Blues (BBC Session - Bob Harris 24/8/71)
CD1-8 The Lowlands Of Holland (BBC Session - Bob Harris 24/8/71)
CD1-9 It Suits Me Well (BBC Session - Bob Harris 25/10/72)
CD1-10 The Music Weaver (BBC Session - Bob Harris 25/10/72)
CD1-11 Bushes And Briars (BBC Session - Bob Harris 25/10/72)
CD1-12 It'll Take A Long Time (BBC Session - Bob Harris 25/10/72)
CD1-13 Solo (BBC Session - John Peel 11/9/73)
CD1-14 Like An Old Fashioned Waltz (BBC Session - John Peel 11/9/73)
CD1-15 Who Knows Where The Time Goes? (BBC Session - John Peel 11/9/73)
CD1-16 Until The Real Thing Comes Along (BBC Session - Bob Harris 14/11/73)
CD1-17 Whispering Grass (BBC Session - Bob Harris 14/11/73)
CD1-18 Dark The Night (BBC Session - Bob Harris 14/11/73)
CD1-19 Solo (BBC Session - Bob Harris 14/11/73)

In Concert:
CD2-1 The North Star Grassman And The Ravens (BBC In Concert - Paris Theatre 16/3/72)
CD2-2 Sweet Rosemary (BBC In Concert - Paris Theatre 16/3/72)
CD2-3 The Lady (BBC In Concert - Paris Theatre 16/3/72)
CD2-4 Bruton Town (BBC In Concert - Paris Theatre 16/3/72)
CD2-5 Next Time Around (BBC In Concert - Paris Theatre 16/3/72)
CD2-6 Blackwaterside (BBC In Concert - Paris Theatre 16/3/72)
CD2-7 John The Gun (BBC In Concert - Paris Theatre 16/3/72)
CD2-8 The Lady (BBC - Sounds On Sunday 14/11/73)
CD2-9 Bushes And Briars (BBC - Sounds On Sunday 14/11/73)
CD2-10 It Suits Me Well (BBC - Sounds On Sunday 14/11/73)
CD2-11 Blackwaterside (BBC - Sounds On Sunday 14/11/73)
CD2-12 The Music Weaver (BBc - Sounds On Sunday 14/11/73)
CD2-13 The Sea Captain (BBC - Sounds On Sunday 14/11/73)
CD2-14 John The Gun (BBC - Sounds On Sunday 14/11/73)
CD2-15 Dialogue - Interview (Tomorrow's People BBC World Service Programme 1972)

DVD.....you can see these on you tube by clicking below:
DVD3-1 The North Star Grassman And The Ravens (BBC - One In Ten 15/09/71 - Stereo)
DVD3-2 Crazy Lady Blues (BBC - One In Ten 15/09/71 - Stereo)
DVD3-3 Late November (BBC - One In Ten 15/09/71 - Stereo)

"Off-Air" Recordings:
CD4-1 This Train (BBC World Service - June 1967)
CD4-2 Make Me A Pallet On Your Floor (BBC World Service - June 1967)
CD4-3 The Last Thing On My Mind (BBC World Service - June 1967)
CD4-4 You Never Wanted Me (BBC World Service - June 1967)
CD4-5 Been On The Road So Long (BBC - My Kind Of Folk 26/6/68)
CD4-6 The Quiet Land Of Erin (BBC - My Kind Of Folk 26/6/68)
CD4-7 Sweet Nightingale (BBC - Spinners TV Show 22/4/71)
CD4-8 Blackwaterside (BBC - Spinners TV Show 22/4/71)
CD4-9 The North Star Grassman And The Ravens (BBC - Sounds Of The 70s)

DOWNLOAD Sandy at the Beeb HERE!

Dave & Toni Arthur – "Morning Stands On Tiptoe" (Transatlantic Records – TRA 154) 1967

The first part of the holy trilogy of Dave and Toni Arthur albums was this classic on the fashionable Transatlantic label......it didn't sell of course, and they got dropped.....which should be the ambition of all serious musicians.

Pictured here,in the obligatory pose donning the proceeds of a record company funded trip to Carnaby Street.We find our hero's near one of the many ancient chalk carving's of Horses dotted about the English countryside.It's likely that they've never been to the countryside before.....Tree? What is Tree?

But as is more likely,and very prevalent with most late sixties Folkies, they had actually seen many trees in the leafy suburbs of London where they grew up. The early days of the Folk revival was mainly influenced, sartorially,by the Beatnik preference for unwashed sweaters with holes in....not attractive to yer average record buying punter. Also,dressed in their kings road finery would have not gone down too well in the Folk Clubs of northern England, where The Watersons, Anne Briggs and A.L.Lloyd ruled the roost.South of London was the same problem,with the puritanical Copper Family,...oooh it was a hard life being a suburban Folk Singer.

"Come taste my apples and pears kind sir" sings Toni.....Gawd Blimey ,will you please excuse me for a minute kind sirs.....!

Ahhh,that's better.I'm back, and relaxed.

There be a rendition of the classic hunting song from which influential posh peado (fully documented in his biography) DJ John Ravenscroft,he from the leafy suburbs of Liverpool, got his show biz name.

I'm not sure Dave and Toni got to do a Peel session,but young John was certainly very into this new wave of folk,as was evident on his radio shows from the era.

All three of Dave and Toni's album are indispensable classics of Neo-sixties Folk,and recognition is due.They got the Thumbs up from A.L.(Bert)Lloyd anyhow,and he was doing this since the 1940's!

This stuff all suggests that romantic idyll of an unattainable "better,'sustainable', Way Of Life" to us of the bourgeois in denial crowd.If these songs are recycled,so must we the plastic in tribute to the old ways.....yep....we're still DOOOMED!

Tracklist:

A1 A Maiden Came From London Town
A2 Morning Stands On Tiptoe
A3 Female Rambling Sailor
A4 Padstow Drinking Song
A5 The Guilty Sea Captain
A6 The Eynsham Poaching Song
A7 Green Grass
B1 The Barley Grain For Me
B2 The Jolly Ploughboy
B3 The Blackburn Poachers
B4 John Peel
B5 Bold Robinson
B6 Green Broom
B7 Bendigo Champion Of England
B8 The Football Match

DOWNLOAD on tippy toes HERE!

Various Artists ‎– "From Czech Electronic Music Studios" (Supraphon ‎– 1 11 1423) 1974

If ever there was a soundtrack to life in a police state then this is it. On State Label Supraphon, with cover art from some twisted nightmarish detention centre inmate after a long spell of sleep deprivation, this musique concréte escapade emits all the joylessness of a lifetime spent under curfew.
Largely involving tape manipulation,and thankfully lacking access to the Soviet Union's state-owned EMS synthi 100 in Moscow, the edited and varispeeded recorded sounds have all the characteristics of a fully furnished subterranean dungeon in Prague.
Each new track is like an interrogator saying "Let's Go back to the Beginning",as it seems we've been here before but still aren't any wiser as to what you did last summer,especially as every day feels like winter.Music that'll make you admit to anything to avoid the 'Bath of Shit' part of the afternoon.Nothing's worth that illegally imported pair of jeans you purchased from that under-cover policeman last July.
Most of Czechoslavakia's prog rock fraternity were locked up in the same interrogation centre that this stuff evokes,but you could get away with it if you achieved the status of of 'Official Musician'. Without the nod from the State you weren't allowed to play music to a paying audience,if at all.Anything 'western' or subversive was an arrestable offence; as the Zappa-esque Plastic People Of The Universe found out. 
The composers of these creepy early electronic cattle prod-a-gogo instruments of aural torture,were,of course, possessors of pieces of paper that allowed them the distinction of being official 'State Composers', so they were safe in their state provided accomodation.....undoubtedly bugged,but its a rent controlled roof over one's head, where subversive thoughts could be encrypted into indecipherable weird noises and passed off as 'Avant-Garde'.


Tracklist:

1 –Zbyněk Vostřák - Scales Of Light (1967) 13:55
2 –Miloslav Ištvan - Isle Of Toys (1968) 9:25

Two Parts From The Kinetic Ballet (1968)

3 –Václav Kučera - The Labyrinth 14:00
4 –Václav Kučera - The Spiral 7:35

DOWNLOAD the sudetenland of electronics HERE!

Various Artists ‎– Anthology Of Dutch Electronic Tape Music: Volume 2 (1966-1977) (Composers' Voice ‎– CV 7903) 1979

They have funny names, wear clogs, take drugs openly,ride bicycles,have childrens stories about putting fingers into Dykes...and if that wasn't enough to recommend that you move to Holland, then how's about all this early electronic music then?
They're so liberal over there that all of this was probably state-funded. If the government did that in the USA the Rednecks would start lynchin' people of colour again,if they ever stopped?
There's something about all this early electronica that is far more disturbing that it's younger,trendier, sibling Industrial Music,which tried far too hard to be unsettling.This is the same as the difference between those scary movies where you saw nothing except what your own mind imagined,and shit yourself.Industrial Music was more like a Slasher move where nothing was left to the imagination. The human mind is capable of indescribable horrors,and this musique concrete stuff gives the mind the space it needs to create the terror of real life,or rather reveal the terror of real life. 
Fucking Hell, we're all gonna die!?Why wasn't I TOLD!!!?


Tracklist:

1 –Jacob Cats - Cadence-1 6:10
2 –Tera De Marez Oyens - Safed 7:33
3 –Jos Kunst - Extérieur 9:39
4 –Gilius Van Bergeijk - D.E.S 7:46
5 –Frans Van Doorn - Minnuet 9:05
6 –Thomas Arras - A.B.C. 8:33
7 –Simeon Ten Holt - I Am Sylvia 15:30
8 –Victor Wentink - Discours 13:20
9 –Louis Andriessen - In Memoriam 5:06
10 –Peter Smith - Étude-1 8:58
11 –Tony Van Campen - Sintering 9:55

DOWNLOAD with lashings of chocolate sprinkles HERE!

Morton Subotnick ‎– "Silver Apples Of The Moon" (Nonesuch ‎– H-71174) 1967

Allegedly the first piece of Electronic Music commisioned by a record company. Which is probably correct,as in music made from a purely electronic source.The source being, in this case,The Buchla Modular Electronic Music System.There were plenty of 'electronic' records and recordings before this,especially those of the Musique Concréte variety; but with a synthesizer,Silver Apples is said to be there first.
There's not much in the way of structure here however, more in the line of Free Electronics,relying on funny electronic noises for it's avant-garde novelty value. If this is Avant-Garde then so was the soundtrack to the Forbidden Planet made a decade before this.
There was certainly a lysergic appeal that would have the casual Hippie space cadet freaking out at those groovy sounds man;and the cover art betrays nonesuch's target market with it's far-out oil film projector still.Psychedelic cover means Psychedelic music right?
Just tell 'em what to do and they'll invariably do it.

Tracklist:

A Silver Apples Of The Moon (Part One) 16:30
B Silver Apples Of The Moon (Part Two) 15:00

DOWNLOAD the silver apples from the moon before some american mining company gets there first to rape the moon as well as the earth HERE!

BBC Radiophonic Workshop ‎– "The John Baker Tapes Volume 2 (1963-75) (Trunk Records ‎– JBH029CD) 2008

I suppose the label this was released on should have been called 'drunk' not 'Trunk' records, as Radiophonic Workshop stalwart John Baker was probably drunk while he made the majority of these novel advert jingles and TV soundtracks.
Compared to his colleagues John was firmly on the musicianly side of composition,and also firmly in the Novelty music section of the workshop. Whereas Delia Derbyshire could make her doomy atmospheres, and Brian Hodgson could spent all his time making weird noises,John was lumbered with making funny tunes from varispeeded shampoo bottle pan pipes for a daytime childrens science programme. No wonder he turned to the evil drink.....but then again so did Delia. Although Delia couldn't keep up with Johns voracious appitite for consuming reams of cigarettes and therefore lived a few years longer.
Delia left in 1973 because the electronics were getting too easy and more conventional, but John Baker was sacked for being Drunk most of the time. The last recording he made before his descent into the dark realms of alcoholism was done at home on his piano in 1975(included here)...probably just before he sold it to buy more booze.He never made music again and died, age 60, in 1997.


Tracklist:

1 – Tempo Counter 0:04
2 – Get Happy 3:54
3 – Electro-Twist MQ LP1/1 1:23
4 – Electro-Suspense MQ LP1/2 1:27
5 – Electro-Rhythm MQ LP1/3 1:23
6 – Electro-Slow MQ LP1/4 1:33
7 – Boy On A Bicycle 4:03
8 – Brass Bandied MQ LP14/1 1:17
9 – Brass Widow MQ LP14/2 1:38
10 – Omo And Giro Adverts 1:20
11 – I Wanna Hold Your Hand Medley 2:33
12 – Electro-Auto MQ LP35/1 1:29
13 – Electro 5/4 MQ LP35/2 1:30
14 – Electro Waltz MQ LP35/3 1:28
15 – Johnny Johnson Jingles 1:25
16 – 1980s Feedback Loop 0:04
17 – Requioso - PIL 9011 2:21
18 – JB Dubs 1:13
19 – Out Of Nowhere 5:23
20 – Electro-Beat MQ LP19/1 1:30
21 – Electro-Weird MQ LP19/2 1:24
22 – Electro-Fugue MQ LP19/3 1:14
23 – Electro-Aggression MQ LP38/1 1:57
24 – Electro-Tension MQ LP38/2 2:27
25 – Jazz Advert 1:38
26 – Brylcreem 0:30
27 – John Baker Goon Advert 0:34
28 – Power Source MQ LP39 3:23
29 – 1980s Tape FX 0:42
30 – Pots 'N' Pans MQ LP48/1 3:24
31 – Banshee Boogie MQ LP48/2 1:45
32 – Feedback MQ LP48/3 2:58
33 – Space Workshop MQ LP48/4 3:12
34 – Piano Concrete MQ LP48/5 2:55
35 – JB Test Tone 0:08
36 – Piano Strokes 2:25
37 – JB At Home On The Piano 0:51
38 – Brief Lives - JB Obituary 1:47
39 – JB 78 RPM - All The Things You Are 2:26

DOWNLOAD some sober sounding novelty tunes HERE!

John Baker / BBC Radiophonic Workshop ‎– "The John Baker Tapes Volume 1 - rare and unreleased recordings 1963-1974" (Trunk Records ‎– JBH028CD)

John Baker, was a scumbag who lived at the shitter end of my street when I was vilified for daring to win a place at Grammer skool.Being called intelligent was as good as wearing a sign saying 'please kick my head in' for us unfortunate members of the underclass from the oxygenated end of the gene pool. The 'Bakers' all had scoliosis, the word 'Shithouse' was written in dripping black gloss on their toilet door,the eldest male was nick-named 'Igor',and they had a predeliction towards violence and criminal behaviour in general.
The John Baker responsible for the music on this CD, however, didn't live on my street as a kid growing up, but he was an unnamed member of the household through his prolific production of TV Theme tunes and Radio jingles throughout the sixties, seventies and no further, after he got the sack in 1974.
A contemporary of the legend that is Delia Derbyshire, he brought musicianly technique into the Workshop, as well as forty fags a day...thats cigarettes to you americans. He filled the vacancies for the Jazz Musician of the group, as well as the chain smoker. I'm also sure he joined in on the heavy wine consumption that the workshop was also renowned for,especially as wine bottles with various levels of liquid in them were an essential sound source for the staff to record and manipulate.
Many of those bottles no doubt found their way onto many of these jolly little tunes.
John,like Delia,died early from heavy cigarette and Alcohol comsumption in a confined space for too long a period. 
After becoming an alcoholic, Baker recorded no further music after being sacked by the Radiophonic Workshop and later died in poverty.......a life summed up in one dismissive sentence!?
He deserves more than that,thats why we've have three John Baker retrospectives lined up to revive the forgotten man of the Radiophonic Workshop's tarnished reputation.
This John Baker died while the scummier John Baker with the bad posture probably still lives,just, on my childhood street,and 'Shithouse' is probably still written on the toilet door.The wrong one died young,there's still time for that to be put right,if it hasn't been already?But,Justice is something that is rarely doled out fairly in this cruel world.
PS...Igor still lived,by the way, because i saw him down the pub on the night Leicester City won the League Cup back in '97....he gave me a HUG(?).Ahhhh,Association Football....the great leveller!?

Tracklist:

1 Newstime BBC 1+2 0:23
2 Tros Y Gareg (Main Theme) 2:50
3 Tros Y Gareg (Idents) 0:20
4 20th Century Focus 2:22
5 Vendetta: The Ice Cream Man 1:18
6 Woman's Hour (Reading Your Letters) 1:47
7 Many A Slip 0:57
8 Look And Read 0:35
9 Building The Bomb 6:24
10 Au Printemps 2:27
11 Big Ben News Theme 0:33
12 Codename 1:03
13 Decimal Currency 0:20
14 Barnacle Bill 0:21
15 Dial M For Murder 2:25
16 Farm Management 0:30
17 Radio Sheffield (News Idents) 0:45
18 French Science And Technology 0:39
19 Good Morning Wales (Idents) 0:37
20 Heavy Plant Crossing 0:59
21 COI Technology Pavilion 9:30
22 John Baker Interview (Radio Nottingham) 2:33
23 Radio Nottingham Idents 0:34
24 Look North: Newstime 0:50
25 Man Alive: UFO 1:14
26 PM - Computers In Business 0:39
27 Submarines 1:59
28 Oranges And Lemons (Radio London) 2:36
29 Orbit 0:47
30 Places For People 0:47
31 Sling Your Hook 2:27
32 Suivez La Piste 0:49
33 Scene (Never Never) 1:40
34 Diary Of A Madman 3:54
35 The Two O'Clock Spot 0:58
36 Radio London: News Idents 0:25
37 The Caves Of Steel 3:11
38 The Locusts 0:45
39 Square Two 0:29
40 The Tape Recorder 1:11
41 Tom Tom (Theme) 0:42
42 Tom Tom (Idents) 0:15
43 Trial (Opening Theme) 0:35
44 Trial (Closing Theme) 1:22
45 Vendetta: The Sugar Man 2:01
46 Spin Off 0:21
47 Radiophonic FX C 0:10
48 Radiophonic FX A 0:54
49 Radiophonic FX B 0:35

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Various ‎Artists – "Test Card Classics: The Girl The Doll The Music" (Flyback ‎– FBCD 2000) 1996

This is musical Heroin for me.
Like lying back in your mothers arms,unless your mother was a violent alcoholic of course, and having all those shitty adult problems melt away like plastic earmarked for recycling in a council incinerator.
This takes me back to those days off sick,when one was left at the mercy of daytime television,or lack of it back then,or when I bunked off school to avoid a test or the shower after basketball,or just to avoid the horrible sport of Basketball itself; then came home when the parents were at work and there was fuck all to do!...so we watched the Testcard!? Which was the equivalent of watching something like "Celebrity Love Island" today, but more entertaining, and lacking the suicides.
Those of you who came from countries with no public service broadcasting organisations will not understand......and that's ok.I won't hold it against you;but here's your chance to catch up.
Basically,You haven't lived until you've bounced yer booty to "Holiday Highway" by the Stuttgart Studio Orchestra.
And the Nu-Right wanna shut the BBC down????....leaving us at the mercy of Facebook and the Flat Earth Anti-vaxxers!.....i'm sure that's an actual band????

Notes for the average Test Card enthusiast:

Compilation of test card music as used by the BBC between 1966-1984. Previously unreleased original recordings.

Tracks 1, 9, 12, 16, 19, 21 and 24 are in mono.
Track 1: Spoken.
Track 2: BBC1/2 1969-84
Track 3: BBC2 1967-74
Track 4: BBC2 1968-72
Track 5: BBC1 1968-84
Track 6. BBC1 1968-71
Track 7: BBC2 1972-75
Track 8. BBC2/1 1967-84
Track 9: BBC1/2 1968-71
Track 10: BBC2 1968-72
Track 11: BBC1 1971-72
Track 12: BBC1 1968-71
Track 13: BBC2 1967-74
Track 14: BBC1/2 1969-74
Track 15: BBC2/1 1968-84
Track 16: BBC1 1969-71
Track 17: BBC1/2 1968-75
Track 18: BBC2 1967-74
Track 19: BBC1 1966-72
Track 20: BBC1 1968-71
Track 21: BBC1 1968-70
Track 22: BBC2 1967-74
Track 23: BBC2 1968-72
Track 24: Tone used on BBC2

Dates diven above are first and last years of transmission, not necessarily consecutively.

Tracklist:

1–John Ross-Barnard -Introduction 0:07
2–The Stuttgart Studio Orchestra -Royal Daffodil 2:17
3–The Westway Novelty Ensemble -Riga Road 2:10
4–The Oscar Brandenburg Orchestra -Angry 3:16
5–The Stuttgart Studio Orchestra -Capability Brown 3:33
6–Unknown Artist -BBC Chimes 0:10
7–The Cavendish Ten -Waltz In Jazztime 2:44
8–The Benito Gonzalez Latin Sound -Bella Samba 2:14
9–Unknown Artist BBC Chimes 0:10
10–The Stuttgart Studio Orchestra -Holiday Highway 2:40
11–Orchestra Heinz Kiessling -Cordoba 2:56
12–The Oscar Brandenburg Orchestra -My Guy's Come Back 2:40
13–The Langford Orchestra -The Lark In The Clear Air 2:25
14–Unknown Artist -BBC Chimes 0:10
15–The New Dance Orchestra -Pandora 2:43
16–The Fernand Terby Orchestra -Firecracker 2:42
17–Unknown Artist -BBC Chimes 0:09
18–Stuttgart Studio Orchestra -Hebridean Hoedown 2:54
19–The Gerhard Narholz Orchestra -High Life 2:29
20–Orchestra Heinz Kiessling -Samba Fiesta 1:48
21–Stuttgart Studio Orchestra -Stately Occasion 3:02
22–Unknown Artist -BBC Chimes 0:10
23–Mr Popcorn's Band -Chelsea Chick 2:46
24–Roger Roger And His Orchestra -Greenland Sleigh Dogs 3:07
25–Unknown Artist -BBC Chimes 0:10
26–The Cavendish Ten -These Foolish Things 2:12
27–Stuttgart Studio Orchestra -March From "The Colour Suite" 3:12
28–Ensemble Roger Roger -Long Hot Summer 2:11
29–The Oscar Brandenburg Orchestra -Going Places 2:52
30–No Artist -440 Hz Tone 0:20

DOWNLOAD the music without the girl or the doll HERE!

BBC Radiophonic Workshop ‎– "Doctor Who At The BBC Radiophonic Workshop - Volume 1: The Early Years 1963-1969" ( BBC Music ‎– WMSF 6023-2)

Shit this is good!
Thrill to the sound of the BBC's 'wobbulator',the home-made 12 Oscillator sound generator, keys scraping down the guts of an old piano, loaded with analogue effects and 100 yard long tape loops.
This was naked innovation,going where no man or woman had gone before,and an argument against having too much equipment.
Then synthesizers came and ruined everything!

Brian Hodgson plays a tune on the Workshop's home-made keyboard, controlling 12 individual oscillators.The infamous  'Wobbulator is bottom right.

Probably the greatest sound ever made is the sound of the TARDIS dematerialising and materialisng, up there with Godzilla's screech......incidently both sounds were made in the same way,with varispeeded analogue tape and scraping strings. A close third place in the greatest sounds ever made league has to be the Bass sound from the original theme for Doctor Who. Not the sound of a disembodied  oscillator as I always thought, but a varispeeded plucked string;as simple as that!? A string, plucked ,of course, by the slender fingers of the sonic goddess that is Delia Derbyshire.

Delia with technology

She then proceeded to cut up the various,varispeeded  plucks, and laboriously make a splice edit for every single note.....incredible stuff. She wasn't,however, responsible for the TARDIS sound effect. That honour goes to her under-acknowledged partner in sonic crime, Brian Hodgson.

Brian Hodgson with dismembered piano, as used to create 'the Tardis sound' from the Doctor Who TV series.

Now you can experience the smooth, warm analogue beauty of actual electronics, lubricating your lugholes like being spoonfed tepid honey by your mother, or in this case Delia Derbyshire,not forgetting Brian Hodgson in charge of the saucepan.
As great as those eound effects are, the original themes for Doctor Who will go down in history, carved in rock, as the beginning of adult orientated Synth-pop.
Oooooooh I could listen to this all day.

The BBC Radiophonic Workshop Team in 1963

Tracklist:

1 –Delia Derbyshire- Doctor Who (Original Theme) 2:21
2 –Brian Hodgson- TARDIS Exterior Hum And Door (Original) 0:23
3 –Brian Hodgson- Entry Into The TARDIS 0:40
4 –Brian Hodgson- TARDIS: Original Takeoff Sequence 1:47
5 –Delia Derbyshire- Doctor Who (Original Titles Music) 2:09
6 –Brian Hodgson- TARDIS Takeoff 1:23
7 –Brian Hodgson- Skaro: Petrified Forest Atmosphere 1:46
8 –Brian Hodgson- TARDIS Computer 1:08
9 –Brian Hodgson- Dalek City Corridor 1:01
10 –Brian Hodgson- Dalek Control Room 0:26
11 –Brian Hodgson- Capsule Oscillation (Bomb Countdown) 0:19
12 –Brian Hodgson- Explosion, TARDIS Stops 1:10
13 –Brian Hodgson- Sleeping Machine 0:52
14 –Brian Hodgson- Sensorite Speech Background 1:10
15 –Brian Hodgson- Dalek Spaceship Lands 0:16
16 –Brian Hodgson- TARDIS Lands 0:11
17 –Brian Hodgson- Chumbley (Constant Run) 0:27
18 –Brian Hodgson- Chumbley At Rest 0:28
19 –Brian Hodgson- Chumbley Sends Message 0:07
20 –Brian Hodgson- Chumbley Dome (Rises/Falls/Rises/Falls) 0:19
21 –Brian Hodgson- Chumbley Dies 0:11
22 –Brian Hodgson- Activity On Dalek Ship Control Panel 0:46
23 –Brian Hodgson- Energy Escapes 0:22
24 –Brian Hodgson- Machinery In TARDIS Goes Wild(Regeneration) 1:03
25 –Brian Hodgson/Dick Mills- Regeneration Runs Down 0:09
26 –Brian Hodgson/Dick Mills- The Doctor's Transitional Trauma 0:52
27 –Brian Hodgson- The Fish People (Incidental Music) 0:37
28 –Brian Hodgson- Heartbeat Chase 1:57
29 –Delia Derbyshire- Chromophone Band 1:56
30 –Brian Hodgson- Controller Chimes 0:10
31 –John Baker- Muzak (From "Time In Advance") 3:19
32 –Brian Hodgson- Propaganda Sleep Machine 1:08
33 –Delia Derbyshire- Doctor Who (New Opening Theme, 1967) 0:51
34 –Brian Hodgson- Sting & Web 2:04
35 –Brian Hodgson- 4 Stings 0:18
36 –Brian Hodgson- Mr. Oak And Mr. Quill (Incidental Music) 0:39
37 –Brian Hodgson- Lead-In To Cyber Planner 0:14
38 –Brian Hodgson- Cyber Planner Background 0:37
39 –Brian Hodgson- Cyberman Stab & Music 1:32
40 –Brian Hodgson- Rocket Stab 0:08
41 –Brian Hodgson- Birth Of Cybermats 0:44
42 –Brian Hodgson- Cybermats Attracted To Wheel 0:39
43 –Brian Hodgson- Rocket In Space 1:49
44 –Brian Hodgson- Interior Rocket (Suspense Music) 1:55
45 –Brian Hodgson- Servo Robot Music 1:28
46 –Brian Hodgson- Wheel Stab 0:14
47 –Brian Hodgson- Cosmos Atmosphere 1:08
48 –Brian Hodgson- Alien Ship Music 1:00
49 –Brian Hodgson- Jarvis In A Dream State 0:47
50 –Brian Hodgson- Floating Through Space 1:14
51 –Brian Hodgson- 2 Stabs 0:11
52 –Brian Hodgson- TARDIS (New Landing) 0:18
53 –Brian Hodgson- Galaxy Atmosphere 1:04
54 –Brian Hodgson- Tension Builder (A) 0:45
55 –Brian Hodgson- Tension Builder (C) 0:40
56 –Brian Hodgson- Tension Builder (D) 1:06
57 –Brian Hodgson- Low Sting 0:10
58 –Brian Hodgson- TARDIS: Extra Power Unit Plugged In 1:53
59 –Brian Hodgson- Zoe's Theme 1:19
60 –Brian Hodgson- White Void 1:16
61 –John Baker- Muzak (From "Time In Advance") 2:48
62 –Brian Hodgson- Cyberman Brought To Life 1:12
63 –Brian Hodgson- Cyber Invasion 2:11
64 –Brian Hodgson- The Learning Hall 2:40
65 –Brian Hodgson- Entry Into The Machine 1:33
66 –Brian Hodgson- Sting 0:19
67 –Brian Hodgson- Machine And City Theme 1:49
68 –Brian Hodgson- Kroton Theme 2:13
69 –Brian Hodgson- TARDIS Land 0:25
70 –Brian Hodgson- Alien Control Centre 0:27
71 –Brian Hodgson- Time Zone Atmosphere 0:40
72 –Brian Hodgson- Dimensional Control 0:49
73 –Brian Hodgson- War Lord Arrival 0:16
74 –Brian Hodgson- Silver Box (The Doctor Calls For Help) 1:02
75 –Brian Hodgson- Time Lord Court Atmosphere 1:18
76 –Delia Derbyshire- Doctor Who (Closing Titles) 0:41

DOWNLOAD time and relative dimensions in sound HERE!

Delia Derbyshire - "Blue Veils and Golden Sands-The Unsung Heroine Of British Electronic Music" (BBC Transcription Services) 2002

Ten years before 'Autobahn' the British public were exposed to popular electronics by the government funded BBC Radiophonic Workshop,who pioneered the art of making electronics useable and coherent for the average working man.It all started with Delia Deryshires rendering of Ron Grainers 'Doctor Who Theme'.I dunno if that bass-line has ever been bettered? What makes this more intriguing is that in the semi-socialist state that was post-war Britain, this was all done without recognition or plaudits, in complete anonymity in the bowels of BBC Maida Vale studio's where 20th century music history was recorded from The Beatles and Jimi Hendrix, to Joy Division and Frank Sidebottom. The BBC also had its own composers on the payroll although they categorically avoided this,as Ms Derbyshire explains......"The only way into the workshop was to be a trainee studio manager. This is because the workshop was purely a service department for drama. The BBC made it quite clear that they didn't employ composers and we weren't supposed to be doing music." One of these 'composers' was the one and only, Delia Derbyshire,who has posthumously risen inexorably towards 'Legendary' status as not only a pioneer of women in Electronic music,but as a pioneer of all Electronic music.
Using the notoriously non-existent BBC budget, Delia and her collegues, worked tirelessly with basic equipment to create other worldly music that wasn't being produced anywhere else in the early sixties outside of the Avant Garde arena,which was basically just using electronics to make funny noises.God knows what shite Stockhausen would have come up with for the Doctor Who Theme,and Morton Subotnik was still deciding whether to use Silver Apples or Oranges for his Moon.
The thing is, Delia did 'weird' as well.There is much of her work that would stand up effortlessly in the Avant Garde arena if it ever allowed someone from the BBC to be taken seriously.
The radio plays she did with Barry Bermange in 1964/65, "Inventions For Radio", are among some of the most bizarre pieces of Musique Concréte ever made.
They will be coming up; but as there is inexplicably NO(!?) Greatest hits of Delia Derbyshire,or of The Radiophonic Workshop, in existence?This file contains the BBC Play based on Delia's life (featuring Sonic Boom/Pete Kember of Spaceman 3),and 20 of her most popular pieces,including the one that started it all, "The Doctor Who Theme".
Here's a great quote by Delia about the Dr Who Theme,that shows the BBC's faultless socialist principles:"I did the Dr Who theme music mostly on the Jason valve oscillators. Ron Grainer brought me the score. He expected to hire a band to play it, but when he heard what I had done electronically, he'd never imagined it would be so good. He offered me half of the royalties, but the BBC wouldn't allow it. I was just on an assistant studio manager's salary and that was it... and we got a free Radio Times. The boss wouldn't let anybody have any sort of credit."
Personal favourite , "Ziwzih Ziwzih OO-OO-OO", could have been taken from The Residents 'golden era',also ten years hence!Or as inspiration for The Mole Show, almost twenty years later! Delia was also far more anonymous than The Residents could ever be.Hardly any pictures exist of her,the same images cropping up endlessly.
She left the workshop, and music, in 1975 to do ordinary jobs,complaining that Synthesizers were killing electronic music,believing that it should be hand-made.She has a point.Music is made by machines more than ever in the 21st century.
'You will be Replaced' is a line you'd expect from an episode of Doctor Who.....now its becoming a reality.
However, Delia Derbyshire was never replaced.The synthesizers never cut the mustard.

Tracklisting:

The Unsung Heroine Of British Electronic Music(BBC Radio Play 2002) 
01 - Introduction
02 - There Is No Such Thing As Silence
03 - The Meaning Of Sound
04 - A Glass Or Two Of Wine
05 - My Real Living Room
06 - Doctor Who
07 - New Music And Open Minds
08 - The Effect Of The Soul On Sound
09 - Another Day At The BBC Radiophonic Sweatshop
10 - Some Recognition
11 - Remembering Without Trying
12 - Credits
The Music (1962-75):
13 - Doctor Who (Original Theme)
14 - Time On Our Hands
15 - Arabic Science And Industry
16 - Know Your Car
17 - Mattachin
18 - Pot Au Feu
19 - Happy Birthday
20 - Ziwzih Ziwzih OO-OO-OO
21 - Towards Tomorrow
22 - Door To Door
23 - Air
24 - Science And Health
25 - Chromophone Band
26 - A New View Of Politics
27 - Environmental Studies
28 - Chronicle
29 - Great Zoos Of The World
30 - Dance from ''Noah''
31 - Blue Veils And Golden Sands
32 - The Delian Mode
33 - Time To Go
34 - Doctor Who (Closing Theme)

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Pauline Oliveros ‎– "Alien Bog / Beautiful Soop" (Pogus Productions ‎– P21012-2) 1966/67

Musically cliched adjectives such as 'Seminal', 'Overlooked', and 'influenza'......shouldn't that be Influential?....I blame Covid syndrome,i simply can't talk about anything else.The government have done a job on us,and turned us into simpering rule takers who can't wait to download that government approved tracking app; singling out the undesirables like a remake of 'Invasion Of The Body Snatchers'!?This virus has answered all of their problems at once.Crime falling like a brick shithouse in a decaying orbit,pollution emmisions evaporating,the workforce forced to quit their jobs,for 'safety reasons', leaving automation as the only answer for economic growth;the population openly embracing the chance to be imprisoned, immigration ended,borders closed,and thousands of dead pensioners,saving millions of quid a year.....it is,after all,"for your own safety?" 
...anyway, all those silly music reviewer clichés apply to Pauline Oliveros. If she was good-looking we wouldn't have heard of the Human League mark 2. That's 'if', she was around in the eighties,but luckily, she had that hispanic librarian chic look, that was popular in guitar music, but not in electronics, or avant-garde accordian music.
This collection of a couple of her early electronic noodlings suggest allowing a chimpanzee to run riot in a room with the original Buchla synthesizer within its limits,but covered with monkey chow.....Yes...I know chimps aren't monkeys!?.....i'm trying to make a very dull subject entertaining....CAPICHE?
Basically, i'm typing this while listening to King Crimson's "Larks Tongues In Aspic Session Reels", which is such a brutal exhibition of musicality and invention,that it makes these recordings seem like some child twiddling the knobs of a machine  that she doesn't understand.Yeah, its shit bascially, but most casual music fans, are frightened to say it for fear of appearing dumb. It's Avant-garde you dumbass!....eh?...oh yeah, good isn't it?......er...No it isn't. Something isn't 'good' because no fucker else were doing it....in fact they were,but as Pauline is dead,she's an overlooked electronic pioneer.
Usually, the 'Avant Garde' is an easy way for someone with zero musical talent to... 'get away with it'.Like the Abstract painter who has never painted a landscape or a still life.....if you forget the basics, its worthless. In this case, the music has been removed from the situation....so whats the point?
The worth of Pauline's doodlings, is that she was a woman doing it, more than the results,also she was a Hispanic Woman......I dunno if she was also a lesbian , to tick the third box or not, but two outta three ain't bad?
Her instrument of choice was the accordian,with which she made far more inventive use of,primarily drones, so obviously she couldn't really play that instrument either.
This ain't no "Larks Tongues In Aspic",which actually takes some effort, but it will make you seem 'Intelligent' if you leave it out on the coffee table.
"Fuck! Quentin's got an Oliveros!"....quick google her most critically acclaimed stuff or we is gonna look as thick as we actually are!....panic time!
Christ I hate myself!


Tracklist:

1 Alien Bog 33:15
2 Beautiful Soop 27:49

DOWNLOAD the knob twiddling genius that is pauline HERE!

Ken Nordine ‎– "Ken Nordine Does Robert Shure's 'Twink' " (Philips ‎– PHS 600-258) 1967

The unfortunately titled "Twink",first published in 1957, was a popular selling pamphlet of quirky poetry by someone called Robert Shure, hence the title.
A "Twink" is, nowadays, Gay Slang for a young homosexual male with attractive, boyish qualities.Ooh-la-laaaa!?

So when it says Ken does Robert,one assumes he means Ken reads Robert's Poetry,rather than anything sexual. Or maybe, as the Twink in question is referred to as belonging to Robert Shure,maybe Shure was a fifties Jeffery Epstein who provided young boys to c-list voice over artists to provide sexual favours? Maybe this is why Nordine did a recorded version of Shure's pamphlet,as payment,in kind, for allowing him to bum the boyish young victim provided by the poet in question.

As this work was made well before the term Twink was misapropriated by the Gay scene,in a more innocent time, I suggest everything i wrote before this sentence was likely just an amusing fantasy.
In fact,the reissue of this album was renamed "Wink" at the request of the author, Robert Shure.The reason for which I think is glaringly obvious.Its not beyond the realms of possibility that some poor unsuspecting homosexual had previously purchased either this album, or pamphlet, rushed home in a state of semi-arousal,only to find the contents empty of references to sodomising young boyish men,but full of extremely unerotic ,and downright Silly poetry.They may have even noticed the poem called "Queen" to further enhance the need to purchase such literature, full of gay abandon,to use these words as a back drop to 'knock one out' upon his eager return from the literary emporium.

In true space-age batchelor pad style, Nordine uses the stereo spread to appear to be talking to himself with one voice recorded dry, the other recorded with effects.It sounds a bit like the voice one hears during a sudden attack of paranoid Schizophrenia. In between every track ,for some reason, there are different styles of tinkling bells,as if entering a small Haberdashers every minute for half an hour.

As always, Nordine's silky baritone makes this a soothing but surreal,and accidently psychedelic nostalgia trip.Like watching a Mr Magoo cartoon,but in this version Mr Magoo is hard of hearing rather than myopic.Gets him into all sorts of trouble it does.Mr Magoo mishears himself into a Gay sex orgy as the Gimp and gets topped by Waldo. That episode won an Emmy in that famed alternative universe that we visit often on here.

Tracklist:
Windshield Wipers 1:17
Tears 1:18
Suede 0:27
Zebra 1:16
Sidewalks 0:57
Breathing 1:19
Chimney 0:39
Queen 1:21
Nothing 1:23
Apple Cider 1:46
Bathtub 1:12
When You're Born 1:12
Piccolos 1:13
Knee 1:23
Pea 0:19
Great 0:21
Eyeleashes 1:03
Clock 1:28
Ear 1:32
Ping Pong 1:21
Freckles 1:38
Cellophane 1:39
Dream 1:49
Gabardine 1:01
Planet 1:31
Meat Balls 0:41
Sky 1:17
Envelope 1:05
Roller Skate 0:51
Blotter 0:36
Moth 1:16
Indians 1:48
Lampshades 1:50
Cigars 1:45

DOWNLOAD from your very own twink link HERE!

John Giorno ‎– "Raspberry / Pornographic Poem" (The Intravenus Mind ‎– LP-501) 1967

John Giorno did an album of his own in the consumer of love in '67,although '69 would have been more appropriate considering the awfully rude content of this poetry.....erotic i think they call it.
Really its about wanking under the guise of 'Its Art Maaaan'.
I must admit it give me a bit of a twitcher at times,even the gay side!
Either way, it would certainly rub the members of the establishment up the wrong way as well as your own member....if you should be that way inclined.
Is he exploring the over-explored and tiresome concept of sexuality, or just trying to send ripples...not nipples...across the millpond of sixties society.
One big recommendation is that we don't get to hear the dulcet tones of Giorno's throaty croaking,as the poems are read by sveral of John's artzy fartzy chums,including rather famous Pop Artist type Robert Rauschenberg himself.Never one to avoid name-dropping,Rauschenberg's name is promenently displayed on the cover,just so you know that John's got famous artist friends and you haven't.....lucky that, because we don't want famous friends here at Die or DIY?...in fact its bordering on the not having ANY friends at all kind of doomsday bunker mentality scenario.
If you played this at your chess club's annual darts evening and clam-dip soirée,you almost certainly wouldn't have any friends left come half-past ten;and the ones that stayed i'm not sure you'd want to remain your friends much past eleven.....'Time for bed' said Zebedee.....ALONE!!!!!
No doubt there be perv's out there who think this is their favourite record of the sixties,an act of revolution in an age of sexual liberation; which is just fancy talk for you're just a Loner with a Boner.
Phwoooooaaaar missus!
....But, nonetheless, Giorno's best album,especially as he's not on it,and nice and lite on those bloody echo effects that came to symbolise his later work. 


Tracklist:

A Raspberry (19:10)

Featuring – Peter Schjeldahl, Robert Rauschenberg, Yvonne Rainer

B Pornographic Poem (17:45)

Featuring – Alan Sarret, Ann Ware, Bryce Marden*, Henry Geldzahler, John Perreault, Lee Crabtree, Michael McClanathan, Nina Thurman, Patti Oldenberg, Peter Schjeldahl, Robert Rauschenberg, Sarah Dalton, Tod Berrigan, Trisha Brown, Yvonne Rainer

DOWNLOAD some very rude poetry HERE! 

Steve Reich ‎– "Early Works" (Nonesuch ‎– 979 169-1) 1987

We all feel rather too clever by half when we add some recorded dialogue to our homemade experimental miesterwerks don't we? Well,it may automatically qualify you to call yourself 'Avant-Garde' but this tactic has been around for as long as pop-art itself. In 1965 the not-so-young Steve Reich discovered that if he played one tape slightly slower than an other tape playing the same thing,it would slowly become out of phase and we get a jumbled up confused mess abstracting the meaning of the original to the point of the nonsense that it is. So Steve could just set the tapes running and sit back to let the music,or non-music, write itself. Another idea that Eno nicked,but in his case he used tape loops which eventually came back into to phase momentarily before slipping back out of phase again.
Reich wasn't the first to mess around with recorded dialogue of course. As far as I can assess that honour goes to Brion Gysin, followed diligently by William S. Burroughs, who were a direct influence on such Industrial types as Cabaret Voltaire, and Throbbing Gristle,before it was dumbed down by the availability of the Fairlight Sampler.This started a separate thread leading to Paul 'N.n.n.n.n.n.n.Nineteen' Hardcastle, and a flood of "Ah Yeah's" on yer kiddie-pop hits like Timmy Mallets version of "Teensy Weensy Yellow Polka-dot Bikini"......follow that with samples of Colonel Kurtz mumbling "The Horror....The Horror!"
So the moral behind this ugly truth is that no matter how avant garde you think you are, there's always some intellectual minnow who are gonna show your genius up for the sad cliché it has become,as it becomes inclusive rather than exclusive. Timmy Mallet...the great leveller.
Naturally, Steve Reich was messing with dialogue well before it became an Industrial Cliché,but his main innovation was his out of phase compositions, as represented here by his "Piano Phase" piece for two piano's.The discipline involved for two pianists to play at slightly varying tempo's is a thing of awe for me. I often struggle to play constantly in 4/4 time,so when my tempo wavers its incompetence rather than skill. This is the piece from where the Steve Reich style sprung from,and which launched a thousand Philip Glass compositions. Terry Riley was an influence it is said, and also, allegedly, Moondog (coming up soon).
There you go, I managed to write about Steve Reich without a single reference to anything  Nazi.....i am now patting myself on the back.Just you wait for my take on "Different Trains"...I can't wait!

Tracklist:

A1 Come Out 12:54
A2 Piano Phase 20:26
B1 Clapping Music 4:39
B2 It’s Gonna Rain 17:31

DOWNLOAD the first reich HERE!