Wednesday, 15 July 2020

László Dubrovay ‎– "A² "/ "Oscillations Nos. 1-3" (Hungaroton ‎– SLPX 12030) 1979

Any cover with close ups of an EMS synth is always iminently purchasable,and doubly so if it comes from behind the Iron Curtain during the cold war times.
For some reason communist Hungarians had a Stockhausen fixation, and enthusiastically made silly electronic noises and drew charts with the same efficiency as they helped Eichmann deport a million jewish citizens to the Auschwitz labour camp (notice how i called it 'a labour camp' to avoid know all anti-zion conspiracists telling me how many really died and how.....yeah we got holocaust fatigue as well as conspiracy fatique.....look I Don't Care understand!?...and yeah yeah yeah, I'm a Fascist,which is different to a Nazi by the way...well done you keyboard finger pointers....well done).
I figure that the only western records they could smuggle through customs were by Stockhausen,which would explain the number of serious electronic composers in Magyar land.....But that does not explain their numerous ,badly dressed prog bands, like the dreadful 'Omega',which i did feature on the blog, but ,true communists that they were/are, they made a DCMA complaint against me and the download had to be withdrawn(but you can check it here in the post on the terrible hungaro-rock album "Bum".
Its funny how former commies now make for the very worst capitalists Humans do have a natural tendancy to burn down their houses to keep themselves warm,capitaist or communist.that's why, neither dogma works.
These electronic pieces are from the 'I've got a Synth and I'm gonna Use It school of 'Because I Can'.
A series of very pointless sound effects rechristened as music. Its great background music to a slow moving science fiction epic, or a wacky off-kilter fondue evening, but taking it seriously as a modern composition is strictly for the pseudo-intellectual in your cell.
Maybe this was an easy way to get a more favourable appartment in the brutalist tower block that László was allocated before he became an 'Artist', I dunno.Basically, he had access to an astronomically expensive EMS synth and his fellow brothers and sisters did not.....that's equality for you.
Good cover though.


A1 "A²" (16:38)
A2 Oscillations No. 3 (9:45)
B1 Oscillations No. 1 (18:00)
B2 Oscillations No. 2 (11:50)

Sunday, 12 July 2020

Gil Mellé ‎– "Tome VI" (Verve Records ‎– V6-8744) 1968

Yes, it's 'Jazz'.....impressed?...nah,me niether.
But it's more than that, It's Jazz with an Early Electronics flavor......Now you're 'Hip',all the way from the original hipster to the modern hipster all in one package with free beard grooming kit.
Gil made the "Andromeda Strain" Soundtrack, which featured rather more Electronics as played by a bunch of chimps at Twycross Zoo.The same Zoo which had a chimp who could gob a ball of rancid saliva at a chump,this chump,doing monkey impressions over 50 metres away,effortlessy. A bit like a Jazz Trumpeter.
It has been mentioned on the wonderful interweb that yours truly has no idea how difficult it is to make free-form electronic soundscapes,especially in the early 70's. Well, I have a lot of idea how difficult it is to make electronic sounscapes with fuck all money,in fact I'd say it would be nigh-on impossible.An accusation made by someone who makes electronic soundscapes about someone who doesn't because everyone does nowadays is rather irrelevant anyhow. Yes, a bunch of chimps with a VCS3 could make a wonderful noise,but, like me, they have bugger-all money to buy one,even the budget Behringer version.
Here we find our Gil making glorious Free Jazz improv with ...yes,Electronics, to show how hard it is to make improvised Jazz music...and the key word here is 'Music'. Basically any discerning pond dweller can make a complete racket,but at the expense of the music.....that's the hard bit. Make all the soundscapes and funny noises you want, but makin' melodies ain't easy, buying a synthesizer and switching it on, is.
This album is great, and as a bonus you can impress everyone  as to how intellectual you are at the same time.Jazz is, Jazz was,chacachacaaaaah!


1.Blue Quasar 15:15
2.Elgin Marble 4:15
3.Man With The Flashlight 11:40
4.Jog Falls Spinning Song 6:15

Saturday, 11 July 2020

Trevor Duncan ‎– "Other Worlds" (Impress ‎– IA 428) 1981

Was there ever an American called Trevor?
The infamous,or, Not famous, composer of the main theme to "Plan 9 From Outer Space" has a glaringly 'English' name, from the Eric Clapton skool of Les Noms Anglaise? Was probably born in Squatney, next door to Nigel Tufnel and David St Hubbins of Spinal says Camberwell here...close;but then we find out that his real name was a very foreign sounding Leonard Charles Trebilco,and now we're all confused,and a tad saddened!
Alas he redeems himself by working for the BBC,just before the Radiophonic Workshop was formed back in '56, and went down the freelance library music for films angle,which by a cruel twist of fate led to Edward D. Wood Jr selecting Trevor's music for the best worst movie ever made. I'm not even sure he would have been aware,or even paid, of this glorious fact before 'Death the proud brother(Criswell)' tapped him on his shoulder in 2005.
By the sound of this Library album from 1981, he would have blossomed had he stayed at the Beeb. This late period ,post synth Radiophonic Workshop era, collection of Electronica,could have been made by any of the post-Derbyshire staff on hand at Maida Vale studios.
In fact some of this stuff would not have seemed out of place on an 'Ash Ra' album,it being very proto-trance Manuel Gottshing in style.
Another thing I am a fan of is Library Music cover art,of which this is a glorious example, that suggests a willful workmanlike anonymity that most muscians balk at. Bright,but unassuming colours,clean lines,library label font bigger and snazzier than the composers name,and absolutely no pictures.
Most musicians' idea of cover art is a full size picture of their own face with name writ large to the expense of both taste and information.


A1 Galactic Congress 4:12
A2 Cyclopulse 2:56
A3 Enigma On Centaurus VII 2:39
A4 Downtime On Lasvega V 3:30
A5 Sunrise On Aldebaren III 3:25
A6 Sunset On Sirius IV 2:15
A7 Girowarp 2:40
A8 Landscape On Rigel VI 2:53
B1 Beltegeuse V 3:29
B2 Outpost On Beltegeuse V 1:58
B3 Terror On Beltegeuse V 1:51
B4 Megadrive 2:39
B5 Laybeam I 2:03
B6 Laybeam II 0:38
B7 Laybeam III 1:26
B8 Eden On Arcturus IV 3:45
B9 Asteroid Trail I 1:59
B10 Asteroid Trail II 1:05
B11 Asteroid Trail III 1:04
B12 Asteroid Trail IV 1:07

Friday, 10 July 2020

Criswell ‎– "The Legendary Criswell Predicts Your Incredible Future" (Horoscope Records ‎– H-156) 1970

"We are all interested in the future, for that is where we are going to spend the rest of our lives !", said bonkers TV Psychic Criswell....he didn't have any other names apparently,which is usually the hallmark of a genius. Criswell certainly had a genius in the way he could predict virtually nothing that came true.Thanks to the benefit of living precisely 20 years after the Criswell predicted 'End of the World',we can look back and definitely cross vending machine sex-change operations off of the list for starters.
I am rather envious of that splendid cultivated kiss curl that can be located revolving from his receeding hairline.
It may surprise you to know, but the Narrator of 'Plan Nine From Outer Space' was predictably, a rampant Homosexual.Which would have made him fit in rather snuggly with all the other freaks and outsiders that made up the Edward D. Wood Jr entourage.
The low budget Nostradamus supplies us with 40 minutes of wide ranging predictions,that if the same analysis technique as applied to the cryptic verse of the mad monk of Provence, all of these madcap alternative futures have already happened,and this where you heard them first......and last, because, like Nostradamus....None of them came,or will appear to become true,without a dumpster full of autistic licence.
But, we laugh at Criswell, and take Nostradamus as 'real'??
The most disturbing thing about this trash culture clairvoyance is that its trival targets are only too omnipresent in this post Criswell future.Death, the proud brother, tapped on his shoulder well before he could bask in his cult glory, and before he could take advantage of having his remains blasted into outer space by missle.This prediction at least, did come true;but sadly,in the case of James "Scottie" Doohan of Star Trek.His rocket never made it into space, and crashed somewhere in the Mojave Desert...."the Engines could nae take it Captain!"


1. Criswell Predicts Your Incredible Future (42.01)
2. Someone Walked Over My Grave (Bonus) (1:47)

I predict that you will DOWNLOAD these predictions HERE"

Thursday, 9 July 2020

Various Artists - "Plan 9 From Outer Space - The Original Music Underscore" (Retrosonic Records ‎– RR-1001) 1959/1996

Here we have DIY cinema at its very zenith on a lavish budget of precisely  Fuck all. (watch it HERE!)
Edward D. Wood Jr's anti-nuclear masterpiece, and Bela Lugosi's final nail in his coffin...literally.
Now you can recreate all that amazing dialogue with the backing music, which Ed got from some cheapo Hollywood music library. Quite a few bits of this soundtrack turn up elsewhere in the Hollywood dumpster.For example, the Plan 9 main theme pops up in that other schlocksploitation movie "The Wild Women Of Wongo".....another DIY movie of impressive incompetence.
The 'Main Theme' was written by ex-BBC employee, Trevor Duncan.Who left the BBC the year Daphne Oram arrived, to earn more money in Hollywood,but,in the process,become totally forgotten.
As Delia Derbyshire made the immortal "Dr Who Theme" at the BBC, at least Trev wrote the  Theme to 'Plan 9 From Outer Space'?.....apparently this fact was not engraved upon his tombstone,a glaring error on a not too unremarkable CV.


1 Prelude
Composed By – Trevor Duncan 0:52
2 Main Title
Composed By – Trevor Duncan 2:09
3 The Shadows Of Grief
Composed By – Van Phillips 1:39
4 Gravediggers
Composed By – Bruce Campbell, Steve Race 0:57
5 Lost Roses Of Her Cheeks
Composed By – Bruce Campbell 1:10
6 Tragic!
Composed By – Bruce Campbell 0:39
7 Police Squad
Composed By – Van Phillips 0:30
8 I'm A Big Boy Now, Johnny
Composed By – Franz Mahl (2) 1:18
9 Piano Talk: Jeff & Paula
Composed By – John O'Notes 2:57
10 Clay Stalked And Killed
Composed By – James Stevens (9), Trevor Duncan 1:53
11 Plan 9 Interlude
Composed By – Trevor Duncan 0:58
12 The Bell Has Rung
Composed By – Van Phillips 1:22
13 Saucers Over Hollywood
Composed By – Trevor Duncan 2:20
14 Col. Edward's Big Decision
Composed By – Van Phillips 1:25
15 Saucer Fire
Composed By – Van Phillips 1:02
16 Your Pillow Beside Me
Composed By – Trevor Duncan 1:23
17 The Old Ghoul Walks
Composed By – Franz Mahl 0:42
18 Mac Calls Paula
Composed By – Franz Mahl 0:45
19 Cemetery Chase / Clay Rises
Composed By – Trevor Duncan, Van Phillips 3:56
20 The Old Ghoul Retreats
Composed By – Franz Mahl 1:06
21 Graveyard Marionettes
Composed By – Ward Sills 1:47
22 Kelton Lights A Match
Composed By – Franz Mahl 0:44
23 Drop Your Electrode Gun!
Composed By – Trevor Duncan 0:22
24 There's Something Out There
Composed By – Trevor Duncan 2:18
25 Clay Abducts Paula
Composed By – Steve Race 0:40
26 Eros, Do We Have To Kill Them?
Composed By – Wolfgang Droysen 1:22
27 Someday It'll All Be Gone
Composed By – Wolfgang Droysen* 2:18
28 Kelton & Larry Enter Ship
Composed By – James Stevens 0:46
29 Fight / Fire / Finale
Composed By – Van Phillips 3:10
30 God Help Us In The Future
Composed By – Gilbert Vinter, Trevor Duncan 2:15

DOWNLOAD plans 1-30 from outta cyber-space HERE!

Monday, 6 July 2020

Vangelis ‎– "Blade Runner" (EastWest ‎– 4509-96574-2) 1982/1994

On the day that soundtrack miester Ennio Morricone left us at the mercy of John Williams, and that bloke from Radiohead to do our soundtracks, here's a rare thing indeed...a great Vangelis record.
It also happens to be from another of my super bestest filmy wilmy's, The Magnificent "Blade Runner" (original version).
A fine existential exploration into what makes one alive or not?
It contains one of the greatest final speeches in the history of ,at least, Science Fiction,written by dutch acty-man Rutger Hauer.
If i could replce the words with Spaghetti western and italian soft-porn references, it would also have been a perfect tribute for the Legendary Ennio,but, unlike Roy the replicant,all those moments aren't lost in time;they're all on record until the end of human civilisation.
Hopefully in a hundred or so years he will earn his rightful place alongside Bach,Beethoven,Beefheart and Danny and the Dressmakers,in the pantheon of great composer elite.

"I've seen things you people wouldn't believe. Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the Tannhäuser Gate. All those moments will be lost in time, like tears in rain.......Time to die!"


1.Main Titles 3:42
2.Blush Response 5:47
3.Wait For Me 5:27
4.Rachel's Song 4:46
5.Love Theme 4:56
6.One More Kiss, Dear 3:58
7.Blade Runner Blues 8:53
8.Memories Of Green 5:05
9.Tales Of The Future 4:46
10.Damask Rose 2:32
11.Blade Runner (End Titles) 4:40
12.Tears In Rain 3:00

Sunday, 5 July 2020

Wendy Carlos ‎– "The Shining (Complete Motion Picture Score By Wendy Carlos)" (Overlook Productions ‎– LOOK-CD19802005) 1980/2005

I was tempted to just post pages and pages of the repeated phrase "All Work And No Play Makes Jonny A Dull Boy", but i can't resist the temptation to write something full of Shiningisms,as this has to be up near the top of my favourite movie list.
Wendy Carlos was no longer Walter, and ,although there's a shed load of  spooky experimental classical music included,likely chosen by Kubrick, She provided a suitably sinister minimal electronic score.
Jack Torrence reminds me of myself, the amount of times the scene when Wendy interrupts Jack at 'work' was repeated in my mountain hideaway makes me shudder with embarassment.
Admitedly I never smashed down a door with an axe, but as David Banner in the Lou Ferringo Hulk used to say..."Don't Make Me Angry, you won't like me when I'm Angry"!
My former partner was no shrinking violet either, think of Clint Eastwood's stalker,Evelyn, from "Play Misty For Me".....she was frightening, sheeech!She threatened to 'kill me and slit my girlfriends throat at one stage......worst thing is I believed her! Later diagnosed with 'Borderline Personality Disorder', whatever that means.So as she's on medication I can sleep soundly without fear of being stabbed up by a nutter. Now, no-one interrupts me when i'm at work except my drummer,but at least he brings beer so that's almost ok.So Jonny's now a dull boy again.
This movie also has the marvellously named Scatman Crothers, more famous as the voice of 'Hong Kong Phooey', as Mr O'Halleron, of which I do a peerless impression.
"How d'You like some Ice  cream doc?"

"That's strange sir, I don't have any recollection of that at all?", said Delbert Grady in that fantastic restroom scene.....That's because a lot of this music wasn't used,or even made for the final movie,which is a shame 'cus its nicely creepy,and a tad disturbing. The "Kill,Kiiiiil" bit in 'Horror Show' was too close to home for comfort;an insight into the malfunctioning brain of my ex-partner!(Shudder).
There's lots of use of dialogue from the film itself, and from other shining related sources underlaying the out-takes/remakes.Sadly,as you may notice, not all of these music cues are from the original soundtrack or film, they are re-creations,this being an unofficial release...well done yes, but if you were hoping for the ORIGINAL score in digital format, this ain't it,'s better than the original vinyl so thats what we've got.All the Bartok and Penderecki stuff is worth the price of admission alone.
It's just sad that Jack Nicholson made more movies after this...he really should have stopped there.


1-1 Opening [Altered Ancient Anthem - Dies Irae Aka Day Of Wrath : 25th Anniversary Version] 3:00
1-2 The Shining Title Music 3:51
1-3 Danny 1:28
1-4 Colorado 1:13
1-5 The Rocky Mountains 1:46
1-6 The Overlook Hotel 3:52
1-7 Visitors 2:17
1-8 Dark Winds And Rustles 1:49
1-9 Greetings Ghosties 2:19
1-10 Horror Show 1:04
1-11 A Haunted Waltz 0:37
1-12 Subliminal Ballroom 1:16
1-13 Paraphrase For Cello 3:23
1-14 Two Polymoog Improvisations 1:47
1-15 A Ghost Piano 1:58
1-16 Paraphrase For Brass 1:34
1-17 Setting With Medea 2:10
1-18 Clockworks - Dies Irae 2:17
1-19 Heartbeats And Worrying 2:10
1-20 Psychic Shout - Room 237 1:14
1-21 Danny Bells Ascending 1:19
1-22 Psychic Scream 1:25
1-23 Thought Clusters 0:55
1-24 Fanfare And Drunkenness - Dies Irae 1:33
1-25 Day Of Wrath 1:04
1-26 Where Is Jack? 5:21
1-27 Bumps In The Night 3:02
1-28 Chase Music 1:11
1-29 Postlude 1:09
1-30 Title Music - Dies Irae 3:42
1-31 Clockworks - Bloody Elevators [Trailer Music] 2:18
1-32 Nocturnal Valse Triste [Making The Shining] 1:22
1-33 Main Title [Original Album Version] 3:23
1-34 Rocky Mountains [Original Album Version] 2:53
1-35 Reprise 0:49
1-36 Episode From The Life Of An Artist, Op.14 / Fantastic Symphony, Fifth Movement - Dream Of A Witches Sabbath : Dies Irae 4:55
1-37 Death, Op.44 / First Movement - Sad Waltz: Lento [Valse Triste, Excerpt] 4:18
1-38 Dance Of Death, Op.457 - Dies Irae [Paraphase, Excerpt] 2:48
1-39 Home [When Shadows Fall] 4:31
1-40 Warner Bros. Logo 0:14
2-1 Lontano For Orchestra [As From A Distance, Sustained With Expression Aka Window On Long Submerged Dream Worlds Of Childhood] 11:27
2-2 Music For Strings, Percussion And Celesta [Celebrating The 10th Anniversary Of An Orchestra] - Third Movement : Adagio 7:14
2-3 Music For Strings, Percussion And Celesta - First Movement : Andante Tranquillo [Excerpt] 3:56
2-4 Morning Prayer II - Resurrection : Gospel 2:18
2-5 Morning Prayer II - Resurrection : Passover Canon 2:47
2-6 The Awakening Of Jacob [Aka The Dream Of Jacob] 8:06
2-7 Nature Sonorities I [Aka On The Nature Of Sound I] 7:13
2-8 Nature Sonorities II [Aka On The Nature Of Sound II] 8:55
2-9 Polymorphia For 48 Strings 10:35
2-10 Canon For 52 Strings And Tape Delay 9:31
2-11 Concerto For Cello And Orchestra I [Excerpt] 4:28
2-12 Home [When Shadows Fall] 3:00
2-13 Midnight, The Stars And You 3:24
2-14 It's All Forgotten Now 3:19
2-15 Masquerade 3:14

Saturday, 4 July 2020

Walter Carlos ‎– "Walter Carlos' Clockwork Orange" (CBS ‎– 73059) 1972

As your loyal scribe nicked his nom de plume from the top ten(Number 2 if I remember correctly?) in the chart in the pop-disk shop featured in "A Clockwork Orange" , it seems only too fitting to include this oscar nominated score in this brief section of electronic soundtracks for movies. It could have also fit comfortably in the thread one did on early female electronic pioneers.....except this was done by the male Carlos,Walter, just before his gender reassignment, as Wendy.
Generally,i'm not too big a fan of Wendy Carlos's synth work.It's electrified classics direction stunk of elevator muzak,as did the up and coming warbles in the 'Switched On Bach' series. What's the point in accurately transcribed classical works on a Moog?Why not just hear these over played compositions as they were supposed to be slooshied? New music for new instruments is the long respected tradition innit?
Soundtrack work was the perfect place for Wendy or Walter to tinkle their ivories.
A horrorshow of a movie,and the soundtrack is understated but with a sufficient level of sarky-ness to be a perfect bedfellow for this parable about directionless ultra-violent yoof.
I think I got a pain in me gulliver missus.


1 Timesteps 13:50
2 March From A Clockwork Orange (Beethoven: Ninth Symphony: Fourth Movement, Abridged) 7:00
3 Title Music From A Clockwork Orange (From Purcell's "Music For The Funeral Of Queen Mary") 2:21
4 La Gazza Ladra (The Thieving Magpie, Abridged) 5:50
5 Theme From A Clockwork Orange (Beethoviana) 1:44
6 Ninth Symphony: Second Movement (Scherzo) 4:52
7 William Tell Overture (Abridged) 1:17
8 Country Lane 4:43

Friday, 3 July 2020

John Carpenter - "Lost Themes" - (Sacred Bones Records SBR-123) 2015

Anyone who made a movie called "They Live" is alright by me. This is the chap who did Halloween for christ's sake! Not to mention "The Thing",the greatest argument against CGI graphics I can think of,with it's state of the art,1982, 'Animatronics'.Real stuff happening on screen,which avoids your movie looking like a playstation game.
Carpenter,also, had a talent for minimal electronic soundtracks,like "Assault On Precinct 13", and here he gets to live out his fantasy as a 70 year old frustrated Gary Numan,unleashing nine minimal synth themes for movies yet to be made.Sounds like a terrible Idea doesn't it?....but its rather good.This could have been made by a bunch of Belgian new beat bedroom dwellers in 1982...which was probably what John was listening to during the making of 'The Thing'?....the thing is, these are almost as good as the Main Theme from Precinct 13.
Good to see he's keeping busy.....never retire is my advice to all you early onset avoiders out there.Which is a choice you'll likely never have to make as all the state pensions are now fucked.I for one will have no choice but to work until i'm in my casket waiting to be scattered over the turf of the King Power Stadium.....which I now learn is 'Illegal'!?....those bastards fuck you over even when you're dead!!!...Glad to be gone in advance and FUCK YOU!


1.Vortex 4:45
2.Obsidian 8:24
3.Fallen 4:45
4.Domain 6:34
5.Mystery 4:36
6.Abyss 6:07
7.Wraith 4:30
8.Purgatory 4:39
9.Night 3:38

Thursday, 2 July 2020

John Carpenter ‎– "Assault On Precinct 13" ( Death Waltz Recording Company ‎– DW 018) 1976/2003

Never meant for release,this proto-minimal synth masterpiece finally saw the light of day in the 21st century. John Carpenter somehow became the accidental king of minimal dark synth. This could have been a Gary Numan number,but it came before the young Gary had even thought of Tubeway Army.
It also bares a striking similarity to Kraftwerk's "Trans Europe Express", but without the pretentions.John just popped into the studio and knocked out a menacing soundtrack on the in-house mini-moog for his zero budget violent thriller,saving himself a large fee to pay some over-rated soundtrack composer.....who needs those schmuks?
I only saw the the Movie once,and that was enough,but the soundtrack was groundbreaking.More for the 'Pop' world rather than movie history, but rather effective I think you'll agree?


1 Main Title
2 Napoleon Wilson
3 Street Thunder
4 Division 13
5 Ice Cream Man On Edge
6 Wrong Flavour
7 Emergency Stop
8 Lawson's Revenge
9 Sanctuary
10 Second Wave
11 The Windows
12 Julie
13 Well's Flight
14 To The Basement
15 Walking Out
16 Assault On Precinct 13

Edward Artemiev ‎– "Solaris Original Soundtrack" (Мирумир ‎– MIR 100705) 1972

Dunno if its because I'm pissed (drunk, not angry, you americans!) but this is fantastic!
Everytime I've seen 'Solaris',the Soviet funded answer to '2001', I've been pissed and woke up thinking it was Fantastic.
Then I saw it sober, and fell asleep,woke up thinking that it was an incredibly boring crock of shite!
It's a film that you need to be in the correct time and place, and state of mind to enjoy.Unless you are a psuedo intellectual who would never admit to being bored by Tarkovsky.
Right now,i'm Loving this dark ambient foray into the darker energy of the ultimate isolation on the shores of a lifeless infinity.
No-one captures emptiness better than Artemiev.....unless you're sober that is.
A contemporary of the equally demanding "Andromeda Strain",which I have seen very sober in the daytime, and thought it was a masterpiece....then saw it drunk with some mates and we all thought it was a boring crock of shite,then switched over to watch 'Godzilla vrs Mechagodzilla', which is a work of unappreciated genius!
What is good and what is shite is a complicated science indeed;but right now i'm saying Solaris is one of the greatest films ever made, as is 'Godzilla vrs Mechagodzilla' for 'the Andromeda Strain',i'll see next time i'm off my tits on strong continental lager......i may have already labelled it 'dull' in the previous post featuring the hexagonal soundtrack album that mashes up your stylus.
However both soundtracks are unsttling dark ambient excursions into the black heart of the human condition.......can't really say that about the "Mecha-godzilla" soundtrack,but i will post it for a classic 'contrast and Compare' moment.


1 Part I 2:48
2 Part II 2:32
3 Part III 2:22
4 Part IV 3:13
5 Part V 2:27
6 Part VI 7:18
7 Part VII 3:55
8 Part VIII 2:56
9 Part IX 1:26
10 Part X 0:38
11 Part XI 2:09
12 Part XII 1:42
13 Part XIII 4:44
14 Part XIV 0:44
15 Part XV 4:36
16 Part XVI 6:19
17 Part XVII 1:21

Wednesday, 1 July 2020

Gil Mellé ‎– "The Andromeda Strain (Original Electronic Soundtrack)" (Kapp Records ‎– KRS 5513) 1971

One the very few records whose sleeve cost 200% of the gross profit,and the hexagonal ,unique in itself,record inside destroyed your turntable if you forgot to switch it to cool's that?
Jazzer and electronics dabbler Gil Mellé,was commisioned to make a weird electronic soundtrack for one of the most painstakingly boring science fiction movies this side of Tarkovsky's 'Solaris',which also had a electronic soundtrack too ,did it not, by Eduard Artimiev?
A tiresome science-fiction techno-thriller documenting the efforts of a team of scientists investigating the mysterious outbreak of a deadly extraterrestrial microorganism/Virus.Hmmm,where have I heard that before?These ambient style horror electronics are really the work of the Synth rather than the 'artist'. Give a chimp a go on a EMS synth and something similar will don't even need an infinite number of Chimps either....maybe one or two,or just one aging Jazzer looking to move into soundtrack work.
This was the first all-electronic soundtracks ever released,but not the first to be commisioned.No-one thought anyone would want to listen to this stuff in their homes until the seventies.It's sonically challenging, ominous and discordant. Like a haunting electro-acid patchwork of analog synthesizer experiments...but,experiments that could be done by the infinite chimp that resides in all of us.For that reason alone this should be praised;and then there's the packaging,and the stylus mashing record shape.Which makes this all quite perfect.It's a perfect soundtrack for a film about containing an outbreak of an extra-terestrial virus,and perversly turns out to be the perfect soundtrack for these times...there's a virus outbreak apparently that's slaying 0.004% of the human for your lives,but wear a mask, disinfect your hands,and listen to the soundtrack of "The Andromeda Strain" while you're running,not dying.


1.Wildfire 2:41
2.Hex 3:57
3.Andromeda 2:33
4.Desert Trip 4:14
5.The Piedmont Elegy 2:22
6.Op 2:43
7.Xenogenesis 2:40
8.Strobe Crystal Green 4:45

Tuesday, 30 June 2020

Raymond Scott ‎– "Manhattan Research Inc." (Basta ‎– 30-9078-2) 2000

Whereas one ,rather more famous, Manhatten Project became the Destroyer of Worlds.
There was another that became the Creator Of Worlds,in fact the creator of the synth.This one was run by Raymond Scott,who spent his time stretching the limits of modern 1950's science to make something positive for the future of mankind,rather than its destruction.Although some of the music his research and innovation went on to enable its existence by,would make any sane man choose nuclear annihilation rather than have this torture inflicted upon them.
From around 1949 onwards,former Big Band Jazzer Raymond, spent most all of his time inventing early synth's like the "Electronium", and the "Clavinox",which was a keyboard controlled Theremin,and the "Karloff",an early sampler. Naturally he used all this gear in his wacky music,which can be heard in most decent american cartoons up to and including ,in my opinion, The best TV series ever made, "The Ren and Stimpy Show".
This posthumous release of unreleased works discovered at his home, showcases Scott's pioneering electronics from the 1950s and 1960s with his futuristic electronic compositions mainly used in television and radio commercials and for the burgeoning market for novelty records of electronic music.He was highly prolific in all areas of early electronic music it seems.
So that's why he was forgotten?

1-01 Manhattan Research, Inc. Copyright 0:11
1-02 Baltimore Gas & Electric Co. (Instrumental, Take 4) 1:14
1-03 Bendix 1: "The Tomorrow People" 1:06
1-04 Lightworks 1:52
1-05 The Bass-Line Generator 3:10
1-06 "Don't Beat Your Wife Every Night!" 1:44
1-07 "B.C. 1675" (The "Gillette" Conga Drum Jingle) 3:16
1-08 Vim 0:59
1-09 Auto-Lite: Sta-Ful (Instrumental) 0:47
1-10 Sprite "Melonball Bounce" (Instrumental) 1:01
1-11 Sprite "Melonball Bounce" 0:59
1-12 "Wheels That Go" 0:50
1-13 "Limbo: The Organized Mind" 4:33
1-14 "Portofino" 1 2:13
1-15 County Fair 1:01
1-16 Lady Gaylord 1:02
1-17 Good Air (Take 7) 0:38
1-18 IBM MT/ST: "The Paperwork Explosion" 4:31
1-19 Domino 0:33
1-20 Super Cheer 0:34
1-21 Cheer: Revision 3 (New Backgrounds) 0:39
1-22 "Twilight In Turkey" 1:32
1-23a Raymond Scott Quote 0:55
1-23b Vicks: Medicated Cough Drops 0:41
1-24 Vicks: Formula 44 0:46
1-25 Auto-Lite: Spark Plugs 1:00
1-26 Nescafé 1:06
1-27 Awake 0:35
1-28 "Backwards Overload" 6:04
1-29 Bufferin: "Memories" (Original) 0:59
1-30 Bandito The Bongo Artist 1:30
1-31 Night And Day 1:45
1-32 Baltimore Gas & Electric Co. ("395") 1:07
1-33 K2r 0:19
1-34 IBM Probe 1:56
1-35 GMGM 1A 1:49
1-36 The Rhythm Modulator 3:37
2-01 Ohio Plus 0:17
2-02 "In The Hall Of The Mountain Queen" 0:49
2-03 General Motors: Futurama 1:04
2-04 "Portofino" 2 2:14
2-05 "The Wild Piece" (a.k.a. "String Piece") 4:07
2-06 "Take Me To Your Violin Teacher" 1:40
2-07 "Ripples" (Original Soundtrack) 0:59
2-08 Cyclic Bit 1:04
2-09 "Ripples" (Montage) 4:06
2-10 The Wing Thing 1:00
2-11 County Fair (Instrumental) 1:00
2-12 "Cindy Electronium" 1:59
2-13 "Don't Beat Your Wife Every Night!" (Instrumental) 1:45
2-14 Hostess: Twinkies 0:32
2-15 Hostess: Twinkies (Instrumental) 0:32
2-16 Ohio Bell: Thermo Fax 0:24
2-17 "The Pygmy Taxi Corporation" 7:11
2-18 Baltimore Gas & Electric Co. (Announce Copy, Take 1) 0:29
2-19 Baltimore Gas & Electric Co. 0:44
2-20 Lightworks (Slow) 1:40
2-21 "The Paperwork Explosion" (Instrumental) 3:39
2-22 Auto-Lite: Ford Family 1:03
2-23 Auto-Lite: Ford Family (Instrumental) 0:54
2-24a Raymond Scott Quote 0:27
2-24b Auto-Lite: "Wheels" 1:23
2-25 Bufferin: "Memories" (Demo) 0:40
2-26 "Space Mystery" (Montage) 5:11
2-27 "The Toy Trumpet" 2:15
2-28 "Backward Beeps" 1:05
2-29a Raymond Scott Quote 0:35
2-29b Auto-Lite: Sta-Ful 1:01
2-30 Lightworks (Instrumental) 1:29
2-31 "When Will It End?" 3:14
2-32 Bendix 2: "The Tomorrow People" 1:03
2-33 Electronic Audio Logos, Inc. 5:23

Monday, 29 June 2020

Perrey & Kingsley ‎– "The In Sound From Way Out!" ( Vanguard ‎– VSD-79222) 1966

From the 'Stereolab' (now where have we heard that before?) of  Gershon Kingsley and Jean-Jacques Perrey....fine american names both.....we bring you "The In Sound From Way Out!";probably one of the top ten album titles of alllll time. It even got used twice when The Beastie Boys brought out an album with the same name,same cover, but far far shitter music inside.
Using all those avant garde Musique Concréte techniques made famous by lofty com-poseurs like Pierre Schaeffer nigh-on twenty years previously.Perrey and Kingsley did the american thing and made the silliest music possible with kilometres of magnetic tape and a razor blade.I say 'silly', but if some French bloke fresh out of the Conservatoire de Musique made this in 1952,it would still be hailed as a ground breaking work of art-sonique to this day.
Instead it's filed in the Novelty section as a rediscovered piece of cheese to break the ice at your soiré fact exactly what it was created for in 1966.Forget History and we're doomed to repeat it.....oh shit,was that my right wing ignorance and a reference to Statue toppeling again??? In which case I don't apologize.


1.Unidentified Flying Object 1:55
2.The Little Man From Mars 2:25
3.Cosmic Ballad 3:24
4.Swan's Splashdown 2:15
5.Countdown At 6 2:49
6.Barnyard In Orbit 2:24
7.Spooks In Space 2:00
8.Girl From Venus 2:21
9.Electronic Can-Can 2:00
10.Jungle Blues From Jupiter 2:55
11.Computer In Love 2:03
12.Visa To The Stars 2:13

Sunday, 28 June 2020

Tom Dissevelt ‎– "Tom Dissevelt ‎– Fantasy in Orbit. Round the world with electronic music by Tom Dissevelt" ( Philips ‎– 633 302 BY) 1963

This could have been the Dr Who soundtrack that never fact it never was a Dr Who soundtrack. Tom Dissevelt isn't as re-discovered as Delia Derbyshire, or as cute,or as tragic,so he's already struggling in the pathos stakes,as well as being compleatly forgotten until the early part of this century. that said, there isn't anything here to rival the 'Dr Who Theme' of the same year,so maybe he deserves to be in Delia's shadow.
There are, however,many similarities between the electronic concréte sound of Dissevelt and Derbyshire,which is unsurprising as they had virtually the same equipment.Although with the funding from Phillips for the Nat Lab, I guess Tom would have had the superior kit compared to what the BBC were likely to have provided the lovely Delia and chums at BBC Maida Vale.
Is this where Bowie nabbed his Major Tom character from?He was known to be a fan,and Tom was indeed the first Dutchman in space, albeit in sound only.


1. Ignition
2. Atlantic
3. Spearheads
4. Zanzi
5. Anchor Chains
6. Tropicolours
7. Gamelan
8. Woomerangs
9. Waltzing Matilda
10. Pacific Dawn
11. Gold And Lead
12. Mexican Mirror
13. Seconds To Eternity
14. Re-entry

Saturday, 27 June 2020

Tom Dissevelt & Kid Baltan ‎– "The Fascinating World Of Electronic Music" (Philips ‎– P 08168) 1959

Fascinating isn't it?......what do you mean 'what!'???, The world of Electronic Music of course!?
This is the Dutch 'The In Sound From Way Out',but done seven years before Perrey and KIngsley's batchelor pad classic in the USA. This never made it into the Space-age Batchelor pads of America of course,only being released in such weird nowheres-ville places as Argentina, the Netherlands,and Mexico!?
It's not quite as silly as Perrey and Kingsley's work in the mid to late sixties, but I'm sure a copy of this may have found its way into their sweaty palms at some stage in the process....even the cover art bares some similarity to the In-Sound from not so way out,Holland in fact.
Its also Fascinating, how the technology of any age is used mainly for our own titilation and entertainment rather than helping anyone;like the internet, far from being an information superhighway,and bringing everyone together in harmonious peace,its used for masturbation,gossip,propaganda,getting laid by strangers and stealing,...oops...I mean sharing, free records.......Fuck peace man!
I know what you're all asking,"Who is this cool sounding Kid Baltan?".
Rule one is, always reverse the words when deciphering an alias.
So we are left with Dik Natlab, which is none other than Dick Raaijmakers......satisfied now with your endless questions?....No?.....Who's he?.....?
Dick Raaijmakers,is a Dutch early electronic composer,who worked for 'Nat Lab' (Baltan),(Natuurkundig Laboratorium ,laboratory for physics), dig?
The enigmatic 'Kid Baltan......somehow not as I imagined him!?
So, Kid Baltan, got together with fellow Dutchman, Jazzer and experimental composer, Tom Dissevelt (real name), and made these weird musique concrete pieces for 'Phillips' in the 'Natlab' ,which was created by Phillips in order to develop new ways in music on a scientific basis. 
Again, these tunes would be perfect for some East European animation, but instead, like the BBC Radiophonic Workshop, the company didn't give enough credit to Tom and Dick, so Tom left the Natlab to Dick in 1963.
I also noticed that Perrey and Kingsley called their studio the "Stereo Lab"......inspired from the Nat Lab by any chance?...also strange because most of these things were in Mono.....'Mono Lab' anyone?
Originally credited as being by "The Elektrosoniks",this,nestling between The Incredible String Band and The Velvet Underground, was cited as one of David Bowies all-time top 25 albums!?


1 Syncopation 2:49
2 Intersection 3:12
3 Drifting 7:22
4 Vibration 3:07
5 Song Of The Second Moon 2:35
6 Whirling 3:00
7 Mechanical Motions 5:25
8 Pianoforte 5:05

Friday, 26 June 2020

Various Artists ‎– Anthology Of Dutch Electronic Tape Music: Volume 2 (1966-1977) (Composers' Voice ‎– CV 7903) 1979

They have funny names, wear clogs, take drugs openly,ride bicycles,have childrens stories about putting fingers into Dykes...and if that wasn't enough to recommend that you move to Holland, then how's about all this early electronic music then?
They're so liberal over there that all of this was probably state-funded. If the government did that in the USA the Rednecks would start lynchin' people of colour again,if they ever stopped?
There's something about all this early electronica that is far more disturbing that it's younger,trendier, sibling Industrial Music,which tried far too hard to be unsettling.This is the same as the difference between those scary movies where you saw nothing except what your own mind imagined,and shit yourself.Industrial Music was more like a Slasher move where nothing was left to the imagination. The human mind is capable of indescribable horrors,and this musique concrete stuff gives the mind the space it needs to create the terror of real life,or rather reveal the terror of real life. 
Fucking Hell, we're all gonna die!?Why wasn't I TOLD!!!?


1 –Jacob Cats - Cadence-1 6:10
2 –Tera De Marez Oyens - Safed 7:33
3 –Jos Kunst - Extérieur 9:39
4 –Gilius Van Bergeijk - D.E.S 7:46
5 –Frans Van Doorn - Minnuet 9:05
6 –Thomas Arras - A.B.C. 8:33
7 –Simeon Ten Holt - I Am Sylvia 15:30
8 –Victor Wentink - Discours 13:20
9 –Louis Andriessen - In Memoriam 5:06
10 –Peter Smith - Étude-1 8:58
11 –Tony Van Campen - Sintering 9:55

Thursday, 25 June 2020

Various Artists ‎– "Anthology Of Dutch Electronic Tape Music: Volume 1 (1955-1966)" (Composers' Voice ‎– CV 7803) 1978

On a purely Intellectual note to start off with......TeeHeeHeeeee......His name is Hans Kox...titter titter! Fnar Fnar Kyuk Kyuk!
Well, Hans off yer Kox now,and lets get serious.....Nah!
Like everywhere else,the Dutch think they invented Electronic music,and one has to say,they were pretty close to having a point.
The origin of Electronic music is almost as tiresome an argument as who invented Punk Rock.....but in Punk Rocks' case it was quite clearly England, Not Detroit,Not New York,Not Scotland...England,gottit?
As for coherent electronic composition, it seems,on the whole, to be a French thing, although it turns out that Daphne Oram of the BBC may have trumped Pierre Shaeffer,but it was kept traditionally  Hush Hush in that understated British way.We don't like show-offs over there  y'know?
One thing that the Dutch are world class at however, is Funny Names.
Hans Kox .....gaffaw gaffaw. laff laff!


Studio Of The Netherlands Radio Union
A1 –Hans Kox - Three Pieces For Electronic Organ 3:48
A2 –Ton De Leeuw - Study 6:47
Studio Of Delft Technical University
A3 –Jan Boerman - Musique Concrète 3:04
A4 –Jaap Spek - Impulses 7:58
A5 –Rudolf Escher - The Long Christmas Dinner 6:15
Philips Studio
B1 –Henk Badings - Cain And Abel 8:57
B2 –Dick Raaijmakers - Piano-Forte 4:56
B3 –Ton De Leeuw - Antiphonie 15:17
Studio Of Utrecht University
C1 –Frits C. Weiland - Studie In Lagen En Impulsen 4:46
C2 –Hans Kox - Cyclophonie III 7:33
C3 –Tom Dissevelt - Fantasy In Orbit 3:05
C4 –Axel Meijer - Werkstuk-1964 2:32
C5 –Robbert Jan De Neeve - A.F. 1:17
C6 –Peter Schat - De Aleph 7:46
Studio Of Ton Bruynèl
D1 –Ton Bruynèl - Reflexen 4:34
CEM Studio, Bilthoven
D2 –Will Eisma - BTH. 3457 4:08
D3 –Klaus Gorter - K 45 5:40
D4 –Luctor Ponse - Etude-I 6:19
D5 –Berend Giltay - Polychromie-I 6:42

Wednesday, 24 June 2020

Karel Appel ‎– "Musique Barbare" (WVB ‎– 99954 DL) 1963

On the theme of electronic Apples,where we heard 'Silver Apples of the Moon',then experienced the lost and found proto-electronic duo 'The Siver Apples';now we have a mad Dutch Painter called Karel Appel!?
Let's face it, artists are a bunch of self-aggrandizing attention seeking twats. And Dutch Abstract expressionist, forward slash, action painter,Karel Appel, was certainly one of them.
Lack of attention as a child leading to low self-esteem issues has a lot to answer for.....Hitler for one.....and Karel takes his anger out on, mostly, canvas;but,that's not enough for him is it?...Oh no...he has to enter the confusing world of Musique Concréte,applying his action painting techniques to magnetic tape.
Karel approach to tape splicing was,how do you say?
Looking like Captain Haddock on angel-dust, our wooly jumper wearing Art Nutter somehow managed to produce one of the most extreme and uncompromising sonic assaults the world has ever heard.No its not a colla-bore-ation with Merzbow from 2007, this was done at the same time those ground-breaking mop tops were singing nursery rhymes like 'Love Me Do' at the top of the UK hit 1963?
Captain Haddock unleashed in the Dutch verion of the BBC Radiophonic Workshop.

The opening piece.....artists call tracks, 'Pieces'by the way....sounds not unlike a Carl Stalling composed soundtrack to a Looney Toons cartoon,zipping and darting,spontaneously, in all random directions.Which, without the coreography of a Warner Brothers cartoon, could send a an unprepared mind insane . I'm guessing he approached the tape edit like an action painting,randomly sticking pieces together, and randomly attacking the studio piano. It would make a great backing track to an experimental eastern european cartoon.
But its when Karel starts to vocalize that it really gets certifiable. Section 8 stuff,probably used to get himself out of Dutch National Service after the war. Repeating the phrase "I Do Not Paint I Hate" over and over again,increasingly manically,accompanied by a prepared tape and wild phonetic drumming.
The final'piece',find our hero let loose on the drums again, whilst attacking a vox continental. This, The Beatles,it is NOT!
Appel doing his day job......artists call it working!?“I paint like a savage – because we live in savage times.” Said Karel, Another favourite quote of the formidable painter was “I merely muck about”...well,he said it not me!?
He never made another record.


1.Paysage Électronique (11:41)
2.Poème Barbare (3:30)
3.Le Cavalier Blanc (12:42)

Tuesday, 23 June 2020

Kraftwerk ‎– "Autobahn" (Philips ‎– 6305 231) 1974

Yeah I know,yawwwn....It's Kraftwerk, that unappreciated electro-motorik krautrock fourpiece from Dusseldorf.Everyone keeps banging on about how influential they were,but,predictably I'm not having it.
Afika Bambatta says he heard Trans Europe Express and blah blah blah. Well, Trans Europe Express was basically a remake of "Autobahn",using the same mechanical electronic rhythm to suggest travel by various horseless carriges. The darker side of it all is the Trans-Europe Express as the Iron Horse that sped jews to their deaths thirty years earlier via Auchwitz and the semi-mythical Treblinka.
A theme also explored by Steve Reich's 'Different trains' was it not?(The minimalists also had a great influence over all this repetitive German music too don't forget). It helps that Kraftwerk had a better image in 1974 than their later showroom dummies period,when they looked, basically, like Nazi's.
"Autobahn" is also the album that inspired the UK proto-synth popsters like The Human League,Ultravox,but not apparently Tubeway Army,who insisted that he(Gary Numan) had never heard of Kraftwerk.
The reason this album was Kraftwerk's most influential was because they performed this on primetime BBC popular science programme,Tomorrow's World;which also incidently was broadcast in the slot before Top Of The Pops on a thursday evening.Just when the uk youth were sitting in front of the idiot box. then they had Delia Derbyshire's Doctor Who Theme to absorb every saturday tea-time.
Because of "Autobahn"s sucess, they repeated themselves with the next much for experimentation then fella's?
The obvious 'Synth-Pop' album was "The Man Machine", which came out the same time as The Human League's own version of Synth-Pop 'Being Boiled',so that can hardly be called the first Synth-Pop album either.Then Gary Numan appeared at slightly later in the day,claiming no other influence than...yes....Ultravox!Whose 'Systems Of Romance' album of the same year was very synthesizer based.
Personally I prefer the early Kraftwerk,Krautrock period, from 1970 to 74, but you have to admire the beautiful glacial but phat and warm synth noises they committed to tape from 1978 to 1981. "Computer world" was their best synth-pop album,but in 1981 everyone was doing it by then.The year of Human League's "Dare",which involved much more danceable beats and no-one dressing up as silly Robots.
The most influential part of their canon was the compact portable tech.That's what Hip-Hop took from this honky music. And the less portable,but syncable tech is what influenced the producers of House and Techno,that, and the small matter of Georgio Moroders "I Feel Love" has a lot to answer for!
By 1981, Kraftwerk had ran out of ideas,in fact, by 1978 they had ran out of ideas.You could have found most of their ideas in the works of Tangerine dream and Klaus Schulz anyway,mostly from before "Autobahn".
Alas, as a piece of prime late period electronic Krautrock, this holds up as the missing link between the Berlin School and Gary Numan.....who was also a major influence on early Electro and Hip-Hop.
Kraftwerk...Good...but not that good.
RIP Florian and Kraftwerk.


1. Autobahn 22:30
2. Kometenmelodie 1 6:20
3. Kometenmelodie 2 5:44
4. Mitternacht 4:40
5. Morgenspaziergang 4:00

DOWNLOAD from the information super autobhan HERE!

Monday, 22 June 2020

Tonto's Expanding Head Band ‎– "Zero Time" (Embryo Records ‎– SD 732) 1971

Tonto is the name of the enormous twenty foot by eight foot synthesizer invented by Malcolm Cecil (Tonto's Expanding Head Band founder). T.O.N.T.O. stands for The Original and New Timbral Orchestra due to its amazingly expansive symphonic sound.
I am led to understand that the traffickers of this pre-synth era kraftwerk trumping duo, are they say these days...'Of Colour';which in this epoch of 'taking the Knee' for Black Lives Matter, and using the knee to asphixiate an offender,means that Black culture invented Electronic music,and all other electronic albums must be thrown into the murky waters of Bristol docks.
Indeed, its now ok to press the History Eraser button and forget all the naughty men who had the prescence of mind to behave in the accepted ways of their time.So we can now repeat their mistakes.
So,yeah,Tonto's Expanding Head Band invented synth Pop,and electronic music in general,so Depeche Mode never existed,so we are doomed to repeat their many mistakes all over again.
I must also apologize for the clumsy use of the adverb 'Traffickers' in reference to the purveyors(clever use of synonyms there?) of this new form of music;it alludes to drug use, and I'm only using it because its a reference to 'People of Colour',and apparently I'm not of shame on me,so i will take the knee every day for a fortnight to make it all better again.
Sure 'Black Lives Matter', no-one said they didn't to my knowledge, but this 'movement',slash fashion cult, is causing more of a rift rather than healing it.Whitey is gonna find it even more awkward to relate to their black chums,for double fear that they are gonna say something unacceptable.So what we end up with is more incentive to keep to your own,and divisions increase.
Don't have a go at me because of your slave trade guilt Honky!!!I'm doing my bit by erasing electronic music history from before and up to Tonto's Expanding Head Band,d'you understand Kemosabe?
Fucking imperialist slave trading White Bastards!Its a modern  version of the concept of 'Original Sin',but just for Whites.Born with 'racist' tatooed on their foreheads.
I'm thinking of sueing all scandinavian countries for what those Vikings did to my ancestors. If there's a few quid to be made we'll find any ol' excuse to be offended.
Micro-agressions like, "ooo aren't you articulate' are indeed unwitting racism by stealth,just as the word 'You' is abused when referring to past injustices done by the 'White Man' to 'The Black Man'.'You',as in 'Me'.....i'm not aware of owning slaves,or not employing someone because of their skin colour.This is unhelpful to the BLM cause is it not?.....cue the Honky bastard who accused me of racism because I don't like Hip Hop,Soul or off the press, we're all racists,it's in the DNA,it just depends how you manage your inate tribalism problem.Sort it out, or don't,its a subjective problem,and legislation won't alter anything,except build even more resentment.Nothing's gonna change!
Answer this profound problem, with honesty please, to test your racism levels....You're in a boat,There's a white family, a Black Family,an Asian Family etc, bobbing about in the ocean and you've only got room for one...which do you choose to save and why?

Oh yeah...if you're wondering...NO, Tonto's expanding Headband did NOT invent electronic music!!!?...jeeeez!

"We're all Coloured,otherwise you wouldn't be able to see anyone" (Don Van Vliet,1972)


1 Cybernaut 4:30
2 Jetsex 4:14
3 Timewhys 4:57
4 Aurora 6:48
5 Riversong 8:00
6 Tama 5:23

Sunday, 21 June 2020

Joe Byrd And The Field Hippies ‎– "The American Metaphysical Circus" (Columbia Masterworks ‎– MS 7317) 1969

After the fine 'United States Of America' project bombed,probably dropped over Cambodia by their bastard of a record company,and kept all the royalties to themselves President of The United States...the band...Joe Byrd, made a similar record,using lots of effects,and a smattering of electronics, named after a USA track,"The American Metaphysical Circus". As political as ever, Byrd unwittingly predicted the Trump years, and their impending end, in the "Four Dreams For A Departing President" section.After Trump could only attract 6224 Morons to a rally in Tulsa,capacity 19000,after he had boasted there were a million applications for tickets only last week on twitter....titter titter.
This bunch of studio bound 'Field Hippies',manage to have made a kind of off broadway Hippie Musical,in the terrible tradition of Godspell,and similar,but blended with the 'United States Of America' album part two.
When i tell you that Joe Byrd received Stanford University's Sollnit Fellowship for graduate study in composition. But chose to 'split' for New York, where he worked as conductor, arranger, teacher, Associate Producer for a record company!???...then that'll go someway to explain why this sounds like a bunch of young 'talented' kids who passed an audition to get in the band.It's an academic's idea of what's cool.It sounds so composed,that it could easily be mistaken for one of those terrible age of aquarius musicals that eventually gave us Andrew Lloyd Webber,and the age of Musical Theatre that has compleatly taken over the worlds' theatres.
Again, there's some of those 'ragtime' moments that Psychedelic America found utterly hilarious,but makes any european wanna smash their record players.
After this I guess Byrd went back to his day job arranging pop hits to sound like James Last.....Phil Ochs accepted....yeah I read the comments section......The Byrd had flown.


The Sub-Sylvian Litanies
Kalyani 3:50
You Can't Ever Come Down 2:58
Moonsong: Pelog 3:47
American Bedmusic I - Four Dreams For A Departing President
Patriot's Lullabye 2:44
Nightmare Train 3:23
Invisible Man 3:31
Mister 4th Of July 1:46
Gospel Music For Abraham Ruddell Byrd III
Gospel Music 4:28
The Southwestern Geriatrics Arts And Crafts Festival
The Sing-Along Song 4:00
The Elephant At The Door 5:10
Leisure World 1:33
The Sing-Along Song (Reprise) 0:44