Sunday 30 April 2017

Chorchazade ‎– "Crackle And Corkette EP" (Crackle And Corkette ‎– Crack One) 1985

"Indie" was supposed to be music for misfits,but even within these ranks there were outsiders.None more so than this Cornish bunch of outcasts with an unpronounceable name....Chorchazade??? WTF!? 

Impossibly obscure and from Penzance,on the most isolated tip of England.This is a weird kind of Aspergers Syndrome Rock, that doesn't seem to care if anyone ever listens to it;the last thing they seemed to want to get is attention or love.With a name like Chorchazade they were destined to get what they wanted,and they certainly got it..... total obscurity!
The music they somehow managed to write,is a bizarre form of Outsider-post-indie,or an even more autistic form of proto-post-rock,making Slint look like Metallica in the process.
They did however manage to perform sporadic concerts in Britain and Europe from 1977 to 1988, often supporting such luminaries as the terrible James, Marc Riley and the Creepers, A Certain Ratio, The Blue Aeroplanes and The Brilliant Corners.
They eventually released this 12 inch EP which John Peel played a track off;but said that he 'wished the group had a simpler name, like the Moody Blues’' and never played another of the group's recordings.They also played at the Glastonbury festival in 1988, but only on the 'warm-up' Thursday. It rained heavily and the only sound between songs was the buzz of scrambling motorbikes in an adjacent field. The group’s manager(they had a manager???) and one of their girlfriends(They had Girlfriends?????) stood alone, watching from under a large golf umbrella.
Chief Chorchazader Chris said:"At the end though, the last few songs, when the sun came out and all these people wrapped in bin liners appeared from nowhere, nodding their heads and shaking the rain out of their hair. We had back stage passes for the whole festival but we went home as soon as we'd finished playing. We played the Ashton Court festival a few times of course, when it was free, before it turned into the total shit that it is now. We even played second to last on the main stage Saturday night once. The review in the paper said we 'went down like a fart in a spacesuit.' It was true too, all those people expecting a dance and a good time and everything. Hmmmm."
In 1989 the band apparently, recorded an album called 'Death Is Eeklo' and went on a short tour of Belgium to promote it. The group’s minibus was found, empty, in a lay-by a mile or so outside of Waterloo like an Indie Marie Celeste. Half eaten baguettes, a cigarette still smoking in the ashtray. The tour was not completed and the album was never officially released.In 1995 a benevolent caretaker rescued hundreds ( estimated to be 75% of the total number originally pressed ) of the group's vinyl records from a skip outside a Bristol music distribution factory. A lot of them have warped and look like shallow black bowls now. If you own a Chorchazade record, you have a very rare thing.


A1 Aah,You Are,As Light As A Feather 5:03
A2 Where There's Brera 3:05
B This Is His 8:13

Saturday 29 April 2017

Various Artists ‎– "C-86" (New Musical Express ‎– NME 022) 1986

Amazingly,five of the Ron Johnson stable appeared on the Iconic 'Indie' compilation "C-86", as released/compiled by the NME.
Indeed we also find Bogshed nestled in amongst such pale floppy fringe wearers as The Wolfhounds, the Bodines and other jangly foppish nonsense.
I'm surprised to discover that the tape that defined an Indie Era of jingly jangly tweedom, did in fact have some very non-jangly groups included.
Primal Scream open up the proceedings sounding, for all the world exactly like the very shit Stone Roses, three years in advance of all that 'Madchester' crap.
Of course Primal Scream would become one of those very same ,terrible bandwagon jumping combo's of 1989. Of the rest only The Soup Dragons would join them in making dance/indie crossover awfulness; which is a shame because I quite liked early Soup Dragons......I'll fact i quite enjoyed a lot of this tape!?....which is strange, as I regarded this stuff (Ron Johnson acts excepted), as the enemy,rather than the NME.
30 years removed,one now finds this jangly indie pop refreshing,and charmingly youthful.Unlike me.


1–Primal Scream Velocity Girl 1:22
2–The Mighty Lemon Drops Happy Head 2:42
3–The Soup Dragons Pleasantly Surprised 2:05
4–The Wolfhounds-Feeling So Strange Again 1:41
5–The Bodines-Therese 3:09
6–Mighty Mighty-Law 3:40
7–Stump-Buffalo 4:30
8–Bogshed-Run To The Temple 3:28
9–A Witness-Sharpened Sticks 2:30
10–The Pastels-Breaking Lines 2:59
11–The Age Of Chance-From Now On,This Will Be Your God 3:12
12–Shop Assistants-It's Up To You 2:38
13–The Close Lobsters - Firestation Towers 1:48
14–Miaow-Sport Most Royal 2:54
15–Half Man Half Biscuit-I Hate Nerys Hughes (From The Heart) 3:46
16–The Servants-Transparent 2:36
17–MacKenzies-Big Jim (There's No Pubs In Heaven) 2:34
18–Big Flame-New Way(Quick Wash & Brush Up With Liberation Theology)1:37
19–We've Got A Fuzzbox And We're Gonna Use It-Console Me 1:24
20–McCarthy-Celestial City 2:59
21–The Shrubs-Bullfighter's Bones 3:48
22–The Wedding Present-This Boy Can Wait 4:00

Friday 28 April 2017

The Membranes ‎– "The Gift Of Life" (Creation Records ‎– CRELP 006) 1985

The ironically titled "The Gift Of Life", was, funnily enough, an early release on Alan McGee's  nascent Creation Records.....Yes, the label responsible for such crimes against culture as Primal Scream, The Boo Radleys,and the despicable Oasis, yet also responsible for such Modern Pop wonders of the world like the early JAMC singles and MBV's "Loveless".
What The Membranes were doing on a label such as that I can but guess; part of McGee's 'throw enough shit at the wall then something will stick' philosophy.....then when it sticks(Oasis), he could sell out his independent spirit to some awful conglomerate.
I Once met McGee doing an embarrassing DJ set in Manhatten, and I managed to pass myself off as that bloke from the Boo Radleys to ponce free drinks......sucessfully I may add.Also embarrassingly, my cohort in Scouts Of Uzbekistan slipped him an early Scouts demo cd, which he promised to listen to......needless to say we weren't signed up to his new 'Poptones' label.....thank fuck. 
Also on that night were Poptones' new signing 'Outrageous Cherry', who played a set with the lady bass player obliviously unplugged for the first four of the evenings highlights.
As for The Membranes, they still sound like they are trying to turn some very ordinary post-punk tunes into some deliberately detuned shambles, and call it noise; the Florence Foster Jenkins's of Post-Punk Britain.
As for "The Gift Of Life",both the album and the state of the human existence; it's the kind of gift you'd want to come with the receipt included so you can get your money back.
Luckily, the download is free, unlike actual Life itself.


Shot By My Own Gun 4:49
I Am Fish Eye 3:19
Dreadful Sound Engine 4:19
Green And Ghostly Land 8:27
More Skin And Bone 5:30
Mr. Charisma Brain 3:49
Barbed Snake Fish Thing 5:17
Chewing The Fat 3:05
Typical Male Penis 2:44
Fireface 1:30
Gift Of Life 6:39

The Membranes ‎– "Crack House" (Criminal Damage Records ‎– CRI MLP-105) 1983

The Nightingales and The Membranes were probably the earliest flowering of the Ron Johnson template. The Membranes being closely associated with fellow outsiders Bogshed.
Mike Bryson of Bogshed once explained their approach to the noble art of songwriting as "We start out being totally out of order and out of key and we turn things like that into a pop song. Most people try to do it the other way round."
The Membranes fitted very comfortably into the latter, 'Most people try to do it the other way round', category.
I was never very keen on The Membranes.They never seemed to have that genuine off-kilter x-factor that the other bands effortlessly had; they always seemed to be trying too hard to be shambolic.
Also John Robb wore,and still does to this day, his shirt collars up,like Eric Cantona and Tony Grieg!?....something that always invokes suspicion.


Get A Head 4:45
The Throat 4:08
Attraction For The Easy Life 4:46
Myths And Legends 6:37
Kick Out 3:44
Kafka's Dad 4:34

Thursday 27 April 2017

Bogshed ‎– "Brutal" (Shelfish Records ‎– SHELFish 4) 1987

Here's Bogshed's first album part two, aka the second album, but the same as the first. Chock full of 'shambling' discordant alternative pop, executed to perfectly imperfect standards.
I always had a problem with this album,mainly because it had a glossy colour cover. Something that suggested pretensions towards popularity, which of course was total bollocks in the case of Bogshed, who couldn't have been more unpopular, even with John Peel listeners!
"Brutal" is comfortably the equal of "Step On It",there's just too much of it; perhaps Bogshed are another group who should have stuck to EP's? 
Never mind 'Geoffs Big Problem', Bogshed's big problem was how to move on from their formulaic composition's to something else......not that they should have.Their back catalogue is not far off perfect, and they stopped doing it at the correct time.
What did we get in place of all this Ron Johnson style stuff......yep.......bloody 'Madchester'!!!!....we didn't know how privileged we were.


A1 Raise The Girl
A2 Geoff's Big Problem
A3 Old Dog New Dance
A4 No To Lemon Mash
A5 I'm The Instrument
A6 Oppertunatist Knocks
B1 People Equal Greedy
B2 Sing A Little Tune
B3 C'mon Everybody
B4 Uncle Death Grip
B5 Spring
B6 Loaf

Wednesday 26 April 2017

Bogshed ‎– "Step On It" (Shelfish Records ‎– SHELFish 2) 1986

Bogshed, as brilliant as they were,and like many other similar alternative pop groups,had a tendency to repeat themselves, and very often only had one full length album in them.....and I suppose this is it? The Fall have more or less repeated them/him selves for thirty odd albums,only the constant reshuffling of personnel adding an accidental force for change. This method is not a guaranteed or desirable direction for most artists, so they fizzle out. And Bogshed did "Step On It 2" and fizzled out. 
Endlessly repeating yourself is,however, a sure way of creating a career in anything. Just look at U2,Damien Hirst,J.K. Rowling and van Morrison. Anyone with any integrity would just stop when they've done it.......Bogshed stopped.


A1 Mechanical Nun 3:02
A2 Run To The Temple 3:31
A3 Adventure Of Dog 1:58
A4 Tommy Steele Record 3:23
A5 Jobless Youngsters 3:05
A6 Tried To Hide But Forced To Howl 2:49
A7 Packed Lunch To School 2:28
B1 Summer In My Lunchtime 2:38
B2 The Fastest Legs 2:18
B3 Oily Stack 2:13
B4 Hell Bent On Death 2:57
B5 Thunderballs 2:23
B6 Can't Be Beat 3:12
B7 Little Car 0:48

Tuesday 25 April 2017

Bogshed ‎– "Let Them Eat Bogshed" (Vinyl Drip Records ‎– DRIP 2) 1985

Any record with a song called "Panties Please" on it has to be good right?
Bogshed's debut release on John Robb of the Membranes' Vinyl Drip records has six Bogshed classics of the same high standard achieved by all of their rather marvelous tunes.
The cover boasts a couple of typical drawings by Bassist Mike Bryson;who still churns out cartoons and caricatures to this day (check out his site here) ; but nothing surpasses the gravelly disjointed basslines he laid down with Bogshed. 
Such lo-fi but melodic eccentricity the like of which we'll probably never see again, Probably because they've been ignored from the second after they split up,30 years ago, in the face of massive public indifference.


A1 Panties Please 3:27
A2 Spencer Travis 1:54
A3 Fat Lad Exam Failure 3:08

B1 Slave Girls 2:15
B2 City Girls 1:56
B3 Hand Me Down Father 4:00

DOWNLOAD your panties HERE!

Monday 24 April 2017

Bogshed - "Peel Sessions 1985-88" (a Die or DIY? Compilation)

A collection of Bogshed's greatest work.Which, as per usual, was recorded at the BBC. Full of alternative pop classics such as "Champion Love Shoes", "Six To One and Likely" and "Raise The Girl".
This group should,and would, have been reasonably popular with the great unwashed masses if these same masses were not distracted to less sophisticated activities via the poisonous mind controlling compound MDMA.

01 Packed Lunch to School [27-10-85].
02 Oily Stack[27-10-85].
03 Hell Bent on Death[27-10-85].
04 Can't be Beat[27-10-85].
05 The Fastest Legs [25-02-86].
06 Adventures of Dog [25-02-86].
07 Summer in My Lunchtime [25-02-86].
08 Morning Sir_Little Car [25-02-86].
09 Tried and Tested Public Speaker [15-07-86]
10 Champion Love Shoes [15-07-86].
11 Little Grafter [15-07-86].
12 Gather in the Mushrooms [15-07-86]
13 The Gourmet Is A Baby [14-04-87].
14 Raise The Girl [14-04-87].
15 I Said No To Lemon Mash [14-04-87]
16 Loaf [14-04-87].
17 Six To One And Likely [18-10-87].
18 Into Me [18-10-87].
19 From The Stubble To The Rubble [18-10-87]
20 Duck Fight/U.S. Bands/Wally Walla. [18-10-87]

DOWNLOAD a bog full of peel sessions HERE!

Saturday 22 April 2017

Bogshed - "Demo's and Rareties 1985-87" (a Die or DIY? Compilation)

Then we had the crop of groups who should have been on Ron Johnson Records instead of The Sewer Zombies and The Ex.
The most shining example being Bogshed.
Cheeky northern monkeys who were incorrectly portrayed primarily as a comedy turn in some quarters.Originally called "The Amazing Roy North Penis Band" upon their inception in 1984, one could easily see why they flirted with the 'Novelty Act' category.
Their shambling, bass led sub-discordant modern music hall tunes, were certainly catchy,and could even induce an urge to sing-a-long-a-bogshed.
So here's a collection of demo's, compilation tracks,rare singles and unreleased stuff to prove their part in the 'Death To Trad Rock' story.
Unfortunately on the subject of death, Bogshed Singer and excellent lyricist, Paul Hartley, died over ten years ago, so the prospect of any nostalgic reformation of Bogshed is a sad non-starter; especially as drummer, Tristan King followed him to peel band valhalla a few years later.Don't it make you feel so incredibly mortal?


01 Hand Me Down Father ('Raging Sun' Compilation)
02 Runner On A Blunder(imminent comp)
03 The Amazing Roy North Penis Band (Cherry Red Comp)
04 Gathering Change(Aborted Cherry red Compilation)
05 Hold Up Your Hands, I'm Coming To The Market (cherry red Comp)
06 Lodger Problem(Aborted Cherry red Comp
07 Porridge In The Clothes(Aborted Cherry Red Comp)
08 Too Many Personalities(Aborted Cherry Red Comp)
09 You Are This(Aborted Cherry red Compilation)
10 Hand Me Down Father (Demo 1985).
11 Packed Lunch to School(Demo 1985).
12 US Bands (Demo 1985).
13 Slave Girls(Demo 1985).
14 Panties Please(Demo 1985).
15 City Girls(Demo 1985).
16 Fat Lad exam Failure (Demo 1985).
17 Spencer Travis(Demo 1985).
18 The Amazing Roy North Penis Band (Demo 1985)
19 Stop Revolving (Unissued Single 1987)
20 Your Science, My Sound (Unissued Single B-Side 1987)
21 Excellent girl (Final Single Release 1987)

DOWNLOAD from the toilet bog to your own private shed HERE! 

Friday 21 April 2017

Boredoms ‎– "Boretronix 1" (? Ltd. ‎– ?001) 1988

I said I didn't have "Boretronix 1", but now I do, thanks to the lovely Bleak Bliss blog, who seems to always have everything I don't music terms at least.
Happily, this is the best of the Boretronix series, and is a bit more listenable than the later two cassettes. Primordial Boredom at its very zenith.


A1 Hard Core Nunk 3:04
A2 Boil Out UFO 2:48
A3 Meat Bag 2:17
A4 Chago-Hosh-Moop 1:54
A5 Human Bad 2:46
A6 Hipless Peer Group 2:40
A7 Now 2:47
A8 Club Gom 5:51
B1 Rising Vegas Gas-Moskeet 1:53
B2 Blah Men 2:35
B3 Mega Coke Mix 1:10
B4 Hatefull 88' 1:42
B5 Auck Off 1:44
B6 Euck You Earhole 4:32
B7 Web Wig 3:25
B8 Eyehole Turfers 2:34
B9 Hook Around 2:55
B10 Frying Buttcave 1:07

Tuesday 18 April 2017

Scorn ‎– "Vae Solis" (Earache ‎– MOSH 54) 1992

We are getting in really dodgy territory now, 1992. A truly terrible year for music. Awful sampling abuse, Dire drum machine conformity, Really shite Effects units. DJ's in their forties treated like some kind of messiah. We even started to accept and even enjoy our conformity.A Huxley-esque concept made fact, if ever there was one; and its even worse today.
A resident of the 'Chill Out' area, I managed to escape the vast majority of the atrocities being committed in these dance concentration camps, and lost myself in the bizarre world of Easy Listening, which was one interesting bi-product of club culture.
However, Metal ,as the only mainstream alternative to clubbing culture, was mutating into the only partly subversive counter culture activity.This was the start of the couple of hundred sub-genres of 'Metal' that exist today.
Earache was largely responsible for quite a few of those, one being Industrial Metal, as purveyed by Godflesh (featuring yet another ex-Napalm Death member Justin Broadrick) in the late eighties, from a recipe originally concocted by the rather good Killing Joke.
More Ex-Napalm Death members Mick Harris and Nic Bullen, joined in the fun with their 'Scorn' Project, which was a brutally effective unit for the first album or so,before the irresistible influence of club culture watered down the racket into some kind of over programmed trip hop nonsense.


1 Spasm 2:49
2 Suck And Eat You 3:48
3 Hit 7:36
4 Walls Of My Heart 7:02
5 Lick Forever Dog 6:29
6 Thoughts Of Escape 5:18
7 Deep In - Eaten Over And Over 8:28
8 On Ice 8:00
9 Heavy Blood 5:41
10 Scum After Death (Dub) 5:54
11 Fleshpile (Edit) 5:15
12 Orgy Of Holiness 4:48
13 Still Life 4:13

Monday 17 April 2017

Boredoms ‎– "Boretronix 3" (? Ltd. ‎– ?004) 1990

If it wasn't for japan, i don't think there would have been anything worthwhile to listen to in 1990. All the UK was too interested in was being 24 hour party that's real 'boredom'.
The USA had just 'invented' Punk Rock.....again......except without any style, sporting long hair and lumberjack shirts. As for the rest of the planet, as usual, forget about it.
There was one exception...Japan.It seemed everyone in Japan were like The Boredoms, and a torrent of Noise Rock escaped like radioactive gas  from some secure institution near Fukashima.
Either that or it took 45 years for the real mutations from the atom bomb blasts to bear fruit.
This cassette is a field recording from that very same fictitious radioactive institution the night when everyone refused their medication.

Track Listing:

Side A - Untitled (23.56)
Side B - Untitled (24.00)

DOWNLOAD more boredom HERE!

Sunday 16 April 2017

Boredoms ‎– "Boretronix 2" (? Ltd. ‎– ?002) 1989

Yamatsuka Eye, another of the guests on John Zorn's various Grindcore projects, notably Naked City, was in the Boredoms of course. So as they are popular chaps, i've dug out an obscure cassette release from early in their reign.
Its a churning and nutritious soup of the Boredoms in rehearsal, jamming, and just generally mucking about. Often sounding like the tape's being chewed up by the cassette deck. No need for the pencil remedy, actually is supposed to sound like this.

Track Listing:

Side A : Untitled (25.20)
Side B : Untitled (25.26)

DOWNLOAD to alleviate the boredoms HERE! 

Azag-Thoth ‎– "Shredded Flesh" (Self released Cassette) 1987

A highly regarded self-released tape from a prototype Unseen Terror line-up, including Shane Emburey (Although he denies all knowledge of it!), and Pete Giles, who was in War Hammer with Shane,and Unseen Terror.
It seems like straight forward Death Metal to me,and only the slightest hint of the mutation that was to come for the UK metal/hardcore crossover scene.Calling this proto-grindcore is stretching it a bit.

A1 Circle Of Maniacs 0:50
A2 Shredded Flesh 2:51
A3 Life After Death 2:11
A4 Social Suicide 0:45
A5 Blood Sucking Freaks 2:11

Friday 14 April 2017

Unseen Terror ‎– "The Peel Sessions" (Strange Fruit ‎– SFPS069) 1988

Here's the legendary Peel Session by Unseen Terror, with guest vocalist Mick Harris on lead growling.
This benefits from having real drums as miked up by a real drummer/ producer, Dale Griffin.This was a lost art in 1988, forgotten in favour of samples and drum boxes.
Unseen Terror were more or less a studio band, and only played live once as far i can remember; so this is where they were at their very speedy best.
A classic.


Incompatible / Burned Beyond Recognition 2:25
Oblivion Descends / Divisions 3:45
Voice Your Opinion 3:10
Strong Enough To Change / Odie's Revenge / It's My Life 3:55

Thursday 13 April 2017

Unseen Terror ‎– "Human Error" (Earache ‎– MOSH 4) 1987

The opposite end of the scale for snobbery and pretentiousness are a large majority of Metal categories, especially Grindcore and Speed Metal. Who would you sooner go and have a beer with? John Zorn or Unseen Terror?
I have been privileged to have a pint with Shane Emburey(drummer for Unseen Terror) and the rest of Napalm Death back in the day, and what a bunch of thoroughly decent and unpretentious chaps they were. Not had a similar experience with Zorn, but was briefly in his geekness's presence at the Knitting Factory's 10th birthday party for Shimmy Disc.....i was drunk, he was aloof.
'Human Error'was one of those early Earache Classics that appeared from apparently nowhere.Its relentless high velocity metal, and under-produced fuzz were certainly more interesting than the other so-called speed metal groups of the era. The drums were either played on one of those horrible Simmons kits, or sample triggers; and sound slightly unusual to say the least; but they were easier to record i guess. A real kit,thankfully,makes its appearance in the bonus tracks (Tracks 21 and 22 are from the "Diminished Responsibility" Compilation. Tracks 23 to 26 are Unreleased Rehearsal tracks.)
They were to get better, and as usual it was up to the BBC to capture them at their best in the Peel session that they recorded in 1988, with Mick Harris on vocals.


1 Unseen Terror 3:34
2 Oblivion Descends 2:20
3 Divisions 1:51
4 Death Sentence (Of The Innocent) 2:18
5 Nermal 0:11
6 Ignorant Scene 1:38
7 Uninformed 2:02
8 Expulsion Of Wrath 1:45
9 Garfield For President 0:43
10 Burned Beyond Recognition 1:19
11 Winds Of Pestilence 1:28
12 Hysteria 1:41
13 In A Shallow Grave 0:58
14 Odie's Revenge 0:16
15 Deliverance 2:19
16 The End Product 2:20
17 To Live And Learn 1:34
18 Charred Remains 1:18
19 Beyond Eternity 1:37
20 Garfield Strikes Again 2:18

Bonus Tracks:
21 Expulsion Of Wrath 3:13
22 Beyond Eternity 1:37
23 Scarred 0:49
24 Walls 0:42
25 Human Error 2:11
26 Within Without 1:24

Wednesday 12 April 2017

Naked City ‎– "Torture Garden" (Earache ‎– mosh 28) 1991

Jazzers, in general,aren't the most open minded of musicians, and do tend towards some rather unpleasant displays of intellectual we all do in different levels; I myself have been guilty of this Darwinian concept.......I do however reserve the right to call stuff like most Hip Hop, modern R &B,Boy Band Pop, and U2, Shit, both intellectually and morally.
John Zorn seems to be from the open end of the Jazz spectrum, along with Joey Baron(drums),and Bill Frisell (gtr),who seem to dispel the myth that Jazzers can't play metal.
(That said, Zorn was witnessed patronising an audience in my home town of Leicester on the Naked City Tour, by suggesting that such a provincial audience would prefer it if he played some Be-Bop; which he promptly did, and followed it up with some sneering comment afterwards.....prick!..i'll have him know that Napalm Death,the group he copied, also came from such provincial places as this, in fact just 20 miles down the road near Coventry...nobodies perfect i suppose?)
The jazz trendies are joined by proper people, Fred Frith,late of 'Henry Cow'on bass, and Yamatsuka Eye from the Boredoms, to provide some very daft vocals.
Whatever the Intellectual genius that John Zorn thinks he is, this style of music was shamelessly ripped off from brummy grindcore legends Napalm Death, with added alto sax, and musicianly polish.
The lower Manhattan art set are probably blissfully unaware of this, and would no doubt be heavily traumatised to discover such an unpleasant fact.
This album collects together all the wildest Naked City moments onto one twelve incher, and is an utterly superb avalanche of sustained short spurts of machine gun fire.


Sado Side
A1 Blood Is Thin 1:00
A2 Demon Sanctuary 0:38
A3 Thrash Jazz Assassin 0:45
A4 Dead Spot 0:31
A5 Bonehead 0:51
A6 Speedball 0:37
A7 Blood Duster 0:13
A8 Pile Driver 0:33
A9 Shangkuan Ling-Feng 1:14
A10 Numbskull 0:29
A11 Perfume Of A Critic's Burning Flesh 0:24
A12 Jazz Snob Eat Shit 0:24
A13 The Prestidigitator 0:43
A14 No Reason To Believe 0:26
A15 Hellraiser 0:39
A16 Torture Garden 0:35
A17 Slan 0:23
A18 Hammerhead 0:08
A19 The Ways Of Pain 0:31
A20 The Noose 0:10
A21 Sack Of Shit 0:43

Maso Side
B1 Blunt Instrument 0:53
B2 Osaka Bondage 1:14
B3 Igneous Ejaculation 0:20
B4 Shallow Grave 0:40
B5 Ujaku 0:27
B6 Kaoru 0:50
B7 Dead Dread 0:45
B8 Billy Liar 0:10
B9 Victims Of Torture 0:22
B10 Speedfreaks 0:29
B11 New Jersey Scum Swamp 0:41
B12 S & M Sniper 0:14
B13 Pigfucker 0:23
B14 Cairo Chop Shop 0:22
B15 Fuck The Facts 0:11
B16 Obeah Man 0:17
B17 Facelifter 0:34
B18 N.Y. Flat Top Box 0:43
B19 Whiplash 0:19
B20 The Blade 0:36
B21 Gob Of Spit 0:18

Tuesday 11 April 2017

PainKiller ‎– "Buried Secrets" (Earache ‎– MOSH 62) 1992

A Godflesh/Napalm Death/Last Exit supergroup with special guest star, John Zorn on Sax abuse.

You won't find any other Godflesh or Napalm Death record on the coffee table's of any self-respecting Jazz Snob.Sneaking in by the back door as PainKiller, most of this record would be skipped over by most pseudo-intellectual Jazz fakes, and then scramble for cover under the nearest John Coltrane double bootleg.
Anything with a saxophone in it gets labelled 'Jazz',like any punk band with a sax was immediately rubber stamped as 'Jazz Punk' (eg The Cravats).
So PainKiller is ,obviously, 'Jazzcore'.
A more correct epithet is improvised noise; there's as much rock,and Dub in there as there is jazz, but it is definitely improvised.
It has its musical moments, but mostly its like filling your ears with sonic caustic a good way.


Tortured Souls 1:54
One Eyed Pessary 1:51
Trailmarker 0:08
Blackhole Dub 3:29
Buried Secrets 6:13
The Ladder 0:22
Executioner 2:48
Black Chamber 2:29
Skinned 0:54
The Toll 7:26

Sunday 9 April 2017

Pain Killer ‎– "Guts Of A Virgin" (Earache ‎– MOSH 45) 1991

The gore-fest continues with this unlikely combination of Grindcore and Avant Garde Jazz, that gave birth to the sub-genre of,yes, 'Jazzcore'!?
Excellent paint stripping stuff it is too.
Lower Manhattan jazz-bo trendies, John Zorn and Bill Laswell heard Napalm Death, and like envious children wanted to have a go themselves. So the best place to start was to poach Napalm Deaths drummer and lead screamer, Mick Harris, and release it on Earache Records.
A bludgeoning napalm attack on the senses if ever there was one.Zorn's treated sax caterwauling is nothing short of being on the receiving end of a flame thrower whilst cornered in a concrete bunker.
Could be the best release on Earache by a country mile?
It also contravened the laughable 'Obscene Publications Act' for the cover, and was subsequently banned, and replaced with an edited facial shot of the sliced up female in question.
No such censorship is allowed on here however.


1 Scud Attack 3:07
2 Deadly Obstacle Collage 0:21
3 Damage To The Mask 2:43
4 Guts Of A Virgin 1:19
5 Handjob 0:10
6 Portent 4:00
7 Hostage 2:24
8 Lathe Of God 0:56
9 Dr. Phibes 3:00
10 Purgatory Of Fiery Vulvas 0:26
11 Warhead 1:12
12 Devil's Eye 4:37

Saturday 8 April 2017

Carcass ‎– "Reek Of Putrefaction" (Earache ‎– MOSH 6) 1988

I haven't listened to, or rather endured, this  for about 25 years! It certainly stuck out in the album racks at the record shop. Mainly due to the crass collage of post-mortem photo's that adorn this charming recording.
Certainly a classic of the early Earache releases, and featuring Napalm Death's own Bill Steer, exorcising his obvious need for gore.......Grindgore anyone?
Its all very low end mushed up grindcore doom,recorded under a mudslide; most likely a mudslide that engulfed a school full of children.
These are the kind of kids you'd find in the sixth form common room huddled in the corner swapping Dostoevsky and Yukio Mishima novels.
The Earache sticker on the cover kind of sums it all up......all for £4.99!


Faecal Disarticulation Side:
A1 Genital Grinder 1:28
A2 Regurgitation Of Giblets 1:18
A3 Maggot Colony 1:32
A4 Pyosisified (Rotten To The Gore) 2:47
A5 Carbonized Eye-Sockets 1:06
A6 Frenzied Detruncation 0:54
A7 Vomited Anal-Tract 1:38
A8 Festerday 0:19
A9 Fermenting Innards 2:29
A10 Excreted Alive 1:17
A11 Suppuration 2:14

Anal Disgorgement Side:
B1 Foeticide 2:38
B2 Microwaved Uterogestation 1:22
B3 Feast On Dismembered Carnage 1:23
B4 Splattered Cavities 1:49
B5 Psychopathologist 1:15
B6 Burnt To A Crisp 2:37
B7 Pungent Excruciation 2:26
B8 Manifestation Of Verrucose Urethra 0:58
B9 Oxidised Razor Masticator 3:06
B10 Mucopurulence Excretor 1:05
B11 Malignant Defecation 2:10

Friday 7 April 2017

Napalm Death ‎– "Hatred Surge" (Self Released) ‎– TDD3 1985

Before the Grind took hold, our buddies in Napalm Death were carbon copy Anarcho-Punks; they were even featured on Crass Records' "Bullshit Detector Vol.3".
However,the band information on this post is in fact wrong! The line up on this tape (also left to right in the picture on the tape cover) was future GodFlesh,Jesu and Head Of David supremo Justin Broadrick on Guitar, Nick Bullen Vocals and bass and Mick Harris on Drums. The line up listed was the original line up before Mick joined and became the "Grindcore" legends we know today.It even says so on the cover flap..."The Line Up has Changed And So has Their Musical Style". Although one song, "Instinct Of Survival" did survive by instinct, to appear on "Scum" and in the "Peel Sessions",as a revamped and shorter beast altogether.
So, in fact, Napalm Death hold the record for the longest time a band has existed without any original members, 1985 to present day.I think that even beats Fairport Convention(?), and Dr Feelgood? 
I do like the idea that No-one is bigger than the band,a bit like football clubs, but without the transfer fees.


A1 What Man Can Do 2:48
A2 Instinct Of Survival 2:47
A3 Abbatoir 3:45
A4 Control 2:35
A5 Sacrificed 1:37
A6 So Sad 4:33
A7 Caught In A Dream 2:14
A8 Private Death 2:08
A9 Cheswick Green (Live) 2:01

Thursday 6 April 2017

Napalm Death ‎– "The Peel Sessions" (Strange Fruit ‎– SFPDCD049) 1987/88

Twenty Five 'songs' in 20 minutes?!Now, that's either value for money or a total rip off!
In my humble opinion it's excellent value for money, and the only Napalm Death/Grindcore record you would ever need.This genre can't get any better than this? A bit like Hip-Hop never got better than Public Enemy's "It Takes a Nation Of Millions To Hold Us Back". After these two records, they, and their shameless imitators should have just called it a day.These two, seemingly polar opposite groups are black and white versions of the same thing I guess?


Session 1 - 13/09/1987:

1 The Kill / Prison Without Walls / Dead Pt.1 0:55
2 Deceiver / Lucid Fairytale / In Extremis 1:45
3 Blind To The Truth / Negative Approach / Common Enemy 1:05
4 Obstinate Direction / Life / You Suffer Pt.2 1:55

Session 2 - 08/03/1988:
5 Multi-National Corporations / Instinct Of Survival / Stigmatised / Parasites 4:10
6 Moral Crusade / Worlds Apart / M.A.D. 3:35
7 Divine Death / C.S. / Control 3:20
8 Walls / Raging In Hell / Conform Or Die / S.O.B. 3:15

Wednesday 5 April 2017

Napalm Death ‎– "Scum" (Earache ‎– MOSH 3) 1987

Comparing this monolithic jaw-dropping moment in music history to the Sewer Zombies album, (belated released by Ron Johnson to try and jump on the Grindcore bandwagon), Is like comparing being rammed by an icebreaker to being hit in the face by a soggy marshmallow.
Hearing this album for the first time was one of those rare, and getting rarer, "What the Fuck was that!?" moments.
Where did this come from? A mutated form of hardcore, doom metal (before doom ever existed),mixed up at different extreme tempo's, breakneck speed, to a soul crushing crawl. This was the first time I heard that growling vocal style, that is sooooo boring thirty years afterwards.Its an incredibly bizarre record, that borders on the Avant Garde, more than punk'n'metal; which was picked upon by Avant-jazzer ,John Zorn for his 'Naked City' project.....and later for the fantastic 'Painkiller' which included Napalm Death drummer Mick Harris.
This stuff was the only alternative to that bloody Acid House/rave nonsense that dominated for the next few decades.
Napalm Death were never the same after this, as line up changes, and repeating themselves endlessly dulled the effect.There should only have been one album, which would explain why several members left after its release.
However, the Peel sessions are in fact far superior to the official recordings...(coming up next of course).


A1 Multinational Corporations
A2 Instinct Of Survival
A3 The Kill
A4 Scum
A5 Caught....In A Dream
A6 Polluted Minds
A7 Sacrificed
A8 Siege Of Power
A9 Control
A10 Born On Your Knees
A11 Human Garbage
A12 You Suffer
B1 Life?
B2 Prison Without Walls
B3 Point Of No Return
B4 Negative Approach
B5 Success?
B6 Deceiver
B7 C.S.
B8 Parasites
B9 Pseudo Youth
B10 Divine Death
B11 As The Machine Rolls On
B12 Common Enemy
B13 Moral Crusade
B14 Stigmatized
B15 M.A.D.
B16 Dragnet

Tuesday 4 April 2017

Sewer Zombies ‎– "Reach Out And... ("Ron Johnson Records ‎– ZRON 32) 1988

It became clear that all was not well at Ron Johnson records when, in desperation, this pile of crud was licenced and released, to try and compete with local rival label Earache; who had cornered the new wave of abstract hardcore , with Napalm Death and a plethora of similar metal/punk hybrids. Earache, from near-by Nottingham, were not only the fastest growing independent label, they were raking the money in.Every release stormed the Independent charts with careless abandon; whereas Ron Johnson were running out of steam. The Sewer Zombies' flatulent fuzzy US Hardcore,was, along with the hugely disappointing Great Leap Forward (bIG fLAME offshoot), were the final nails in the coffin of RJ records.Comfortably the worst record on this hallowed label.


Sewer A:

A1 Search
A2 Too Many Police
A3 Executive Execution
A4 They Died With Their Willie Nelson T-Shirts On
A5 Never
A6 Reach Out

Sewer B:

B1 Zheeta
B2 Piss
B3 I Got Something To Say
B4 They Had No Right
B5 Message To The Christian Church
B6 From Below

Bonus Track:

Hcruhc Naitsirhc Eht Ot Egassem

John Walters on Room 101, BBC Radio 5, 4th September 1992.

Ron Johnson Records were based in Long Eaton, in the East Midlands of England, (Where your author comes from), between Nottingham and Derby.
Funnily enough, this is also the hometown of the late lamented producer of the John Peel Show,the great John Walters. The man who recommended The Fall to Peel, because...'they were even worse than Siouxsie and the Banshees'.
So as Ron Johnson Records were almost exclusively ,only played on the Peel Show, and Walters came from the same town as Dave Parsons. Here is John's appearance on BBC Radio 5's Room 101; choosing his most hated songs, people, and things, to disappear forever into the infamous room from which there is no return.
He didn't choose any Ron Johnson recordings, but he did choose 'The East Midlands', including Long Eaton......and presumably my home town of Leicester.....can't disagree.
He was a great bloke, hilarious, and one of those people you'd want at your dinner party; much missed.

DOWNLOAD from room 101 HERE!

Monday 3 April 2017

Splat! ‎– "2 Splat! EP's" (Ron Johnson Records ‎– RON 1/RON 2) 1983/84

Splat! ‎– "Splat! EP" (RON 1) 1983 :


A1 Yeah The Dum Dum
A2 Bookface
B1 Biggles Bloodbath

Splat! ‎– "Splat!" (12" EP RON 2) 1984


A1 Taxi
A2 Bloom
B1 A Foolish Crawl
B2 Morbius 4

Long Eaton based (which is near Nottingham, for our non-UK subscribers), Ron Johnson Records' founder, Dave Parsons,was in a proto-Ron Johnson type group called "Splat!".
They sound like most of the other groups that appeared later on this label.A kind of a mixture between A Witness and Bogshed; which is a high recommendation indeed.
Much has been said about the inept business acumen of Dave, which led him into bankruptcy; all for the 'love of music'.
I don't think he was alone in struggling to break even with a business model such as this.He was as unlikely to find an indie "Tubular Bells" as anyone else in this trade; but aren't we glad he did it?
Here's an enlightening explanation from the man himself:

"In my defence as the useless money man - I was 21 when I started Ron Johnson and knew nothing about making records or running a business - I just loved music. [censored] of [censored] rough-rided me into agreeing to pay about £6000 out on [censored] - we paid out about £500 on Loudhailer Songs! I was naive and [censored] (nice person though he is) was deluded and the financial morass began there. Their records never sold well. The Ex double-single was a fiasco of Rough Trade's making - they sold it at a price that was lower than the manufacturing cost and because it was reviewed as such amazing product for such amazing price felt that they couldn't put the price up - it sold 15000 copies and RJ lost £15000! Fantastic. The only band who ever made a profit in RJ were A Witness and they have a right to feel slightly aggrieved. I gave 24 hours of my life for 7 years to RJ, lost my house, never made a penny and was eventually bankrupted because I loved the music. Cheers, Dave Parsons".