Back in 1980, I'd heard a lot of persons in the music biz name dropping CAN, and how good "Tago Mago" was.So,impressionable young man that I was, I made my way to the 'European Rock' section of 'Revolver Records' in Leicester market place, opposite Lineker's Fruit and Veg stall; to seek out the aforementioned "Tago Mago"....of course it wasn't there....long deleted.Just a couple of late period albums,one of which was "Soon Over Babaluma"....I liked the cover so i stumped up the cash, and took it home eagerly.Played it, and it was a bit Shit!.....I didn't give up, as everyone said that Can were fucking brilliant, and found a copy of "Ege Bamyasi", which I now know to be better than "Tago Mago", and heard a well proper example of the art of drumming for the first time.The funky drummers of the Post-Punk period were a pretty clumsy bunch.Yes, Can were indeed 'Fucking Brilliant'!?
Now back to explaining where Eno nicked all his idea's from.....If for some weird and unexplainable reason you didn't know, Holger Czukay , he of ethnic tape fusion innovation fame via the 1969 album 'Canaxis'; was the bass player in this incredibly influential on the post punk bands pre-punk band.....namely, CAN.
They gave the world endless repetition, funky drumming Germans,and basically how to make a groove interesting. The influence on PiL and The Fall are obvious, and their echo is heard in many of those groups from 1978 onwards.
Basically,CAN relied greatly on Drummer Jaki Libezeit and to lesser extent on the two vocalists Malcolm Mooney and Damo Suzuki. Irmin Schmidt(keyboards) and Michael Karoli(weedy guitar) added the noodles to the dish, and frankly, like noodles, would not have been missed if they never turned up. Czukay was important only in his post-production work in the tape splicing room;....But Libezeit's busy metronomic but loose skin work could well be the best of all rock'n'roll time?
So everyone knows CAN's classic string of albums from the early seventies don't you?.....so here's the stuff that never made it onto those records.All now rescued and tarted up for the CAN fan.
There's some great stuff on these three cd's, including the very impressive lyrics to "Waiting For The Streetcar", where Mooney manages to chant the song title 170 times!?...(don't worry, I didn't count 'em, but some other sado did!)
There are a few proto versions of Can classics, for instance - Vitamin C (Dead Pigeon Suite) and Mother Sky (On the Way To....), and some superior live stuff, and plenty of unreleased jams that escaped the razor blade of Czukay.Quality control had to be paramount back in the days of the forty minute LP.
I wouldn't say this was better than "Tago Mago" or "Ege Bamyasi", but its certainly better than "Future Days","Soundtracks" and "Monster Movie".....and pisses completely over anything after 1974 that they ever did!.....including the Suzuki and Mooney-less "Soon Over Babaluma"(1974).
Waiting For The Streetcar 10:08
Evening All Day 6:58
Deadly Doris 3:10
When Darkness Comes 3:48
Blind Mirror Surf 8:39
Oscura Primavera 3:19
Bubble Rap 9:24
Your Friendly Neighbourhood Whore 3:43
True Story 4:30
The Agreement 0:37
Midnight Sky 2:44
Spoon - Live 16:47
Dead Pigeon Suite 11:47
Abra Cada Braxas 10:12
A Swan Is Born 3:00
The Loop 2:33
Godzilla Fragment 1:59
On The Way To Mother Sky 4:35
Midnight Men 7:35
Networks Of Foam 12:36
Messer, Scissors, Fork And Light 8:24
E.F.S. 108 2:07
Private Nocturnal 6:49
Mushroom - Live 8:18
One More Saturday Night - Live 6:34