Showing posts with label 1991. Show all posts
Showing posts with label 1991. Show all posts

Tuesday, 12 August 2025

Various Artists – "UK Electronics Vol. 4" (Mindscan Tapes) 1991

No determinable traces of that rare beast "Proto-Rave" here my lickle fun monkeys.So move along, where we find Mindscan supremo ,Bob Maycock, stooping towards the reliable backdrop of nineties Industrial schlock....I'm Bored...but wait!...Do we smell a long lost DIY bedroom classik,or two, from inexplicably unknown Ensonique Mirage abusers (We've got a sampler and we're gonna use it), the woefully named..."Some Stumpy Goats".Who seem,inadvertently, to have created, in the form an incredibly silly tune called "Maggots In My Head", one long lost tune that would have comfortably sat among the elite on Fuck Off Records during the halcyon daze of classic UK DIY back in 1980.The other track,in what seems to have been the end of their far from dazzling career,is almost as Good ,slash, Bad. An anthemic slice of naked euphoria called, "Getting the most out of your detergent". 
A whole tape full of this stuff would have been far more preferable to any number of faithful versions of Throbbing Gristle hits plumping up the meaninglessness quota somewhat.
But, Hey, don't let that put you off,its still got some fine smoggy cassette stored industrial madness for the underexposed to glean some meager satisfaction from. 

Tracklist:

A1 Another Headache– The Infinite Soul 13:04
A2 Youth Is Violence– United 4:19
A3 Youth Is Violence– Opinion 4:22
B1 Zero Population Growth– Ineffective 3:26
B2 Zero Population Growth– Sickness 1:55
B3 Some Stumpy Goats– Maggots In My Head 2:12
B4 Some Stumpy Goats– Getting The Most Out Of Your Detergent 2:46
B5 Youth Is Violence– Codex 4:25
B6 Another Headache– Modern Primitive 5:29

Monday, 21 October 2024

Fuzzhead – "God Bless Your Short Attention Span" (Heliocentric Worlds Of Sound C-60) 1991


 A C-60 of Fuzzhead's earlier cassettes compiled from their Freaky Hip-Hop post club plunderphonia era. Existing within the realms of some kinda unpopular Hippie Hop transition phase.
Thankfully they stuck all of that stuff on one C-60 to register it for posterity before they made the correct choice to get freaky.
As much as I prefer their freakout psych-noise stylee, this has an almost acceptable commercial tinge from the shit end of that particular drumstick,and serves as a gateway sound for youngsters over thirty to find an appreciation of the spontaneous, and less likely, a conduit for noisy psychedelics to be exposed to something that has nothing at all to do with "It Takes A Nation Of Millions to Hold Us Back, but you can see what they mean through the toxic smoke of Chuck Zyklon D's less advised moments.
Yep, this sounds nothing like any Hip-Hop I'm aware of,in fact its a tenuous connection,but has all the hallmarks of someone trying to find their way around a darkened room guided only by the extreme boredom of a drum loop drawing you closer to the edge of a cliff.
A concept embraced by the Tik-Tok generation,who swarm the highways and by-ways of the world wide web like lemmings looking for a way out of the labyrinth as long as the exit doesn't involve anything longer than 30 seconds of screen-time.

Tracklist:

A1 Star Time 1:11
A2 Jackie Drove Away 3:26
A3 Wake Up America 3:48
A4 I'm Just A Freak 4:11
A5 Over And Over 1:16
A6 10 More Minutes 2:52
A7 Fishbowl 3:47
A8 That Stuff 5:33
A9 Kitty Cat 4:29
B1 That Chick Can Sing 4:30
B2 Wonderful Love 5:16
B3 Over The Edge 4:24
B4 Pistol Packin' Mama 4:02
B5 That Baby O' Mine 2:10
B6 Chrome Disk 4:11
B7 Get This Party Started 2:47
B8 Johny 3:41

Wednesday, 28 June 2023

Null & Fred Frith – "Null & Fred Frith" (Nux Organization – NUX-21) 1991


If you can't get Brian Eno for your cred cornering collaboration,the next best thing is to procure the ,cheaper,talents of one Fred Frith late of everyone's favourite post-prog art-rock combo, Henry Cow.He has a natural oblique strategies gland inside his front Brain,and can play at least one instrument,if desired;so no need for Eno's famed pack of cards to ever leave the draw.....unless David Bowie wanted them of course...what David wants David gets.....or steals.
Frith brings a more subtle approach to the noise,and side A sounds more like yer Free Improvisation kind of Noise, a noise with nuances if you will?
Woah...side B goes unexpectedly subtle,verging on the Eno's ambient period,with its floaty textures and Atmospheric noodlings.
Who needs Eno anyway?

Tracklist:

Side A : 20000V Live (27:43)
Side B : Heavens Breath (15:32)

Friday, 3 March 2023

Black Tambourine – "Complete Recordings" (Slumberland Records – slr 37) 1999



Shoegaze had so many dimensions, and I suppose this lot are on the Jesus And Mary Chain side of it all.
They sound so English, even JAMC sounded English until they sang, in a decidedly american accent,it's almost embarrassing,except....They,Black Tambourine, areas it turns out, Americans who sing in an English accent??? They had me fooled for several decades,until all this got put on to a compact disc.
I thought they were Scottish!?
Just like the first British Invasion in the 60's ,which spawned a legion of Animals sound-a-likes,and Stones wanna-be's which lurked in Dad's garage...The Nuggets generation,otherwise referred to as 60's Punk.Those Uk Indie imports sounded alien enough for America's teenagers to embrace it, despite the obvious influence of american Group, Third album in Velvet Underground,which apparently didn't have the same effect stateside as it did in the post punk generation in Britain.
There was no American equivalent of the UK Indie underground in 1991 when the Tambourines were about.Depending on whereabouts you lived in the US of A, sounding this drippy but noisy could put your life in danger.Whereas in Britain, it was just a good old honest beating that awaited you if  you came across some Skinheads or some eternal Punks.However, in 1991 they were all 'luvved Up' on 'E',back when the tambourine was a lead instrument.So everyone were, ironically, safe,yes...even attending Football matches???
Therefore, Black Tambourine get the credit for kick starting the US Indie scene...it says here!?
Basically they sound like Psychocandy Jesus and Mary Chain as fronted by a nice twee-enabled Girlie singer.

Tracklist:
1.For Ex-Lovers Only
2.Black Car
3.Pack You Up
4.Can't Explain
5.I Was Wrong
6.Throw Aggi Off The Bridge
7.Drown
8.We Can't Be Friends
9.By Tomorrow
10.Pam's Tan
11.For Ex-Lovers Only (First Demo)
12.Throw Aggi Off The Bridge (First Demo)
13.Heartbeat
14.Lazy Heart
15.Tears Of Joy
16.Dream Baby Dream

Wednesday, 1 March 2023

Brighter – "Laurel" (10 inch ep plus singles)" (Sarah Records – sarah 404) 1991


Another ten inches of shoegazing twee-ness from Brighton's Brightest, "Brighter", on Sarah Records, floating like a fluffy mushroom cloud looking down upon the ruined planet that this gentle music is intended to escape from for an hour or so. Once described as 'Deeply Drippy' by a celebrated national music newspaper,their wistful fragile melodies drift as clear as a mountain stream, the perfect whispering soundtrack to break the silence of a morning after a break-up....or a breakdown. These gentle shy folk may just need a hug and the belief that everything's gonna be alright.....when of course it generally isn't...but I have a suspicion that they knew that already.
If you can't identify with these Songs about daydreams,regrets, irrational passions,then you are probably dead....at the very least emotionally.Noticeably,they manage to keep up the Sarah predilection towards months and seasons,revealing another case of Seasonal Affected Disorder(SAD),played out on a couple of guitars.
Nostalgic, childlike and melodically melancholic is what this is,made better for the welcome sparing use of drums and a refreshing lack of effects pedals. Keep it simple ladz'n'lasses.


Tracklist:

1 Christmas
2 Frostbite
3 Summer Becomes Winter
4 Something To Call My Own
5 Ocean Sky
6 Out To Sea
7 Maybe
8 Journey's End

Singles 1989-92:

9 Inside Out 4:03
10 Tinsel Heart 3:24
11 Around The World In 80 Days 4:25
12 Things Will Get Better 3:52
13 Noah's Ark 5:06
14 I Don't Think It Matters 3:01
15 Does Love Last Forever ? 2:32
16 Poppy Day 2:07
17 Half-Hearted 2:44
18 So You Said 5:24
19 Killjoy 4:14
20 British Summertime 2:40
21 Hope Springs Eternal 4:41
22 Never Ever 2:45
23 End 2:30

DOWNLOAD laurel without the hardy HERE!

Sunday, 26 February 2023

The Driscolls – "Complete Recordings 1988-1991" (Jigsaw – PZL056) 2014


 Also on Tea-Time Records were The Driscolls, whose complete recordings have been so kindly reissued by an American Label, doing that American thing of looking after the UK's culture even if we don't do it ourselves.They owe us big-time anyway as The UK saved Rock'n'Roll for them to enjoy in perpetuity,just as they are saving some of the United Kingdom's Indie heritage....a decidedly untrendy concept in the modern British Isles.
If The Driscolls were transported back in time to The Cavern Club, and The Beatles didn't exist, rather like in that next in a long line of truly terrible Danny Boyle films called "Yesterday", we would know all the words to Driscolls songs nowadays,instead of "Love Me Do". Although they ain't as cute as the Fab Four,so maybe the girlies wouldn't have wet their pants so much when confronted with the wimpy looking Driscolls.....but The Beatles did exist, and The Driscolls are nothing more that a skid mark in history.
The Fab Three....enough to turn a young lady ON...to lesbianism.

What is laid bare the most when listening to these Indie Pop sub-classics, is the glaringly obvious worshiping at the alter of 60's UK Freakbeat and Psych,with a splash of the U.S. Paisley Underground.
Like the Postcard records lot all walked around in public carrying a Dostoevsky Novel for effect, this lot plainly had a trove of Bam- Caruso compilations under their arms at all times in the hostelry's of Bristol and the west country where all these groups seemed to emerge from.
This influence is far from hidden,in fact its flaunted,as their self-financed debut 7" testifies, a cover of The Fire's Psych Pop classic "My Father's Name Was Dad" from '68 rather than '88.....is included here as a vinyl rip.The master tapes long gone.
To cap it all there's a clear Status Quo matchstickable lead guitar riff going on here,alongside a valiant attempt at Beatlesque harmonies.....or maybe it was those bizarre harmonies that The Clash used to insert into their early tunes in between Strummer growling on about Riots and Cheating to win.Silly stuff,but quaint in its own way.
One has to say the dirty clean but chunky yet jangley Guitar sounds on these recordings are rather lovely...that Rickenbacker on the cover may explain this? Although I've yet to receive an explanation as to how groups like this managed to afford a Rickenbacker, or a Fender for that matter? Have you seen how much they are recently....for the disenfranchised kid on the dole they are not!?
PS:
Anyone interested in a movie i'm writing where Gary Numan didn't exist, and i get to come up with "Are Friends Electric"?....that drummer's haircut would have to go though.

Tracklisting:

Disc One:
1-01 Father's Name Is Dad 2:19
1-02 Girl I Want You Back 2:07
1-03 Groovy Little Town 2:15
1-04 Andrew 2:56
1-05 Julie Christie 2:18
1-06 I Heard A Rumour 2:43
1-07 Doctor Good And His Incredible Life Saving Soap 2:28
1-08 If Only 1:54
1-09 Mrs. Jones 2:17
1-10 You Must Be Mad 1:57
1-11 Something To Learn 2:01
1-12 Groovy Little Town (acoustically revisited) 2:18
1-13 This Is A Different Song 2:45
1-14 Bang Goes Another Cloud 1:22
1-15 Out Of My Head 2:58
1-16 How Does It Feel? 4:47
1-17 Superman 3:50
1-18 Sky High 3:53
1-19 The Return Of Lord Kitchener 2:11
1-20 Coloured Windows 3:54
1-21 Brittle Beautiful 3:27
1-22 Green Tambourine 4:01
1-23 Another Day (Little Pill) 4:41

Disc Two:
2-01 P.C. Roberts 1:58
2-02 Call Me Anything 2:13
2-03 Time For Change 2:30
2-04 It's Your Daughter 2:26
2-05 Circles 3:03
2-06 Here It Comes Again 2:53
2-07 These Things 2:59
2-08 Shame About The Rain 3:22
2-09 She Said She Said 3:27
2-10 Coloured Windows (alternate version) 3:51
2-11 X-Ray Eyes (live) 3:40
2-12 radio interview 4:05


Saturday, 1 October 2022

"Pochonbo Electronic Ensemble (Vol. 2)-보천보전자악단 (제2집)" - (KMC / PEE-C-1002) - 1991

 


Having,unsurprisingly, failed to locate any North Korean Punk Rock,although some Hoaxer pretended to be Kims favourite Punk Rocker for a prank, there are zero punks and, of course,zero Gays in the PDRK.I did however, find a copy of this on Archive.org, The workers official pop orchestra, who sounds not too dissimilar to some unfinished electronic work found in a box at Joe Meeks flat/studio. Please humour me as to the factual accuracy of the info on these recordings which is a tad sketchy at best....and there are about 150 volumes of this stuff out there
Singer Yun Hye-yong was a woman beyond the reach even of North Korean dictator Kim Jong-il. Yun, the lead singer of Kim’s favorite band The Pochonbo Electronic Ensemble, was apparently brutally executed after she spurned Kim’s persistent advances and copped off with another bloke....The Pianist..When Kim's agents discovered their relationship by tapping her phone, Yun jumped from the roof of Mokran House, an official banquet hall, with her lover. Although the man died instantly, Kim ordered his men to kill Yun after resuscitating her by any means. She was eventually executed at the end of 2003, while still in coma.Another new low for humanity.
The disturbing  paragraph above is probably a bit light on facts, but somehow I think it probably isn't.The source being a dodgy defector with a book to promote. Tragic for Yun Hye-Yong,but entertaining for us freedom luvin' bastards in the Free world.....unless I've got that upside down as well?
The love of this musical group is absolutely mandatory in the Democratic Peoples Republic of (North) Korea,a bit like ABBA is here,so given the choice between watching or listening to this utter drek or execution, this ain't half bad .
It has that creepy state controlled vibe only equaled by the BBC's test card music of the 1960's1970's when Britain was virtually a communist state too....except with,debatably  'better' music. Although like in the DPRK, homosexuality was still illegal in Britain up to 1967;it just wasn't a capital offence anymore. It sometimes seems that but for the roll of a dice there go we (sounds like a rival Korean Dictator don't it?).Maybe this was the true subject matter of track 3 "Dear Brother is Arrested".........that can't be real can it???....or,to be really trendy, gender politics on track 8, "When I Bloom as a Girl".In fact the running order could have easily been mistaken for an album by The Clash.
It wouldn't surprise me if the powers that be in North Korea played this relaxing,but sinister, elevator muzak at mass execution rallies to wild applause.

Being the ultimate Nanny state,and a very stern Nanny at that, DIY is strictly frowned upon,so,like in the former Soviet Union,you aren't allowed to make and play your own music unless you can prove yourself qualified.....called,laughably,'Professional' status in the CCCP. Then you would be restricted to traditional Folk,classical or play in a weird muzak orchestra like the Pochonbo Electronic Ensemble.You could defect to the BBC if you don't mind being shot at I suppose.
So the phrase "Die or DIY?" is a deadly reality in the DPRK, so don't get any fancy ideas of you're North Korean.....not that they have access to the internet to be 'inspired' by the drivel I write,so they're safe....unlike you lot!

Tracklist:

1. Jong Il Peak, Shine 
2. Tondollari
3. Dear Brother Is Arrested
4. Farm's Young People
5. I Will Remain in the Motherland
6. The Village We Live
7. Song of Blessing
8. When I Bloom as a Girl
9. The Youth of the New Day
10. Spreading the Seed of Revolution
11. Young Engine Driver
12. Red Followers on the Beach of the South Sea


Tuesday, 26 April 2022

Badgewearer – "F.T.Q." (Gruff Wit Records – GRUFF 0006) 1991



 As much as I was oblivious during the 1990's, there did seem to have been a limited rise in interest in noisy avant-math rock types with their feet dangling in the limpid pools of both the Magic Band and Jesus Lizard camps....in Scotland?  Up until Brit-pop,the 90's were one endless party, unless you like Grunge culture,so didn't really have time to listen to a lot of this stuff,when just owning a new wave of Jazz record made me instantly allurable to the fairer sex in those happy pre-consent form carrying days.A Badgewearer album wouldn't cut the mustard. I suppose Post-Rock was the 90's too wasn't it? That was a largely interesting way to nurse a hangover,and a toll-free highway back to the music that started all this...Progressive Rock.
In many ways this math-punk noise was indeed progressive Punk Rock that, in hindsight, would have been rather popular in my household were it not for the many distractions on offer.
Badgewearer was another production job by former Stretchhead 'Richie',and it certainly has a few reference points that hark all the way back to the C-86 era,with its high-speed plectrum blur guitar attak a la Wedding Present, bIG fLAME etc,and admirably disjointed like a Glaswegian Shrub(s).
Dunno what F.T.Q. means,but i'm guessing ,'Fuck The Queen',which would have appealed thirty years ago,but now the Queen's a nice little old lady, who could possibly dislike her? If you do you're a T.F.A......see next post. As,The Queen is the rightful heir to the Russian Throne,maybe 'Fuck Putin' is more appropriate? Sever the head of the snake and replace the poisonous dwarf,built up heels and all, with good Queen Liz?
Oh Yeah,this record has a song called "Rod Stewart's Penis"....i bet the plastic Scotsman himself never needed a consent form?...oops, a little bit of sick just appeared in my throat!

Tracklist:

A1 Inflexible Expendable
A2 N'Alien Head
A3 Too Much Soap
A4 We Want Your Name
A5 Moneylenders/Cumbernauld
A6 Impersonal Stereo
A7 Karioke Casualty
B1 Aftershock
B2 Woollenhead And Ears
B3 Static
B4 Rod Stewart's Penis
B5 Syndex
B6 Satellite Dish
B7 Liquid Cosh


Sunday, 24 April 2022

Dawson – "How To Follow So That Others Will Willingly Lead (Oh My Godley And Creme Cheese)" (Gruff Wit Records – GRUFF 005) 1991

Another crazy as a deep fried mars bar in a box of frogs groop,again from Scotland,and,containing a former Drummer of Stretchheads,is the unforgettably named, 'Dawson'.A derived from various band members' art teacher,who happened to be called...'Dawson'.And there was me hoping they were named after the great Lez Dawson...knickers,knackers,knockers missus!
For those who give a shit....in other words,if you;'re Scottish,they hale,or Hail,from...yeah that's right, Glasgow (pronounced Glaz Go)...or as Joe Biden says it, Glazz ,Gow as in Cow.
Plenty fractured chord sequences and obvious Beefheart influences here kemosabi ...think God is my Co-Pilot,The Shrubs, and Stretchheads with their amplifiers turned off.....very clever they seem to be...falling just short of too clever by 'arf.
Wasn't 1991 the year 'Punk' Broke in USA?...so we had to endure all these,as far as I could determine,heavy Rock groops from Seattle polluting our sceptered Isle with long greasy hair,checked shirts,and lots of quiet then noisy,then quiet,then Loud and so-on, rock songs,as if The Pixies had never existed. Once an ex-acquaintance boasted to me that he'd seen The Pixies six times; I said i could out do him on that one,as i've seen this band who looked like the cast of the Office,or more likely from a real Office, who'd formed a weekend Rock Group precisely ZERO times,and had no plans to change that.
But,the new wave of Punk had been hatched,and spawned a legion of white middle class nerds all claiming to have seen Nirvana when they were the support for Tad. Now if Tad were the only grunge band that existed.I'd be cool with that.....they were basically how Heavy Metal should sound but without the black trousers, topped off by Trucker Caps with plenty meat manufacturer logo's adorning their fashionable, for 1991,Pedophile Trucker chic.Yeah Tad were good.
There were NO British grunge bands (i'm proud to say),except, apparently some big in America token Brits,called 'Bush'.....never heard them I'm pleased to admit.
Alas, wot the British Isles did have,apart from 50 million 'mad for it' Ravers,were a few traditional rock instrument wielding loonies, who made something like the east coast USA style avant-punk,such as God Is My Co-Pilot,and....er...God Is My Co-Pilot?....can I say it again?...or something Japanesie,such as The Boredoms.
Indeed, off-kilter rhythms,fucked up chords,wayward time signatures,nutzoid singing,silly song titles,... you know, Prog Rock by any other words.Why do you think Godley and Creme get a mention?

Glorious Side:

A1 From Bearsden To Baghdad (Via The Erskine Bridge)
A2 Leaf Sweepers And Sandwich Men
A3 Surface Tension
A4 Crick
A5 Records
A6 Booger Hall
A7 George Bush's Family Oil Business (Sanitized Version)

Heavenly Side:

B1 Bodies Under The Floor
B2 Pwep Dub
B3 Barb
B4 Datsun Panel Beating Co.
B5 The Chairman Of British Gas Graciously Accepts His £150,000 Pay Rise (BPM 58-75)

DOWNLOAD so that others may follow HERE!

Sunday, 7 February 2021

Various Artists – "Tokyo Flashback" (P.S.F. Records – PSFD-12) 1991


 
The original Tokyo Psychedelic noise sampler,or volume 1, which features several bands who would appear on most of the follow up Tokyo Flashback volumes to come. The usual suspects are there again, and, as always, Keiji Haino appears twice,solo and as part of Fushitsusha. Which doesn't help the westerners' misconception that there weren't many Japanese bands in Japan.The flood started here in a vane attempt to save us all from Grunge.

Tracklist:

1 Marble Sheep & The Run-Down Sun's Children– 22 February.1991 8:21
2 High-Rise – Mainliner 10:24
3 Ghost – Tama Yura 10:13
4 Fushitsusha–  Omae kotchi 10:17
5 White Heaven– Blind Promise (Alternate Take) 4:53
6 Verzerk– Heavy 7:12
7 Kousokuya – The End Of The Dawn 7:38
8 Keiji Haino – Just Now 8:37

Wednesday, 8 April 2020

Ivor Cutler - "Cutler The Lax" (BBC Radio Drama) 1991


Ivor also did several Radio plays,drama's ,sketch shows, whatever you want to call this unclassifiable stuff, for the venerable BBC. 
I like how he's labelled 'the Legendary Scottish Surrealist' by the Beeb drama department; which is of course accurate. If Salvador Dali gets to be called a surrealist, then so is Ivor.Either that or they are both comedians. After all, Dali described The Marx Brothers as "Perfect Surrealists"....or something like that anyway.
One man's absurdist is another man's Surrealist is another man's comedian.

Tracklist:

1.Episode 1 : Legendary Scottish surrealist Ivor Cutler provides disappointment for cavemen and a cheap alternative to liquor.
2.Episode 2 :Legendary Scottish surrealist Ivor Cutler discovers ancient Egyptian music and what the Dutch think of British pubs.
3.Episode 3 :Legendary Scottish surrealist Ivor Cutler samples the archives and enjoys some Marabut music and a jolly Japanese ditty

DOWNLOAD and don't be lax HERE!

Monday, 6 April 2020

Ivor Cutler - "Peel Sessions 1987-1997" (a DIE or DIY? Compilation)


As Doctor McBrazil-Nuts said to Missus Big Buttons, "take your clothes off and lay on the trolley, then take my temperature!...What does the thermometer say?"
"Made In Venice" says Missus Big-Buttons.
"Receptionist is there anyone else in the waiting room?
"Just Mister Big-Buttons" replied the Receptionist.
If that doesn't contain all you need to know about the Coronavirus #19 crisis then there's a cure for coronavirus HCoV-229E, aka the common cold......for which, after centuries of trying,is still incurable.So the likelihood of a vaccine appearing like magic early next year is pretty un-likely, I'm sure you'd agree.
Very few literary works make complete sense of the world like the work,if you call it work, of Ivor Cutler. Philosophers like Nietzsche thought themselves into blind corners and early graves to work out what the fuck is going on,and still found no answer. Cutler manages this in one short couplet.....there is no sense to existence,and like the abrupt endings to many of his poems, there is only silence. But at least we can laugh at it all while we still can.It's only as bleak as you make it,nothing you do is gonna change anything. Get reday for living with the Virus, like humanity has done for millenia. For want of a better phrase that isn't emblazened on every mug on the planet; "Keep Calm and Carry On".....for fucks sake!? "Language is a Virus",said the American version of Ivor Cutler, William S. Burroughs.

Tracklist:

1. A Romantic Man 09/06/1987
2. The Shapely Balloon 09/06/1987
3. The Clever Night Doctor 09/06/1987
4. The Aggressive Onion Vendor 09/06/1987
5. Me And My Kid Brother 09/06/1987
6. The Perambulating Scottish Colander 09/06/1987
7. A Wag At The Flicks 09/06/1987
8. Glasgow Dreamer ep 11 (Andy Kershaw 21/05/87)
9. Glasgow Dreamer: Episode 8 09/05/1991
10.Beside the Fish 09/05/1991
11.Footsteps 09/05/1991
12.Green Light 09/05/1991
13.The 2 Coy Hinnies 09/05/1991
14.Seaweed 09/05/1991
15.Insect 09/05/1991
16.Glasgow Dreamer: Episode 6 09/05/1991
17.Biltong Croon 09/05/1991
18.A Long Hard Gland 09/05/1991
19.Hee Haw 09/05/1991
20.Doing The Bathroom (Episode 1) 25/11/1992
21.The Lid 25/11/1992
22.25,000 Miles 25/11/1992
23.Part Of The Ground 25/11/1992
24.Between Two Walls 25/11/1992
25.Your Side 25/11/1992
26.Pschawa 25/11/1992
27.Ros Vulgaris 25/11/1992
28.A Dale Song 25/11/1992
29.Two Paracetamol 25/11/1992
30.Doing The Bathroom (Episode 2) 25/11/1992
31.What Have You Got? (1997)
32.Ruby (1997)
33.Open Your Arms (1997)
34.Jam (1997)
35.Ingredients (1997)

DOWNLOAD because ivor got no more HERE!

Saturday, 4 April 2020

Vivian Stanshall - " The Rawlinson End Peel Sessions (1975-1991)" (Bootleg)


Not had enough of the saga of Rawlinson end yet? Well here's another three and three quater hours of this lysergic aristocratic soap opera.There's a refreshing lack of political correctness,plenty of references to 'Jungle Bunnies' and 'sambo',made(especially in the film version one noticed),historically correctly I may add, by Sir Henry.Like a hybrid of 'Downton Abbey' and 'Love Thy Neighbour'* on Blue Sunshine.
I love the casual anti-semetism of 'Christmas at Rawlinson End part one' otherwise entitled "Cannabalism at the Syna-gogo...or 'you can have your Kike and eat it". Which is as 'English as Tuppence'.
If broadcast today Vivian's classic work would have been redacted into obilvion. Like I think most of Enid Blytons work has been.We can't forget that these attitudes existed,and revise the history of the British Empire,even though it is now generally portrayed as an evil exercise in conquest,murder and theft.
Sir Henry at Rawlinson end, although a surreal comedy in essence,more accurately portrays the character of pre-war England than any history book.For me,this,contrarily speaking,is a piece of classic,but funny, Non-Fiction,like the Bible is a classic piece of hilariously unlikely Fiction.
And don't forget no-one was more exploited by the British Empire and its class system than the English themselves.Like Germans under the Nazi Regime.
The biggest crime of the British,French and German Empires was sending millions of innocent English, Germans and French to certain death in the, so-called, 'Great War'!..to defend the gentlemens honor of the opposing empires,and protect the vast riches of the top 0.25%.An un acknowledged and unpunished Genocide.
But you've gotta laugh ain't cha? There's also a great charm about English life, that is also greatly evident in this fantastic, endless monologue.It does make one nostalgic for the olden daze,while at the same time glad you didn't live in them. 

Sorry to associate this superior work of english literature, worthy of P.G.Woodhouse himself, with grubby racism issues,but i gotta write about something ain't I....if you want a more straight forward analysis,google it......after all I have been labelled as a 'Racist' so i better not disappoint the clueless finger pointers that plague progress.Maybe Covid will do for them...please!

(*)a controversial British,allegedly 'Racist' TV sit-com that is now banned...but not on YouTube I may add. As far as i'm concerned, as unfunny as it is, its an accurate recreation of real life in 1975,and brought these issues out in the open.All the black actors in it agree...there were millions of 'Eddies' in the seventies...now they exist only in their handfulls.There will be nay-sayers of course, but it has changed enormously since then...although there are some who want to keep it alive on both sides of the racial tightrope.


Tracklist:

1-5  Aunt Florrie Remembers (27/10/75)
6-9 Christmas At Rawlinson End (22+23+24+26/12/1975)
10-13 An Absence Of Whelks (6/4/77)
14  Spades, Balls and Sausage Trees (23/05/77)
15  The Roads To Unreason (19/12/77)
16  The Hapless Hubert (The Fall Of Felt Hats)(05/04/78)
17  Cabbage Looking In Mufti (25/07/78)
18  Gooseflesh Steps (24/12/79)
19  The crackpot at the end of the rainbow (18/04/88)
20  The Eating at Rawlinson End (23/11/88)
21  Cackling Gas Capers (aka The Thing at Rawlinson End)(21/09/91)

DOWNLOAD the crackpot from the end of the rainbow HERE!

Wednesday, 6 November 2019

Various Artists - "Soviet Synth Wave Vol. 3" (2019)


Having lived my young adulthood throughout the 1980's, and am now listening to the pain that my compatriots in the Soviet Union had to endure behind that silly ol' Iron Curtain thingy, I can now fully appreciate how fucking WEIRD pop music was between 1983 and 1989.
Of course at the time I hated all this shit,and could look down on it all because I liked Coil,Einsturzende Neubauten and The Birthday Party,....what a twat was I?
Secretly to myself, I thought that a Flock of Seagulls, Classix Nouveaux, Japan, Simple Minds and the like were rather marvellous. All this stuff sounded even more ridiculous in the 90's when 'real' drummers made a come back,and guitars were played properly again......how fucking boring was that shit? Especially that ridiculous Brit-Pop torture.
Well, you know how kids start listening to music via their parents record collections?.....it was jaw dropping to hear teenagers playing 80's Futurist pop in the early 2000's. It all goes round in circles they say....well they're correct....whoever 'they' are,but 'they' are apparently genius's.,or geni?
Like Punk never happened 'They' said, but this stuff was a direct result of the 'Punk' ethic.....in other words it was 'Punk',but weirder.
Amid the massive gated snares, Simmons electronic kits, digital synthesis,cavernous reverbs,warbley vocals and fretless basses lay something beyond normal comprehension,something genuinely weird....how did it come to this.How did Kajagoogoo happen?
Luckily for any English speaker,listening to this Soviet Wave stuff,the truly terrible lyrics that came with the package are incomprehensible.Something that made the Western Futurists harder to listen to or take seriously.
Simon Le Bon being the new romantic laureat of terrible poetry......"You're just about as easy as a Nuclear War" said the Bard of Brum.
Its no coincidence that Duran Duran were formed not too far from the birthplace of William Shakespeare, the worlds most famous West Midlander,followed by the next most famous West midlanders,Duran Duran;just pipping Black Sabbath,Slade,and half of Led Zeppelin for second place.
Yep,prepare yourself, Duran's debut album was a truly great record!?

Tracklisting:

01.
Rock-September "Discorobot"(1982)
02.
The Time Machine "He was one of the first"(1983)
03.
The doctor "The moon in the sky..." (1985)
04.
The airport "To stay children"(1984)
05.
Activity zone "I fly like a fireball" (1986)
06.
The Model "Again 25"(1987)
07.
Edward Artemiev "Picture No. 7"(1978)
08.
Ubermannequin "Nightporter"(1987)
09.
Michail Muromov "The Earth will return in May"(1985)
10.
Dynamic "The light of your windows"(1984)
11.
Rondo "Ring off"(1986)
12.
Igor Talkov "Lifebelt"(1989)
13.
The class "Great!" (1989)
14.
Boris Deart "Ecology" (1991)

Friday, 12 October 2018

Various Artists ‎– "I Hear The Devil Calling Me(an Xpressway Sampler)" (Drag City ‎– DC008) 1991



12 one minute length sorties in the traditional Lo-Fi New Zealand Avant Rock genre, provided by the usual suspects from everyones second favourite musical island (the other being Japan......ok maybe the |UK too?).
Of the new (in 1991) acts on here, Cyclops and The Queen Meanie Puss made my ears tingle more than the others.

DOWNLOAD from devils island HERE!

Friday, 5 October 2018

Gate ‎– "Metric" (Precious Metal ‎– PM10) 1991



More lo-fi guitar fuck-uppery from Michael Morley of The Dead C.
Parts of this sounds like an amped up Jandek if he was 'cool'.
Fizzing fried amplifier transistors rasp and burp at the behest of the main guitar abuser  from the 'C'.
It in fact sounds like his main group but without the other two, but thats what this is...isn't it?
The object of the 'Solo' record is to do something different to your principle project, so this is only 'Solo' because the rest of the band aren't on it.

Tracklist:
A1 Openingmyarms
A2 Hope
A3 Callconstellations
A4 Forcedsight
B1 Yourface
B2 Selfhate
B3 Freedomchild
B4 Evidence


Wednesday, 28 February 2018

C.C.C.C. - "Reflexive Universe" (Vanilla Records ) 1991



The core line up of this Japnoise duo/band consisted of Hiroshi Hasegawa(late of the bands Astro & Mortal Vision) and former porn actress Mayuko Hino.
Naughty nymphet Hino would occasionally reprise this saucy element of her past into her performances by engaging in such acts as onstage striptease(Oooooh I say!?). Another less engaging feature of their live shows was the plastic bags of freshly excreted Piss that were thrown into the audience.Wish I was there....Not!
Aesthetically, Mayuko Hino advocated a very emotive and cathartic approach to the noise as opposed to the conceptual and intellectual approaches advocated by many other (predominantly 'Male')acts in the Power Electronics sub-genre. Typically a female approach,Mayuko Hino believes that an emotional, rather than an intellectual, approach to noise not only creates more interesting sounds, but reveals much more about the artist......an approach I rather agree with,although the intellectual approach I also find rather cathartic, personally. The human element is essential if this noise onslaught is not to become distant and and inhuman....and, I reiterate, Boring!

Well, now you can listen to the live improvised noise experience of C.C.C.C. without the prospect of being hit in the kisser with a bag of warm piss by downloading this single sided C-45 of the 4 C's in aktion.......but by the end of 24 minutes of constant electronic fuzz you'll be begging to be drenched in any former porn actresses piss, as long as most of it goes in your ears to dampen (see what I did?) this,as far as i can hear, un-emotional barrage of white noise,and/or Japnoise.

Tracklist:

Side A - Untitled (24:04)

Wednesday, 12 April 2017

Naked City ‎– "Torture Garden" (Earache ‎– mosh 28) 1991


Jazzers, in general,aren't the most open minded of musicians, and do tend towards some rather unpleasant displays of intellectual snobbery......as we all do in different levels; I myself have been guilty of this Darwinian concept.......I do however reserve the right to call stuff like most Hip Hop, modern R &B,Boy Band Pop, and U2, Shit, both intellectually and morally.
John Zorn seems to be from the open end of the Jazz spectrum, along with Joey Baron(drums),and Bill Frisell (gtr),who seem to dispel the myth that Jazzers can't play metal.
(That said, Zorn was witnessed patronising an audience in my home town of Leicester on the Naked City Tour, by suggesting that such a provincial audience would prefer it if he played some Be-Bop; which he promptly did, and followed it up with some sneering comment afterwards.....prick!..i'll have him know that Napalm Death,the group he copied, also came from such provincial places as this, in fact just 20 miles down the road near Coventry...nobodies perfect i suppose?)
The jazz trendies are joined by proper people, Fred Frith,late of 'Henry Cow'on bass, and Yamatsuka Eye from the Boredoms, to provide some very daft vocals.
Whatever the Intellectual genius that John Zorn thinks he is, this style of music was shamelessly ripped off from brummy grindcore legends Napalm Death, with added alto sax, and musicianly polish.
The lower Manhattan art set are probably blissfully unaware of this, and would no doubt be heavily traumatised to discover such an unpleasant fact.
This album collects together all the wildest Naked City moments onto one twelve incher, and is an utterly superb avalanche of madness.....in sustained short spurts of machine gun fire.

Tracklist:

Sado Side
A1 Blood Is Thin 1:00
A2 Demon Sanctuary 0:38
A3 Thrash Jazz Assassin 0:45
A4 Dead Spot 0:31
A5 Bonehead 0:51
A6 Speedball 0:37
A7 Blood Duster 0:13
A8 Pile Driver 0:33
A9 Shangkuan Ling-Feng 1:14
A10 Numbskull 0:29
A11 Perfume Of A Critic's Burning Flesh 0:24
A12 Jazz Snob Eat Shit 0:24
A13 The Prestidigitator 0:43
A14 No Reason To Believe 0:26
A15 Hellraiser 0:39
A16 Torture Garden 0:35
A17 Slan 0:23
A18 Hammerhead 0:08
A19 The Ways Of Pain 0:31
A20 The Noose 0:10
A21 Sack Of Shit 0:43


Maso Side
B1 Blunt Instrument 0:53
B2 Osaka Bondage 1:14
B3 Igneous Ejaculation 0:20
B4 Shallow Grave 0:40
B5 Ujaku 0:27
B6 Kaoru 0:50
B7 Dead Dread 0:45
B8 Billy Liar 0:10
B9 Victims Of Torture 0:22
B10 Speedfreaks 0:29
B11 New Jersey Scum Swamp 0:41
B12 S & M Sniper 0:14
B13 Pigfucker 0:23
B14 Cairo Chop Shop 0:22
B15 Fuck The Facts 0:11
B16 Obeah Man 0:17
B17 Facelifter 0:34
B18 N.Y. Flat Top Box 0:43
B19 Whiplash 0:19
B20 The Blade 0:36
B21 Gob Of Spit 0:18

Sunday, 9 April 2017

Pain Killer ‎– "Guts Of A Virgin" (Earache ‎– MOSH 45) 1991


The gore-fest continues with this unlikely combination of Grindcore and Avant Garde Jazz, that gave birth to the sub-genre of,yes, 'Jazzcore'!?
Excellent paint stripping stuff it is too.
Lower Manhattan jazz-bo trendies, John Zorn and Bill Laswell heard Napalm Death, and like envious children wanted to have a go themselves. So the best place to start was to poach Napalm Deaths drummer and lead screamer, Mick Harris, and release it on Earache Records.
A bludgeoning napalm attack on the senses if ever there was one.Zorn's treated sax caterwauling is nothing short of being on the receiving end of a flame thrower whilst cornered in a concrete bunker.
Could be the best release on Earache by a country mile?
It also contravened the laughable 'Obscene Publications Act' for the cover, and was subsequently banned, and replaced with an edited facial shot of the sliced up female in question.
No such censorship is allowed on here however.

Tracklist:

1 Scud Attack 3:07
2 Deadly Obstacle Collage 0:21
3 Damage To The Mask 2:43
4 Guts Of A Virgin 1:19
5 Handjob 0:10
6 Portent 4:00
7 Hostage 2:24
8 Lathe Of God 0:56
9 Dr. Phibes 3:00
10 Purgatory Of Fiery Vulvas 0:26
11 Warhead 1:12
12 Devil's Eye 4:37


Monday, 27 February 2017

The Noseflutes ‎– "Mellow Throated" (Rictus Recordings ‎– REAP 002) 1991

The Noseflutes did eventually succumb to a disinterested world and go their separate ways after their 1991 swansong "Mellow Throated".
Yet another high quality collection of off-kilter experimental alternative Pop tunes, for listeners with more than half a brain. And to think they were once called 'Extroverts In a Vacuum' and 'Shitstormer' among other rejected monikers.......both better than The Noseflutes I suggest,but..hey....a much missed group of individuals whatever they called themselves.

Tracklist:

A1 Mellow Throated
A2 Ossified
A3 Give Me The Keys
A4 Lurkin' In The Jerkin
A5 Dappled Offspring
A6 Oven Of Arson
B1 Farrago
B2 Gum Goddess
B3 Pressed Fur
B4 Much Decorated
B5 The Soiler