Die Trip Computer Die - "Flowerball" (Self- Released Cd-r) 2000

Yet another unreleased samplerdelic musique concrete underground classic from Whelton and the lads.Up to their usual standards of 'out-there-ness'.Its so obscure i'm not sure the band know of its existence. Therfore it qualifies under the famed N.Senada's (see 'Not Available' by The Residents) 'Theory of Obscurity' dogma as now releasable.

Tracklist:

01 System of the Tortured
02 Gestations
03 A Bad Idea
04 In Bed With 1000 Priests
05 Seductive Song of War
06 Messrs Smirkett & Bloat
07 Fink Drummer
08 Chief-Inspector Kickback
09 Contains Psychological
10 Goodbye Again
11 Every 'Why' Is A 'How'
12 The Naked Statue
13 Roll, Frankie Roll
14 A Short Film About Gas
15 Flowerball

DOWNLOAD a bouquet of freaky flowers HERE!

Die Trip Computer Die - "Abyss" (self-released CD-r) 2004

Apparently there's about 17 'Die Trip Computer Die' CD-r's doing the rounds from around the turn of the millennium. This is one that has escaped total obscurity to tickle your lug holes and stimulate your hypothalamus.
This one is very much more Post-Club, plunderphonic samplerdelic mindfuckery. Like Trip-hop fed trough a sausage making machine with added spice in place of the pure cubes of unpalatable fat. There's nothing I'd enjoy more than feeding Tricky or Massive Attack through a mincer, and selling them back to the 'hip' ganja toking clubbing clique as tastless sausages.Smoke this sausage if you dare?
DTCD, do dance culture deconstruction effortlessly,mixing it up as a nice fluffy omelet to compliment your Trippy Tricky sausage.

Tracklist:

1-18 Untitled

DOWNLOAD into the abyss HERE!

Die Trip Computer Die - "Shorter Circuits Vol.1" (Self-Released CD-r) 2001

More plundered madness from underneath the underground,and beyond beyond obscurity.Probably recorded 'Live' around 2001,there is little or no information available on these non-releases.
This is another of these privately distributed CD-r's, by noise decomposer/ video artist Lepke Buchwater (Milk from Cheltenham) with Xentos 'Fray' Bentos (also known as L. Voag, Pete the Drummer, Dr. Shagnasty and 'Bubbles' in the Beyoncé fan club, formerly of The Homosexuals) and Ted Barrow. inventor of various ur-instruments, most notably 'The Baxtertron' which was an electronic 'black box' constructed inside a recently vacated Ferrero Rocher box.
Thrill to the turgid layers of circuit bending overlaying blatantly ripped off music loopage processed to appeal to the unsuspecting post-clubber in the chill-out room, to worm its way into the befuddled brane of Mr and Mrs Henry normal,and other tattooed Chavs and chavettes.
This abstract reorganisation of popular culture into something deeply unpopular, is subversion of the highest quality, by persons who seem to have zero interest in the cult of personality, or an ego.This is to be roundly applauded......not that they'd be interested in receiving applause;one would guess they would view that as failure. 

Tracklist:

1. Summer Evilings
2. Party Rally Anthem
3. Bloodmilch
4. the Rusting Of Techno Cop
5. Anti-Fugue(Theme of the Horn Rimmed Ones)
6. The Samantha Cycle Part IV
7. Ants...
8. Buchwater-Agnet of F.E.A.R.

DOWNLOAD some fried circuits HERE!

Die Trip Computer Die - "All Shag Ringo" (Self-released CD-r) 2004

In the grand tradition of Die Computer Trip Die,I've plundered a recycled review of this great ,very privately released record in a language I can't understand, by a member of the public on some forgotten web-site., somewhere out there; and Die Trip Computer Die are certainly very 'out there'; as deliberately obscurely as anybody has ever been.......to sell-out a little, i can reveal that this is distantly Homosexuals related, so you now know that its very good indeed......if a trifle smart-arse,but the 'Good' kind of smart-arse.
Take it away Fabio R.......:

"Enigmatica, intricata, colossale trilogia sperimentale di mai immessa in commercio quella di Die Trip Computer Die, in tre torrenziali satelliti ‘stream of consciousness’:All Shag Ringo, ottenuti tessendo con pazienza, perizia, intrigo ed estro casalingo, un’infinità di suoni e visioni, forme dinamiche e scarti di lavorazione.
Si ottiene un ‘monstre’ collage D.I.Y. in assoluta libertà strutturale, tra samplers, improvvisazioni, immersioni ambientali, decolli e frastorni psichedelici, rotte spaziali con onnipresenti lattiginosi filamenti di tastiera a tessere e palesare reami metafisici e visioni celesti. Tutto ciò è fatto ‘reagire’ con brandelli di suoni, sfigurate e terrificanti emissioni media, alieni-quotidiani dal richiamo mnemonico e d’effetto spiazzante. Si genera un rapporto conturbante e alquanto inaudito tra elementi sì disposti, dalle giunture truccate, di suggestive e arcane forme richiamate.
Incerta rimane la data di realizzazione, mancando qualsiasi menzione ad essa. Qualcuno menziona il 2002, ma questi montaggi potrebbero calarsi negli anni ’90, stanti indubbie comunanze con The Orb atterrati nella California dell’assurdo di LAFMS, o l’abilità collagista, fedeltà e immaginario, ardire e ardore tipici delle recenti, smaliziate generazioni di artisti elettronici." (Fabio R.)

I couldn't agree more Fabio......er.....what did you say again?

Tracklist:

1. All Shag Ringo

2. Untitled

3. I Was A Prisoner Of The Feedback king

4. Untitled

5. Loyal telly

6. Untitled

7. You Will Forget pain

8. Untitled

9. The Psilent Ones

DOWNLOAD to be well and truly shagged by ringo HERE!

Die Trip Computer Die - "Angry Dan Presents: Stop Killing Jelly Trousers" ( Altered States Tapes ‎– AST023) 2011

This is ,arguably, my favourite record of the 'teenies', though how one argues with oneself is worth an argument in itself.......with oneself? 
As i'm high on Volterol's anti-inflammatory magic blended with a swiftly imbibed (the past participale of 'Imbibe') pint of guiness,I will push the boat out and say, "This is a perfect record". It ticks all the boxes in my sad internet fantasyland. It's very funny, innovative to the max, challenging,intellectually stimulating, did I say 'Funny'?......well...all that lot and more.
Yes, there's a lot of Plunderphonia about this cassette, but it's not pretentious like Oswalds' version of the genre, and its shitloads more amusing than Negativland, which is natural because 'Die Trip Computer Die' are English, and Negativland are far too 'clever' for their own goods American types.Amos, aka Xentos Fray Bentos of DTCD, did, again, arguably, invent the genre after all,as L Voag back in '79? No wonder that 'Angry Dan' is livid!
Die Trip Computer Die, are ,of course, Jim Whelton, late of the Homosexuals, Lepke Buchwater (Milk From Cheltenham), and Ted Barrow.....dunno much about him,but he sounds like someone who would have ran a market stall who sold out of print soul cd's.

Here's what it  says on the Altered States website:

"Altered States is proud to plop out this latest steaming opus by the now-defunct, absurdist trio, Die Trip Computer Die. Made up of men who were at one stage or another involved in UK post-punk unit The Homosexuals, DTCD utilise various instruments, circuit-bent equipment and plundered sample loops to achieve lift-off. Most importantly they use their (collective) MIND in order to crumble YOURS. Angry Dan Presents: Stop Killing Jelly Trousers was recorded live in Pontins, Nijmegan during a holiday in 2002 with the verbal verbosity of au pair, Angry Dan mastering ceremonies. However, this recording information may be merely another red herring left in your letterbox by the Trippers. ADP: SKJT is a twice a year listen, but when you do bring yourself to press play, it ll tie your laces and poach your eggs. 60 copies, pro tapes, cover + insert by Myjyerljcle Stevrdjnen Lesteechskinz."

Tracklist:

Side A - (19:48)

Side B - (18:54)

DOWNLOAD the aNGER OF dAN here!

Amos & Lepke - "Modern shit will make you ill" (It's War Boys _ £21) 1984

As I recently acquired the sole missing piece of the "It's war Boys!" jigsaw, namely "Modern Shit Will Make you ill", aka, this tape......; and Amos (Jim Whelton) guested with The Work in Japan) and came from the same squatland scene as This Heat. I bring you this new chapter in the documentation of Amos/Its War Boys/Homosexuals recordings. Directly taken from the original Its War Boys catalog, here is one of the most obscure sonic works of the early 1980s, Modern Shit! First issued on tape (cat No. £21) this work circulated only privately among the close friends of the label and was never officially distributed. Actually, it represents one of the most intense and experimental outputs of this creative London squatland-garde period.
The idea was to create a contemporary 'Non-stop', vaguely in emulous contradiction to products by people like Cerrone and Biddulph (1970s disco queens- which in hindsight was probably even 'weirder' than this stuff?....it just lacked the sense of humour).
Lepke and Amos, the two minds behind this project (and 2/3 of the Milk from Cheltenham adventures), each constructed a half hour near-continuous non-stop collage using only the foulest materials.
In those days, they had their 8-track studio in a mouldy basement below Brixton Road, Sarf London and they happened to occasionally record some awful wannabe pop bands. It was a truly horrible experience for our heroes,but with a good side.
Almost as soon as the idiots left the studio, Lepke and Amos would start re-mixing their music, often stealing and sticking it (suitably mangled) onto new tracks, the basis material for "Modern Shit!"
Two pseudonymous British gentlemen lurk behind this Modern Shit. The first has used various vaguely absurd monikers over the years, including Amos, L. Voag, and Xentos “Fray” Bentos; the other has stuck with one improbable handle: Lepke Buchwater (no doubt meant to echo the name of legendary U.S. crime kingpin Lepke Buchalter). Currently, they comprise two-thirds of the excellent Die Trip Computer Die; in the late ’70s/early ’80s Amos was in the Homosexuals, the Just Measurers, Amos and Sara, and a host of other obscure bands, while Lepke was the brains behind the group Milk from Cheltenham.
Despite the fact that all these outfits produced wildly creative music, arguably some of the best from the post-punk era, chances are (with the possible the exception of the Homosexuals) you haven’t heard of any of them. In the case of most of these recordings, their low profile was due to a deliberate obscurantism stemming from a DIY/anti-capitalist rejection of the Music Business. As for the Modern Shit project, originally released in the early ’80s on Amos’s cassette label It’s War Boys, there was another reason for keeping things at an almost subterranean level. At the time, Amos and Lepke supported themselves by running a small recording studio, where they recorded all kinds of crappy local bands. As mentioned, after the bands had left, they would muck about with the session tapes—and a lot of that muckery/mockery found its way into this project.
Amos and Lepke’s plundered material got worked into two absurdist “mega-mixes” that were intended as a surrealistic parody of ’70s “non-stop” disco mixes produced by the likes of Cerrone (of Love in C Minor and Supernature fame). Each produced their own continuous half-hour mix, Amos’s appearing on the first side of the original cassette version (indexed as tracks 1 to 19), and Lepke’s on the flip (now tracks 20 to 37). 
Amos and Lepke worked with the same collection of resources, principally drum machines, keyboards, their own vocals, and all manner of “found” recordings—taken from records, TV, and the hapless local bands mentioned above (from whom they mostly lifted vocal tracks).
In terms of methodology, Amos’s mix bears less resemblance to an actual disco “non-stop” than Lepke’s, but it is nonetheless more impressive as a piece of music. In place of a disco’s steady rhythmic base, Amos uses recurring fragments or loops to create linkages between parts. (These bits and pieces can’t really be called “samples,” as it’s very unlikely either Amos or Lepke used samplers, which had barely been introduced at that point. Their dense collages were done the old-fashioned way, with tape manipulation, splicing, turntables, and loops.) Rhythmically, the last thing Amos lays down is a groove—rather, his rhythms are deliberately ridiculous and deranged. The mix’s wacked-out surrealism, however, is tempered by sections that are strangely beautiful, brooding, and mysterious. After a barrage of bizarrely collaged fragments, Amos’s side ends with a five-minute song that could almost seem normal if you weren’t really listening. A lifted vocal lead is rendered completely absurd through strange keyboard colourings and subtly off-kilter backing vocals.
Amos’s own lyrics (that is, when he himself is singing) are both comically ridiculous and somewhat menacing. They are also interrelated with the lyrics in Lepke’s mix: while nothing remotely like a coherent narrative emerges, both reference World War II, Nazis, and political repression.
Lepke’s mix is “funkier” than Amos’s—you can tap your foot to much of it, and an actual bona fide disco beat even crops up briefly. But it’s still a complete piss-take, and full of wildly demented humour.Hours of fun can be spent spotting the extracts form Holgar Czukay's 'Canaxis', and identifying snippets of Pierre Henri's musique concrete oeuvre.
The work these two produced,predates and will appeal to fans of the plunderphonic/cut-up work produced by Nurse with Wound, John Oswald, Stock, Hausen & Walkman, and People Like Us.But remember ,they got there first.

Tracklist:

(1-37) Modern Shit Will Make You Ill

DOWNLOAD this vintage shit HERE!

Die Trip Computer Die! - " Sibling Family Research." (Its War Boys? Cassette 1995-ish)

Various ex-homosexuals(the famous DIY band not those of a certain sexuality I might add) formed a trio called "Die Trip Computer Die!" in the mid-1990's,led by noise decomposer/ video artist Lepke Buchwater (Milk from Cheltenham) with Xentos 'Fray' Bentos (also known as Pete the Drummer, Dr. Shagnasty and 'Bubbles' in the Beyonce fan club) and Ted Barrow. inventor of various ur-instruments, most notably 'The Baxtertron' which was an electronic 'black box' constructed inside a recently vacated Ferrero Rocher box.
This was released well before any of their more famous cd's on the Alcahol label,and was apparently one of many,so I don't know much about it,except that it is beamed from outer space magnificence on a c-60.
The sound is a sectioned version of Plunderphonics, sampling snatches of elevator muzak,and layering it against dodgy glitches and curcuit bending. There definately lurks a sense of humour,inherent in all homosexuals related material, it even sounds ominously like mid period residents on some tracks ("Dat Wuz Da Beat Dat Bwoke Mah Heart")

Track Listing:
1. Mr Basin
2. Sibling Family Research
3. XXentos Peeps The Septick Veil
4. Russian Roulette Complaints Dept
5. Dat Wuz Da Beat Dat Bwoke Mah Heart.Mp3
6. Fragtime (circa 1908)
7.The Beguiled Bells Of St. Trinians
8. Techno Cop
9. Throught The Talking Ship
10.Assassin 9.
11.Skin, Still The Best Dressing
12.Those Crazy, Fazy, Basie Days Of Trad
13.The Haunted Dolly Bird Boutique
14.Frying Baby Newton's B..B..Brains

DOWNLOAD THIS OBSCURE CLASSIC HERE!