Sunday, 8 October 2023

Jandek – "Brooklyn Sunday" (Corwood Industries – CORWOOD 0859) 2023


Heeeeeeres Jonny!....on a crusade for truth justice and the unamerican way.....and a quest to make unpopularity popular again.
All that, played out to a soundtrack of atonal improvisation by the unpopularly popular JANDEK.....he knows she didn't do it,come and SIGN THE PETITION,before you read the facts,and wallow in the acidic bath of becoming ripe Troll bait.Satisfied in knowing you done good,perched on the right side of History.

There seems to be an actual theme to this recording,again from 2009,but featuring outsider Pedal Steel Guitar, Susan Alcorn.
It seems to be about a miscarriage of justice leading to execution,and eternal punishment.
Jandeks Harmonica and Alcorn's Steel Guitar seems to suggest the regular abuse of justice carried out in the old Wild West.
Of course this doesn't happen today does it?With all that technology ,foolproof scientific tests,and statistics? Nah!
That said I've got a bee in my bonnet about something......

Wasn't there a Nurse from the wild north west of England who was convicted purely on the strength of flawed statistics, and easily contested circumstantial evidence that her state funded defense team hardly bothered to contest? The stats said she was there every-time a very ill premature baby died,statisticians have shown it more to be a case of fitting the statistics to the person rather than,a person to the stats....They died of what, they never really established,despite The Coroner having already ruled the deaths as natural causes. There wasn't even a proven crime committed.But, oh no,like some people still refuse to recognise that Elvis could have died from natural causes, it seems that there are plenty more would don't believe a sick baby could die without being murdered.
Of course I am referring to the Lucy Letby case,who, along with other such cases involving health workers,has been stitched up like a kipper and thrown under the bus to save the NHS's blushes.
I mean,J.H. Christ, where do you want me to start!? The apparent ease in which the Police can change a cause of death from natural causes to Murder is deeply troubling,coupled with a trial that didn't seem to feel the need to present the science that explained why these very ill babies died,the Plumber the joke of a defense team called,tried his best;but he explained that the ward was rife with the permanent presence of pathogens and virus's,leaving the infants exposed to killer conditions like Sepsis.....in fact Lucy even complained on 17 occasions about the conditions....strange behavior for a murderer me thinks.
Lucy did overtime,so she must have murdered them because she was in love with a handsome Doctor. Such was the blatant misogyny in all areas of this case that this was put forward as the only desperate excuse for a motive ever heard in a British Court!? Yeah, that's right, she murdered babies to gain admiring glances from this dashing blade from the senior Doctors department.

The case against Lucy Letby has often been referred to by those of us who have looked closely at the evidence as a 'witch hunt', a crime that particularly impacted women,
When "Expert for Hire" Dr Dewi Evans was questioned about Lucy's possible motives, he gives Lucy's status as a "single woman"(?) in her late twenties and alleged 'infatuation' with Dr A as a grounds for suspicion, this after he mentions earlier in the interview that he remained single into the beginning of his career as a consultant. He considers himself career focused while she is suspicious.
I'm not sure how useful this comment is in terms of appeal, especially because flagrant sexism seems to be ignored or taken as a normal worldview especially in older members of the population, but in Dr Evans case I can't help wondering if evidence pointed to an unmarried, 'career- focused' doctor, his finding might have been a bit better informed?

But the Public are angry...yes the Fucking Public again,are foaming at the mouth like rabid Baboons,baying for blood,and revenge, like a 17th century Wytch trial.If you drown you're innocent, if you don't we'll hang you.

Jandek would have been burnt as a witch if he was around Salem back then.....maybe today he would just get away with a sound beating from a drunken Mob of Morons, or maybe not.Humans are dangerous.


Lucy Letby was convicted and sentenced to spend the rest of her life in jail for murdering seven babies and attempting to murder six others. She is facing retrial for one further attempted murder charge. On five other counts of attempted murder the jury could not reach a consensus. She has consistently maintained her innocence and some close friends and colleagues have supported her. No motives for the killings were ever put forward,except that she wanted to impress a Doctor she fancied. She was convicted almost entirely on circumstantial evidence from "expert" witnesses, who were often testifying on subjects outside their expertise. In particular, medical doctors were testifying about areas of medicine for which they were not specialists, or presenting their conclusions as "scientific", without applying correct scientific methods. As a result the evidence on which she was convicted was flawed and partial, and other likely explanations for the deaths, such as hospital infections, were not presented to the jury as part of the expert evidence. Flawed evidence was allowed to pass unchallenged in the court, or accepted as "uncontested fact" by the defense, who appear to have been out of their depth with the medical complexity of the case. Incredibly, given the nature of the evidence against her, no expert witnesses were called to testify on Lucy's behalf. This is a summary of some of the worst errors, identified by experts in their fields who able to be part of the proceedings. There are links to more detailed information available on the Science on Trial website. All this evidence was presented to the defense team during the trial, but,inexplicably, none of it was used or put before the jury?!


Lucy Letby was found guilty of killing six babies by injecting them with air. Again this was not from evidence gathered at the time. The post mortems recorded natural causes of death. Instead the prosecution relied on expert evidence from a retired pediatrician Dr Evans) through an investigation carried out several years later. The correct procedure for establishing death through air embolism should be a particular postmortem technique. But this was not done. The next best would have been a CT scan. But again this was never done. Instead the cause of death was inferred from X-rays taken before the babies died along with analysis taken from a study carried out in 1989 during the early days of ventilating preterm babies. The study used is entirely inapplicable as it examined babies with lungs damaged from high pressure oxygen, which is very different from injecting air. The expert witness in the case was not a pathologist or forensic scientist, and did not follow the correct methods for determining the cause of death, which could only have been done to any degree of certainty, through a comprehensive post mortem.


There were two babies Lucy was convicted of attempting to murder by injecting insulin. These cases were presented as "the smoking gun" which showed there was a spate of murders in the unit, rather than the more logical explanation of an uncontrolled series of infections. In the notes of these two babies investigators found (a couple of years after the event) entries of very high levels of insulin and very low levels of C-Peptide. An expert witness from the lab where the tests were done at Liverpool University NHS trust, said this pattern could only come about through injecting insulin. To the jury this was presented as proof of insulin poisoning - while Lucy Letby was the one on duty.  However the lab that did the tests specifically says in its online information that the lab test used was not designed to determine cases of insulin over-dose, and that if exogenous insulin were suspected then a different test at a different lab would be necessary. Lab experts say the type of assay tests carried out by the lab are prone to error and that the extremely high figures in the notes, which was many times the level required to send an adult into a coma, was much more likely a false result. While the result is recorded in the notes, no further tests were ordered, nor was a more accurate test by photo spectrometry carried out. Instead two hours later one of the babies (both of which survived) recorded normal glucose levels, strongly suggesting the insulin test recorded was indeed a false result. Unfortunately Lucy's defence, who seem to have been out of their depth, made an agreement early on with the prosecution where they conceded that insulin poisoning through injection of insulin into fluid bags was "established fact", based testimony of one professional expert witness:Dr Dewi Evans.


These and many other aspects of the case are covered in a more comprehensive critique of the evidence which you can read at your leisure HERE!. It was put together during the trial and sent to the defence lawyers who said they read it, but then failed to follow up or use it?????


Then we have to mention the "I AM EVIL" post-it note.On which the prosecution seemed blind to anything else except the "I AM EVIL I DID THIS" line at the end,taking it totally out of grammatical context.

The "They" she refers to is obviously The Police and her accusers.

"THEY went I DID THIS,I Killed Them on purpose because I'm not good enough to care for them,I am Evil I did This."

She is writing about her finger pointing accusers.A simple case of self-flagellation, Absolutely nowhere near a Confession.

The note is dissected expertly HERE!  




Much was made of the fact that Lucy Letby was the only one present during the deaths or sudden collapses of all 19 babies in the case against her. This was presented as too much to be co-incidence. However it also very misleading. She was not only present at all the deaths and collapses presented in the case. There were many other deaths in the unit where she was not present, and the unit suffered a higher than normal death rate over a five year period. There was no statistical analysis as to whether the proportion of deaths she was present at could have been  the result of chance or not. Neither was there a statistical comparison with other spikes in deaths in other NHS units, known to have other causes than a series of deliberate murders, to see if what happened in Chester was comparable.  It is this omission to investigate other possible causes which is most worrying.  This increase in deaths over the five years followed a similar pattern of sudden collapses, whether Lucy Letby was present or not. The most likely culprit for any spike in unexpected deaths in a hospital is an outbreak of infection. Yet this was not investigated. Nor was there any evidence from an epidemiologist or infectious diseases expert during the trial, to rule out this possibility. Yet all the babies in the case had "suspected sepsis" written in the notes. Some had confirmed viral and bacterial infections. All but one were preterm. They covered a wide range from the smallest three babies who were less than 28 weeks and below a kilo, to others who were more mildly premature. There were several multiple births. As such they were a group who were extremely vulnerable to infection. In addition most of the babies in the case were on ventilation. Everything suggests that these were a very sick cohort of babies. The high mortality in the unit led to outside investigations, one of them by the Royal College of Paediatrics and Child Health (RCPCH) which was critical of the senior leadership of the unit. 

Exactly the same thing happened to another Lucy in the Netherlands, Lucia de Berk, at the appeal trial of which Statistical expert Richard Gil, exposed the glaring inaccuracies, leading to a total exoneration of Ms de Berk.......Check the de Berk case out HERE!

And Richard Gil on the  Lucy Letby case HERE!

These and many other aspects of the case are covered in a more comprehensive critique of the evidence which you can read at your leisure HERE!. It was put together during the trial and sent to the defence lawyers who said they read it, but then failed to follow up or use it?????

Oh Yeah....if you've made it this far(?)...The Jandek record is great,and relevant only in the fact that he is an Outsider,as is anyone who supports justice in Lucy Letby's case.Which just might be the greatest miscarriage of justice in British legal history.
BASTARDS!


Tracklisting:.

1-1 Sacramento 16:39
1-2 The Trial 9:48
1-3 The Sentence 3:47 
1-4 The Chamber 11:01 
2-1 Deep Thought 10:22
2-2 Resurrection 14:06
2-3 Eternity 18:52

and

Friday, 6 October 2023

Jandek – "Vienna Wednesday" (Corwood Industries – CORWOOD 0862) 2023


As Hitler roamed the streets of pre-war Vienna searching for his raison d'etre,destiny would dictate that a professional nobody called Sterling Richard Smith would plough a similar furrow so often gouged by the talentless. 
Adolf Schiklegruber would go on to adopt a single word as his nom de plume, just as Richard Smith would do a hundred years later, as a tradename for the clueless artwork they offered a disbelieving world.The Hitler one, was not gifted in the art department,even though he could paint an entire apartment in one afternoon.....TWO COATS! I think he sold even less paintings than Van Gogh....meaning ZERO.
But....Hitler committed the cardinal sin of the arts,...he gave up!? Then took out his frustrations as a narcissist down on his luck out on humanity......and we let him do it!
One thing Jandek certainly did NOT do, is give up. His art is...let's face it, total kaka, unless viewed in the whole, as a Gilbert and George style living concept. He is the Art,whereas Hitler was too stupid to realise this concept within himself.
How conscious The Corwood Representative is of this is debatable,but it can all be an acquired taste that becomes almost.....I said 'Almost'.....an addiction.He IS the Gilbert and George of Outsider Music.
And here he is,one hundred years on from the Bier Keller Putsch, almost to the day, and The Ginger Bard of Outsider-dom Jams with the Viennese locals,putting together another two CD's worth of tuneless noise,augmented by Jandek's painful moan. Again recorded in 2009,along with nearly 100% of his most recent output,fueling more rumours of his secret demise. He's dead, and whoever he entrusted his estate to has a dumpster full of Jandekian free Improvisation  ready to release on the public,stretching into the next century.
The question is often asked as to would the Holocaust have happened if Hitler had been accepted as an Artist?.....well knowing quite a few artists,the answer is a deeply harrowing 'Yes'. Of course it would,this planet is covered with Human's,and they can't help but do stuff like this, Artist or Not?
Another Question has to be asked concerning the Ginger One,as to whether he would have become a mass shooter if idiots like us didn't read too much into his music,which he undoubtedly would have. So,in conclusion, nerds like us save lives.Start by telling your kids that their awful paintings are works of genius,and you may just have saved the lives of dozens of college students. Or better still make them get a job, or don't live in the USA........No Guns, no shootings.....a slogan of pure logic that yer average American Republican is totally blind to!?


Tracklist:

1-1 Sidewalk 11:44
1-2 I Go To You 12:43
1-3 Cloud 8:46
1-4 Intensity Of Love 12:52

2-1 Galaxy 8:34
2-2 I Never Dreamed 12:16
2-3 Everywhere 7:22
2-4 Still With You 15:55


Wednesday, 13 September 2023

Killdozer – "For Ladies Only" (Touch And Go – T&GLP#39) 1989


As one has already outed "For Ladies Only" by Killdozer......the American Killdozer,and not the not bad actually French Killdozer;....as the greatest covers album of all time earlier in this thread. I thought that maybe I should post it for the less enlightened among us? Yes?
Michael Gerald, or "Mr Romance" for this project, and the Hobson Brothers "Bill" and "The Thinker" respectively,show us how to do a proper cover version. Just the correct amount of irreverence ,with a sprinkling of Irony,played as straight as their own mini-symphonies is a potent recipe for cover version heaven. Killdozer are no strangers to cover versions as most of their fantastic albums regularly had a left field track to cover by such horrible artists as Neil DiamondNeil Young ,Creedence Clearwater re-drivel,and EMF....unbelieveable!.....I did,however, have a great night out at a Leicester Polytchnic gig by EMF back in 1992,the floor was so drenched in sweat and other slimy substances that i could do a great moonwalk for the kids. (The Killdozer gig was a more reverential experience down the M1 in Northampton a couple of years earlier...with Head Of David...GR8)
Killdozer are,of course, subtly  taking the piss out of these artists, but at the same time they may also be quietly playing tribute to some guilty pleasures going on here.Sophisticated chaps that they certainly are.
If there's one track that desperately needed the Killdozer treatment, it would have to be the terminally awful "American Pie" by the one hit wonder of one hit wonders Don McLean; who to this day still lives off the back of this cheesy monster....a special kind of  Baroque Country, only equaled by Lee Hazlewood and Nancy Sinatra,and Glen Campbell in his Jimmy Webb years.
Other terrible acts that get the treatment are Bad Company,and the bloody awful Steve Miller Band!?
A point of disinterest is that the producers of both 'hit' Nirvana albums had something to do with this project. Butch Vig(Never Mind) produced it, and Steve Albini (In Utero) wrote the sleeve notes.
Killdozer had a lucky escape by the looks of it. The Grunge explosion was just around the corner,and all those bands existed shoulder to shoulder at the same time as Killdozer.They all got famous while Killdozer drifted into obscurity,and Michael Gerald became a big shot Lawyer....I guessed he was a clever sod....perhaps too clever? 

NB-there's a lot of thoroughly entertaining links on this one.

PS-one more link,I don't ask for much so sign this please(more info here),she ain't no serial killer,and she's been fitted up,done like a kipper, and thrown under the Bus: CLICK HERE and sign

Tracklisting:

1.Hush (Deep Purple/Billy Joe Royal)
2.Good Lovin' Gone Bad (Bad Company)
3.Burnin' Love (Arthur Alexander)
4.You've Never Been This Far Before (Conway Twitty)
5.One Tin Soldier - The Legend Of Billy Jack (The Original Caste)?
6.Take The Money And Run (Steve Miller Band)
7.American Pie (Don MacLean)
8.Funk #49 (James Gang)
9.Mr Soul (Buffalo Springfield)

Tuesday, 12 September 2023

Melvins – "A Tribute To Throbbing Gristle" (Amphetamine Reptile Records – Scale 142) 2015


You know what? I'm sick to my back teeth of hearing about Throbbing Gristle ,writing about Throbbing Gristle, and playing Throbbing Gristle. They are by far the most popular band on this Blog,so my instinct is to go in the opposite direction, which is exactly what,well, at least G-PO (Neil Megson) and Sleazy would do. I strongly suspect that Chris and Cosey would have loved a hit,as well as getting everything TG deleted from these pages.Its people like us wot cost them all that dough they would never get. Actually, i think they made a huge packet of cash from Industrial Records,such was topsy turvy times that they existed in. Regularly DIY bands...of which TG were definitely one, made upwards of 30 grand for every self-release back on the cusp of the 80's.
Well,If i'm so sick of 'em, then why am i writing about 'em again(?) ,you may justifiably ask.
"I don't have to explain myself to you" was one of Rotten's better ripostes to similar questions,and I maintain the right to invoke that clause right now.
Of course TG are one of those very rare beasts in the world of art ,totally original, who invented their own genre, Industrial music,and remain highly influential to this day. "Seminal" as the music press would have described them. Music with no chords...who'd have believed it?
The Melvins do a good job of recreating the feel of our gloomy chums,without succumbing to the temptation of Rocking it up a tad, this is down,and it stays Down. TG never even made a track called Heathen Earth, but Buzz and the gang reanimates the album of the same name, and transfers the feel into four dark minutes.
"Hamburger Lady" has to be one of the best song (song?) titles in the modern Idiom or wot?
Yeah I love 'em,threats or no threats.

ps. do us a favor and sign this petition will ya?


Tracklist:

A Subhuman
B Heathen Earth
C Hamburger Lady(Flexi)

Melvins – "A Tribute To Pop-O-Pies / Tales Of Terror" (Amphetamine Reptile Records – SCALE 139) 2013


With the honor of being the only American representatives on this series of Tribute records by Melvins;but What,or who, the fucking hell were Pop-O-Pies? Sounds a bit like the pies filled with abattoir floor scrapings,spines and eyeballs,that i ate at half-time during a football match in the 80's,'Pukka Pies'.So, I thought it must be some American kids TV show or something worse,with a resident teenage Punk group in tow from about 1984.Awesome Doood!?....definitely NOT! 
Y'know,the Punk Rock successor to "Josie and the Pussycats"
So, I suppose i'll have to do some research...although I'll probably prefer my estimation more than the hard facts.
The Los Angeles Times said "The Pop-O-Pies were called "absolutely the worst band in California", and having listened to this Melvins cover, I could  absolutely agree absolutely. One of those awful bratty Californian post 1980 skatecore type groops of 16 year olds,with ripped jeans and converses'. The roots of Blink 182 can be found here. Of course there will be Californians who disagree.
So, I hesitantly move on to side B, and the equally obscure Tales Of Terror (Sacramento 82-86) .
I Wikipedia'd it and saw a few keywords,"Nirvana and Grunge", that made me abandon my mission immediately.....I Quote: "Their only LP greatly influenced rock bands Green River/Mudhoney and Nirvana. Considered by many as innovators to not only the Skate Rock sound and aesthetic but as well as Grunge???.....crimes that should not go unpunished.
The only Tale of Terror I can imagine is actually being inflicted a proto-grunge gig or record upon oneself, featuring any bands like this. But at least it's not Brown Day,or No Fun 41,or Wank 182. Small mercies.

ps....sign this petition will ya?

Tracklist:

A- Timothy Leary Lives
        By – Pop-O-Pies

B- Romance

By  Tales Of Terror

DOWNLOAD these punky monkees HERE!

Monday, 11 September 2023

Melvins – "A Tribute To The Scientists" ( Amphetamine Reptile Records – Scale 135) 2013


I know nothing of the Scientists except that they were Australian. Never heard them;but I'm guessing they are one of those Aussie bands who tried to become the Stooges, like Radio Birdmen (named after a misheard lyric to "TV Eye"). The Saints ,however wanted to be the Raw Power era Stooges, and i'm guessing Scientists did something equally Stooges inspired.
The Saints are one of my bestest favourite groops,so this formula can't be all bad,fermented by Australia's isolation from the rest of western civilisation.
I'm guessing that Scientists are now forgotten because unlike every other Aussie band that ever existed,they didn't move to London?
Didn't The Birthday Party do a song called "Swampland?...was that a version of this? Don't fucking know,and don't really care. But evidently Buzz duzz.I'm sure he could wax lyrical about how great The Scientists were at some depth.....and i would be nodding but not listening,thinking of excuses to check on that chicken I left in the oven.

Tracklist:

A- Set It On Fire
B- Swampland

Melvins – "A Tribute To The Kinks" ( Amphetamine Reptile Records – SCALE 138)


Those infuriating Twats in America banned the Kinks from entering their charmless country because they were thought of as too violent????...Ironic coming from the most violent place that isn't actually at war on the planet,then, and now!? 
This led to the Kinky ones to be rather a cult item in the USA in the late sixties.So Buzz,being the type who eeks out anything subterranean,obviously homed in on the Kinks,and recognized that they had obviously invented 'Punk Rock'.......They didn't, because,as I've argued many a freakin' time, that there was no Punk Rock before it had a name,a look, and a manifesto. The argu-ee often came out with stuff like "Wot about Blue Cheer,Wot about MC5,Wot about the Stooges, Wot about The Dolls......well first The Dolls were american Glam,and The Stooges were American Glam, and Blue Fucking Cheer were a poor man's Led Zep.MC5 looked like the biker rock revivalist Hippies they were.All can be lumped in the proto Punk category, along with Kinks and The Troggs and The Who and many,many, mooorrrre yaaawwwn.
Change the question as to who were the earliest 'PROTO-Punk'band,now ya talkin', Yeah ,we got a toss up between The Kinks ,The Troggs and the Who?
I mean, how far do these fools want us to go back....Al Jolson, Mozart? Kunta Kinte?.....what a bunch of Kunta Kinte's!
The Melvins ,clearly understand this,being obviously conversant in rock'n'roll history, and so deliver these two Kinks classics as if they were done by the UK Subs in 1982. (they were always 2 or 3 years behind bless 'em.) 
Like all these Rocker conformist types always say about, (punk saying I can't stand number #1) "The Punk Thing"...scheech.....(punk saying I can't stand number #2)....."It's an Attitude"....OMFG.
It's all ,in fact, none of these things,especially The Punk Thing.
Once its defined by such bollocks as "It's an Attitude maaan",it dies and becomes embossed in the dictionary of Rock filed under 'P'.
And then we have "The Rock'n'Roll Hall of Fame" to tell us allll about it.The most Rock'n'Roll thing that place could do is burn itself down...wherever the fuck it is? Anyone ever been there? And why?...answer the last question first.

Tracklist:

A -Atitude
B -Victoria

Sunday, 10 September 2023

Melvins – "A Tribute To Roxy Music" (Amphetamine Reptile Records – Scale 141) 2013


Jello Biafra joins in on the fun reinterpreting Roxy's classic "In Every Dream Home a Heartache",which is a love song to a sex doll from what I can make out.
Alas, Jello changes the transition hook from "She Blew My Mind" to,inexplicably, "I Blew Up Your Body"? Thus removing any irony from the picture.
However, Jello does a fine Brian Ferry impression for the first half, before the characteristic Biafra warble cuts in for the the rocking part.
A classic experimental glam tune that, again is safe in anyone's hands.
Seems that Buzzo had a perchant for British Glam,unlike most of America,save Davie Bowie.Roxy Music never broke through in the USA until the reformed 80's Armani suited version of the band,sans Eno.
Amusingly Brian Ferry came from the same town as Venom (Newcastle upon Tyne).....i'm guessing that Venom never went to Art School,like The Jam,but Brian certainly did,as did the majority of Roxy (I'm guessing NOT the drummer?).The phenomenon of Art Rock begins here,and was the group most name dropped by the ensuing UK Punk Rock initiators.
 
Tracklist:

A. In Every Dream Home a Heartache

Melvins – "A Tribute To Venom" (Amphetamine Reptile Records – Scale 143) 2013


One of the more predictable influences on The Melvins would have to be everyone's favourite Geordie Black Metal band,not that there were more than one in Newcastle (uk),Venom*. As with most American groups ,the Melvins are far better musicians than their British counter-parts.Although Venom's over-riding influence on the world of Metal cannot be understated,ironically aided by their poundshop Motorhead level of competence,aided and abetted by a fine line in ridiculous Satanic lyrics;something that Lemmy would avoid like the plague.
It sounds like The Melvins doing covers of Venom tracks amazingly enough!?

*Not Black Metal exactly, but from Newcastle,so maybe, Tygers Of Pan Tang counts?

Tracklist:

A Warhead
B In League With Satan

Saturday, 9 September 2023

Melvins - "A Tribute To David Bowie" (Amphetamine Reptile Records – Scale 136) 2014


Everytime Davey Jones(not he of the Monkees) enters the conversation I automatically think of that Bongwater tchoon "David Bowie Wants Ideas". Like a Glam Rock Madonna,I get the impression that anyone who comes in contact with the Great David was liable to lose the good bits of their work cherry pick pocketed by the artful vampire.The Song sounds a bit lame, ship in Robert Fripp,not weird enough ,milk Eno for his new stuff, no classic riffs,remove Mick Ronson from the credits and Insert D.Bowie.
Fine performer as he undoubtedly was, his so-called constant reinvention was also a tad over-egged;and let's face it he was rather shite from 1980 onwards,after Fripp, Eno,Tony and Mick had full diaries,and had to make do with Nile Rodgers rehashing Chic for the thousandth time.
That said, controversially, the body of collective work from 1969 to 1980 was rather special in places,if guilty of slightly Tinny production values,courtesy of "Co-Producer" Tony Visconti ,"doing a lot more than people think on these records". Check the very amusing cartoon here! 
This Tribute to the godlike Mr. D. Bowie, slash 'Jones',by Sludge miesters, Melvins,are actually better than the originals,lending a much needed heaviness to the proceedings.This is what I expected 'Tin Machine' to sound like.......unless this is Tin Machine? I'm not too conversant in the works of David Bowels I'll admit. I was too young to get into this end of the Glam market.I was much more attracted to the Yob element of Glam, like Slade and The Sweet ;and being a happy prepubescent the sexual politics and gender ambiguous bollocks went straight,geddit?,...over my head.
I can appreciate the potential power of the music now in my autumn years,and have a vague understanding of its uncomfortable place in post-empire 70's Britain. However my father would only leave the room if The Sweet were on Top of the Pops,but stayed for that "Starman" moment which Boy George et all talk about.....ooooh he pointed at me Tee Hee Hee!
The riff on Station To Station,however, cannot be done wrong in any hands,and Buzz duzz a grand job,recreating a brutal version of Tin Machine fronted by the tiresome Jim Foetus doing a fine David Bowie impression.
Side B, I know not.
Some research reveals it as the single off that live album from 1976......"Stage" I believe it was called.
Also pretty good as it happens, Show casing another immortal guitar riff? Both tunes could have benefited greatly from being slower,but I'm just being a picky twat.
One more observation, about The Bowie himself is that I always thought he was tall. Turns out that he's a tad vertically challenged ,like his mate James Osterberg (iggy poop). This fact oozes Self-Esteem problems...poor tortured little sods.

Tracklist:

A Station To Station

B Breaking Glass

Friday, 8 September 2023

Melvins – "A Tribute To Queen" (Amphetamine Reptile Records – Scale 140) 2014


As today is the first anniversary of Queen Elizabeth the second's death.....and someone asked for more from the 9 Clowns of thee Apocalypse series of fancy tribute singles by The Melvins. Appropriately enough here's todays off kilter Tribute to the very fashionable to like if you're an ex-grunger, and the UK's only Progressive Glam Hard rocking baroque'n' roll Disco metal merchants, Queen.Y'know, them wot done Bohemian Rhapsody, the song that broke them in the USA after the moron's saw it featured in that famous scene from Wayne's World.......did anyone really think this was funny?
Yeah, after Dave Grohl singled them out as the rockingest live band on the planet its OK to say that Queen were very very good. Of course your author got there long before The Grohl(and left as the moustache arrived).....like most people did.....as my first vinyl album ever bought, was indeed, "A Night At The Opera" featuring the aforementioned "Bohemian Rhapsody"; and yes, I know all the words and have done exactly the same as Wayne and his buddies did in the film. This over-familiarity with said Baroque'n'Roll (Yes I thought i'd use the same tag twice) classic ,once had its tolerance stretched when working in some council funded work units in the 80's,one of my government funded neighbours, whom happened to be a bunch of comic drawing Skatecore kids, decided to play a C-90 that had but one track repeated for the whole 90 minute duration of the tape.....you guessed it.These baseball capped worn at a jaunty angled buffoons Had this monolithic Queen offering on an infinite loop. This led to threats of violence after a very patient half an hour,and some polite requests,which were ignored.Locked in their unit, the door had to be sledgehammered open,and the offending tape ritually cremated by oxy-acetylene set to cutting mode measures. Of course these sartorial disaster area types thought this highly amusing as was their favourite Wayne's World scene. I won't tell you what happened when they made a "We Will Rock You" cassette in the case that I may incriminate myself. As for the Skate-core Kids,they had the right to remain silent or we would silence them.....they were booted out by local officials eventually...as was I!?
Perversely,as always , King Buzzo and erstwhile chums steered clear of any Freddie Mercury compositions,settling on the other one's, John Deacon's sweet "You're My Best Friend",whom ,being the only Queen member from my home town of Leicester,deserves such a deserving accolade such as this.And this version by The Melvins avoids doing the obvious sludge version,and strays not too far from the original feel of first single from the "Opera". A casiotone provides the melody and chord changes,suggesting a slight ironic tilt,with gentle vocals by someone called caleb Benjamin? Never liked the original, and I don't like this, but the second track, "Now I'm Here", was made for a Melvin's cover, it being one of Queen's most Rifftastic rockingest numbers from the pre-mega fame year of 1974.
As a kid,having seen it performed on Top Of The Pops,(an alt-mix with Bri playing a Gibson!?) i couldn't get the fucking tune out of my head.....couldn't sleep all night. So, had to get the single at the weeknd, at the local suburban electrical supplier ,opposite the Co-Op......,it was sold out!

Tracklist:

A "Best Friend"
Written-By – John Deacon
B "Now I'm Here"
Written-By – Brian May

Wednesday, 6 September 2023

Melvins – "A Tribute To The Jam" (Amphetamine Reptile Records – Scale 137) 2015


A Sludge Metal tribute to punky mod-revivalists,The Jam,from the days when they were rather good....ie 1977.
Fertile ground for American Sludgers to marvel at the British ability to say the word 'Fuck' and frighten the pure living shite out of ya.
Buzz Melvin has obviously studied the culture of the British Hooligan to a level where he,and fellow Melvins, can Satirise this alien Yob rock to a point that would convince any american,and most members of Rancid, that they were listening to some unknown versions by The Cockney Rejects.Oi!Oi!
Of course its merely an impression,rather than a facsimile of Paul Wellers' thuggish threesome,and pulled off with not a small amount of fahkin humour.
The Jam, not previously known for infiltrating any part of the United States,must have leeched through the intransigence and miscomprehension onto the young Buzz's record player at some formative stage of the young Osbourne's musical miseducation.And one must agree that the Jam's Debut,"In The City",was particularly brutal,and was not too far removed from experiencing and receiving a damn good kicking from rival gangs of "Bovver Boys" and skin'eads after a relaxing saturday afternoon's violence on the crumbling football terraces of crumbling seventies Britain....as portrayed  in the medium of song.
Just like pop music,it took the rest of the world decades to catch up with Bovver Culture,long after it had died in the motherland.
Ahhh! the fear crackled and fizzed in the charged atmosphere like rogue power cables twisting like Fahkin Eels in the winter evening sky. Without the malevolent influence of English Association Football,British Bovver-Rock would never have put the boot into the staid music factory of the early seventies,and give us the most over-looked roots of yer Punk Rock.....no Footy, No Slade,...No Slade...No Ramones and No Jam....No Jam, No Melvins?????....maybe not, but, as it seems...Maybe?
No football in Woking,birthplace of the Modfather himself, though,so Weller must have got it all from watching Match of the Day and News at Ten?
This single is but one of nine released under the name of "Thee 9 Clowns Of The Apocalypse" series of tribute singles,which included many of their and our own fav groups of yesteryear, such as Queen, Roxy Music and, oh no not them again!... Throbbing Gristle.
One of the better covers collection one might say?...Oi!


Tracklist:

A1 Art School

B1 Modern World
B2 Batman

DOWNLOAD a toast to the jam on toast HERE!

Sunday, 13 August 2023

Nadja – "When I See The Sun Always Shines On TV" (The End Records – TE134) 2009


As it says on the sticker on the front......"Toronto ambient/shoegaze/drone duo NADJA illustrate their diverse roots by covering some of their favorite artists: My Bloody Valentine, The Cure, A-ha, The Swans, Codeine, Slayer, Elliot Smith and Kids In The Hall. This album contains eight carefully-selected covers re-imagined through NADJA's unique sonic blueprint." 

Oh How they try....I love this sentence from the promo sticker..."carefully-selected covers re-imagined".Right. 
When a musician has lost their Mojo,and are scrambling for ideas,they either steal them from lesser mortals and claim them as products of their undoubted genius, or they stoop to the 'Covers Album' reset mode and claim they are paying a humble tribute to the artists who inspired them in their formative years. David Bowie is one of the few artists who have done both in their lauded career,always being seen around where the action is before releasing another album in the series before the person he stole from,and even having them in the band,which made it easier.He also made "Pin Ups",his covers album,when he was devoid of ideas, and use his star power to cajole any gullible chums to nick the odd riff off;with no credit of course.
They've all done it those genius's, even the magnificent Duran Duran,with their sickeningly disingenuous "Thank You". Voted the worst album of all time by the equally sickening "Q" magazine,which included the famously cloth-eared recording of "911 is a joke" as made by  millionaire white guys making a joke out of the rap classic about systemic racism.Don't you just love 'em.....I do and I ain't joking.
Last years bogie man Nick Cave ,when failing to find a way to not sound like every solo album he's ever made, tried to show us ignorants his impeccable taste by predictably recording tastefully selected forgotten country classics and crooning blues dirges;but also joining Duran Duran in fucking over a Velvet Underground number......that at least deserves some respect......not a lot....but some?
Elvis Costello did a drearily dreadful album of Country classics did he not? Another burk in the impeccable good taste club.
An accusation  we can not repeat about Metallica whose consummately terrible taste, is responsible for wiping their arses on classics from Killing Joke, Motorhead and Black Sabbath? No clever reconstrustions of  non-rock tunes done with a splash of humour like The Melvins' borderline 'good' "Everybody Loves Sausages" from 2013, when Buzz must have hit a creative wall.Notable high spots were a Throbbing Gristle Cover which is not actually a cover but an "interpretation", and a not to be missed version of 1st album Jam's "Art School",where the boys show off their finely honed English 'Oi' accents......I don't remember Dick Van Dyke being in The Jam,but apparently he was? I suppose I should name a cover versions collection that doesn't suck balls in any way whatsoever hadn't I,or you might think me a right cynical ol'Bastard twat Cunt?......The answer is not a musical version of 42, even though it certainly is.....i'm gonna have to say that "For Ladies Only" by the beyond great Killdozer is indeed the best covers album ever made.....go on,change my mind!.
It's all just a bit of fun innit,we all wanna make a covers album don't we?......here's one for the boys.....what would you put on your covers album? 12 tracks limit, answers on a postcard,entries arrive no later than the moment Putin's successor activates the Nuclear codes.

Although I could write about cover albums by narcissists 'til the cows come home, we are being distracted from the subject of this post,about the Covers album by Canadian Dreamsludge duo Nadja.
A duo whose sub-genre definition falls between many stools,but on this occasion, maybe just Shoegaze is appropriate,and cleansing in its simplicity.Especially as it opens with a crawling "My Bloody Valentine" cover dowsed in treacle played at 16rpm (why do these modern record players no longer have 16 or 78 as an option?).In fact if there is one criticism, it's that it's not slow enough.
Underrated Norwegian Pop Trio, A-Ha, get dragged through the sludge to great effect, as,predictably,does Swans.Maybe a Swans cover played in the style of The Wedding Present would have been a better idea methinks.....we know very well they're influenced by Michael Gira's slothful combo,and we know what they sound like too.
I had to look up Elliot Smith(track 6)......a dead bloke,who plays fragile minimal acoustic numbers. I suppose it makes a change from Syd Barratt?.......although one would have loved to hear a Dreamsludge version of "Dark Globe" one must admit.
Alas, as with all these cover albums, one,as the listener, is rapidly titillated at what these crazy katz are gonna do with your favourite songs,that it very quickly fizzles out then fades away,and we return to the original versions with a new vigor,'cus cover version are crap aren't they?
So as 'pop' music becomes the new Classical,and we all run out of tunes and new ideas, and music returns to the art of Interpretation only, as it has been in the Classical music world for the last two hundred or so years. No-one can berate the ol' Ludwig Van for having no new material anymore, except via those in the medium community of rip-off merchants and exploiters,who regularly channel new Beethoven pieces from the spirit world......even though some Pop Stars,musicians and their like, evidently think that they ARE Beethoven reborn.
Still waiting for that 10th Symphony Lud.......if possible an Ambient Doom version please Vielen Danke in advance.

Tracklist:

1. Only Shallow 6:35
2. Pea 4:09
3. No Cure For The Lonely 6:56
4. Dead Skin Mask 10:06
5. The Sun Always Shines On TV 6:01
6. Needle In The Hay 4:45
7. Long Dark Twenties 6:35
8. Faith 12:47

Friday, 11 August 2023

Nadja – "Radiance Of Shadows" - (Alien8 Recordings – ALIENCD72) 2007



One day we will look back at the CD era with fond affection for the times we selected a CD from the endless racks in HMV or Virgin megastores ,endured the minuscule text,and proceeded to listen to an hour and twenty minutes of whomsoever the lucky band were,but pressing stop on the remote at around the  40 minutes mark whilst stifling yawns .....ironically, the length of two sides of a vinyl LP. A natural ending point for any album in the modern age of pop.
There was a compulsion for artists raised in the Vinyl era to put as much material as possible on this new extended format,even if it was the shite usually reserved for the 'Bonus Disc' of  an anniversary remaster.
So what we have here is an artist determined to fill up every nano-second of memory space provided by the aforementioned Digital Compact Disc format,rather than just satisfying the ever shortening Human attention span. Mine is currently about twenty minutes max of anything.A limit I have always adhered to in the live arena. Twenty minutes, then its off to the bar.
First wave Ambient Doom originators Nadja, are very typical of the CD age .Releasing a dumpster full of very similar sounding drone metal versions of wonky airport noises that very rarely clock in at less than twenty minutes a track,like a fuzzy Tangerine Dream fed through a cheap Flanger.
One of  those unfortunate groups who sadly fall between several stools of the 'Metal' category,so frequently get labeled as any one of the following: Doom Metal.,Ambient Metal,(my personal favourite) Dreamsludge (?), ambient-doom, and shoegaze-metal.
Sounding more like My Bloody Valentine rather than Sunn O))) , the Metal label is becoming a more and more tenuous a description for any experimental Rock band,but if it contains any hint of a 'Heavy' riff it's 'Metal',filtered through a barrage of pro-nouns ,prefix's and suffix's.
Topical Oppenheimer references aside, It has it's quiet moments,so Ambient Doom is arguably the most accurate sub-genre of the available choices? Not a large section in your resurgent vinyl store, but I'm sure it exists somewhere?

Am I getting too mainstream?

Tracklist:

1 Now I Am Become Death, The Destroyer Of Worlds (23:26)
2 I Have Tasted The Fire Inside Your Mouth (27:26)
3 Radiance Of Shadows (28:59)

Friday, 4 August 2023

Mephistofeles – "Satan Sex Ceremonies" (Stoner Witch Records – SWR013) 2020



Mephistofeles are Argentinians ("Argies",the Sun 1982). They describe themselves as Proto-Doom/heavy psych rock. played by..... Gabriel Ravera (guitarra & voz) Ismael Dimenza (bajo) Iván Sacharczuk (batería)....I think that's right,unless Ivan plays Bacteria, and Ismael plays the Banjo??...They don't seem to have normal Argentinian Names.like Adolf, Heinrich and Ulrich at all? Especially strange is that they play what they admit to being 'Proto-Doom'? This is the kind of Honesty sadly missing with many groups who claim to be originals,and the others are ripping them off.,the New Originals, like The Ramones are always moaning about,in denial of their Proto-Punk status.
Mephistofeles are are also unashamed to wear their Black Sabbath cred on their sleeves.They even have one of those Tony Iommi acoustic numbers on the LP,the ones that we (they) always used to skip over whilst playing a B Sabbath LP back in the days of  NWOBHM .
As Doomy as  would be the imaginary Proto-Doom Band that played on the deck of the General Belgrano as it slipped below the waves of the Falklands exclusion Zone,again back in the days of  NWOBHM.
Rock'n'the Roll is largely dead, apart from the odd gig by Blur or Arctic monkeys,and an enormous Savannah plain of migrating heavy metal Wildebeests  trampling all that block their path under a storm of thundering cloven hooves. Metal,with all its mutations are the only survivors of the great extinction that positively flourished after the Acid House asteroid hit ground Zero back in '88. Nowadays the only new guitar bass and drums based music that exists is......yep.....Heavy Metal and its illegitimate children. All things Rock have collapsed into the black leather hole of Spinal Tarp derivatives.
The cover seems to feature the corpse of a very Ex-Model,with tits like last christmas's balloons.The censored nipples is an interesting addition, but these Argie Sabbath Clones fail to compete with the rest of the Smell The Glove brotherhood for decent chicks for those malodorous smeg hording malcontents to masturbate to.
They'll be singing along to this stuff way into the 22nd and a half century,long after This Heat are forgotten.Depending on the outcome of collective Human Stupidity on the current climate crisis that no-body...repeat....nobody, is doing anything useful about???
It's 21st century folk music at its best,played by a bunch of losers with dubious Germanic family trees.Still relevant for the time in the near future when that massive ocean of crude oil under The Falkland Islands is being exploited to the max by BP,who will then rule the world, and we all live in underground cities.....,which does indeed make Nuclear conflict possible again.
I'll say it again "Collective Human Stupidity"!?

Tracklist:

A1 Cerimone Sessuali Di Satana 15:09
A2 Profanazione 3:30
A3 Di Nuovo In Basso 4:15
B1 Overdose 3:12
B2 Siringa 6:13
B3 La Maledizione Del Coltello 5:20
B4 Catene Di Agonia 9:59

Wednesday, 2 August 2023

Devil's Witches – "Velvet Magic" (Cursed Tongue Records – CTR-002) 2017




I'm supposed to be doing some obscure Doom Metal aren't I? So....
Devil's Witches from the UK, combines the melodic doomy grooves of carnality and worshiping at the altar of the female?.....it says here!?
They have pictures of ladies Muffs on the cover (a doom obligation),living cheek to jowl with drowned pre-raphaelite nudes floating gracefully in a very clean looking Vietnamese river while Napalm strikes bloom like flowers in My Lai as a backdrop.
They certainly do seem to worship that mysterious creature.....The Lady....yet the music has me questioning the true definition of what Doom Metal actually is,and what it ain't.
No-one is pretending for a minute that 'Devil's Witches'consider themselves a proponent of the Doom idiom at all, but there are undeniable aspects present throughout this Pornadelic....,their words, vintage 70's sounding Stoner metal.....i only got it because of the cover,and it was in the Doom section.It's got a Goat and a saucy temptress facing front as the principle image to draw in the acne scarred artisans of this young male only genre.It in fact looks like one of those cheapo 'Top Of The Pops' albums so popular in Woolworths that nobody were ever seen purchasing one.Pictures of Nudie ladies sell records...Fact.
Parts of it do sound like a soundtrack for the chase or love-making scenes in an Italian gore-nasty video only release from 1981;but there are some worthy Doom elements,and scores high on the entertainment Beaufort scale, and a fair few points on the metal Bristol scale....look that one up.
'Velvet Magic' does indeed sound rather like the name of a mid-range brand of Toilet paper after all?

Tracklist:

1 Apache Snow
2 Motorpsycho
3 Black Cauldron
4 Pornodelic Opium Dreams
5 Voodoo Woman
6 Mountain Of The Devil's Witch
7 Jupiter Kush
8 Velvet Magic
9 Requiem Pour Un Vampire


Friday, 14 July 2023

Electric Wizard – "Live Maryland Deathfest 2012" (Creep Purple – CPR-006) 2018


I used to have a Girlfriend like that, who would walk around bollock naked shouting, unshaven haven, and talked to a skull. Sounds exciting don't it?....well it fucking ain't. 
Ok, so I made the skull bit up, but it was symbollock of my actual skull that was in danger of being severed whenever she was drunk,or worse. Wild women (or just Women) aren't worth it.
You think I'm crazy? You'll understand after you've had a wank.
The previous post referenced the phenomenon that was the Video Nasty, so here are some audio nasties to make you grovel to the fallen Satanic angel of your choice.Therefore here's Electric Wizard in a live setting,whose line-up contained one of the 'Wild Women Of Wongo' that I warned you to steer clear of. A friend of mine committed suicide once upon a time,and the only picture i found on his laptop was one of that Bird from Electric Wizard.It seems that this music could seriously damage your health,direct  from Hell.......er.......not exactly in fact, but straight outta Dorset,nestled  in the quiet lazy rolling hills of the English southern coast countryside.And very nice it is too.
This reminds me of that gangster grime Rap posse, you know ...the Rap Singers.....you've seen 'em,at the shopping arcade,on the Top Of The Pops,doing a little dance........cripes, i'm being drawn into doing that Stuart Lee routine again......y'know?....The Rap Singers?
But the Rap singers I'm alluding to is number one act 'So Solid Crew', that urban city dwelling bunch of gangster boys,who turned out to be from the Hood in the  idyllic Dorset countryside.....via stage school rather than old Skool. Awwwww,makes you larf don't it?
I would never accuse Electric Wizard of going to stage school however,as it seems they are very much in touch with Satan. Full of Wild Women is Hell, an eternity of being annoyed and pissed off is some kind of Hell I would do anything to avoid.....short of joining the Jehovah Witnesses;but if Hell really is like Dorset, I'd happily haunt the country Pubs and hiking trails beyond the limits of infinity, forever...I assume 'beyond Infinity' is the same as forever?
Isn't Maryland where that doddering crumbly President,and professional (non)Irishman, Joe Biden lives?
I'm guessing he wasn't at this gig. But it seems he missed out on its endless crushing riffage,here captured in early Sabbath-esque lo-fidelity. The sonic ambition of this doom laden metal monster is rather too large for the bandwidth of a humble cassette,but that's how I like it with all the crisp edges blunted in the peripheral fog.
As for So Solid Crew, I'd like to flush them down the nearest peripheral BOG!

Tracklist:

A1 Supercoven
A2 Satanic Rites Of Drugula
A3 Dopethrone
A4 Witchcult Today
B1 Black Mass
B2 Return Trip
B3 The Chosen Few
B4 Funeralopolis

K.K. Null – "Plasmagma" (Video Nasties – MMXV AD #NINE) 2015


Some highly nuanced experimental noise from our ol' mate K.K.
Allowing plenty good space at the red end of the VU meter spectrum. This allows the inevitable Noise fatigue heavily associated with the purveyors of Harsh Noise to be dissipated until well into side two.Lots of attractive noises lull one into a sense of willing exploration,rather than turning it off to listen to the B-52's first,and far weirder than this, album. This is what Industrial Noise should be.Something that wasn't knocked off inside an hour and passed off as something subversive. Maybe forty years ago yes,but not in 2015.The kids who'd shock mum and dad with their Marilyn Manson fixation, are now more likely to produce a K.K.Null cassette to further confuse their Grungy parents somewhat....or Not? All that shits long dead.I shit yee not!
One chose this tape to end my recent pregnant silence because i spied that this label was called Video Nasties, promising me an opportunity to delve into the fascinating world of the 1980's VHS Video Nasty. "Driller Killer" being my most favouritest Punk Rock Movie in that very sorry sub-genre of Punk Rock movies,not to mention Punk Rock Video Nasties.In fact "Driller Killer" could actually be the only Rock'n'Roll movie that doesn't suck ass completely in fact?
Other great Nasties would have to include female exploitation Nasty, "I Spit On Your Grave"...(as mentioned in the UK Parliament's notorious 'Video Nasty debate'.......they do tend to have great titles one must admit. The plot of "ISOYG" is basically ,Chick gets gang raped,Chick walks around naked in the jungle for half an hour, then chick gets bloody and violent revenge on the perps. there may be some clumsy Feminist angle somewhere in there, but I'm struggling to see it?
Only the Daily Mail's balanced mature arguments on the rise of the Video Nasty can really express  the mind of the true Igoramus

The original found footage film "Cannibal Holocaust" is rather notorious for being a suspected Snuff Flick as the chopping up and torture scenes are somewhat realistic? The Italian director was actually tried in court for murder to determine if it was or not....it wasn't!.
Having attempted to watch this all the way through several times,inevitably falling asleep each time......maybe because I was invariably Drunk,this being, along with "Godzilla vrs Mechagodzilla", one's preferred viewing post-kicking out time at the Pub. One has the hazy recollection of a very realistic castration performed upon one of the white guys hung upside down on some bamboo construction.....a most disturbing image to have a hangover enhance in the morning after the night before?
"Texas Chainsaw massacre" was also mentioned in Parliament, although I would contest that this is not a Nasty,just another in a long line of Hillbilly schlock-horror epics started off by John Boorman's great "Deliverence"........others in the Hill Billy Horror genre are "Southern Comfort" and......this is stretching it a bit....."The Hills Have Eyes"?........has anyone seen that documentary on the USA'a most in-bred family yet?.....The Whittakers?.......oooya fookah.......click here.
Sadly I never got to see that Scandalous spaghetti-Nasty,or comedy(?) "SS Experiment Love Camp".....i may right this wrong very soon...or maybe, wrong that Right is more appropriate?
Sci-Fi Nasties aren't too common, but Sick Brit-Flick Nasty "Xtro",has to be one of the finest examples of the motion picture artform ever made.....forget Citizen Kane.
What effect these films could have on your mental well-being is still up for debate.....personally I err on the side of absolutely fucking nothing....but then again I would say that wouldn't I?....Look at the music I play and write about with such pulchritudinous abandon! 
After-all the Margate Police (Daily Mirror 1984) did explain away a violent youths' savage behaviour,as, and I quote, "Influenced by Video nasties or a New Moon"????.....sometimes, maybe its best just to give up completely on the eradication of stupidity?
Maybe there's some troubled youth out there whose behavior is influenced by a K.K.Null cassette or, the next appearance of a Gibbous moon?.
We may never know....or care?

Tracklist:

A1 Plasmagma 01 8:25
A2 Plasmagma 02 9:02
B Plasmagma 03 17:40