If one should let loose a bunch of
chimpanzees on an array of guitars, synthesizers, mixing desk, violin
etc; something akin to the chimps tea party, but with musical
instruments. One could possibly end up with a piece of improv like this
1987 outing by Violence and the Sacred, live in Toronto.
If
you had an infinite number of monkeys, with an infinite number of
instruments, they’d probably create a train wreck like Rick Wakeman’s
‘Journey to the Centre of the Earth’ or something equally as flaccid.
But this is what you get with only 100,000 monkeys, or four or five
human beings, exploring the art of random. Lots of fingernail on
blackboard scraping guitars, violins that sound like tortured cats,
synthesizer knob twiddling, text narration by lottery, and plenty banal
found sound Tape mixing .
You
have to give it to ‘em, they are trying very hard to not replicate
anything that has gone before, which in 1987 was starting to be a very
difficult thing to achieve. They were a sort of genetically damaged
hybrid between AMM, Derek Bailey, and Throbbing Gristle(?); that lumps
them into the dreaded “80s Canadian Improv” bracket, and what’s wrong
with that?
1 comment:
I FUCKING LOVE THIS!!! "a boulder rolled down on top of him" haha brilliant! Thanks as usual Mr Zchivago. Probably my favorite of this Violence and the Sacred lot.
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