The sheer volume of Philip Glass music since the late sixties is mind boggling,but, its the first ten years that were the most experimental and had the greatest impact,so, guess what?.....then wait for the inevitable posting of 'Einstein On The Beach'.....y'see even bloggers are as predictable as a minimalist composer,or that a director will use something from Glass's popular 1982 album 'Glassworks' for her* Documentary.
*(I purposefully cast the role of the director as a 'she' to highlight the woeful lack of women nominated at OSCAR type ceremonies....she would also have to be Black too i suggest!?...In fact there aren't too many Black or female neo-classical/contemporary composers on the block either!?...oh f'shame!).
Tracklist:
1 Music In Contrary Motion 15:35 (1969)
2 Music With Changing Parts (Edited) 45:37 (1970)
3 Music In Similar Motion 17:11 (1969)
Julius Eastmann--black and gay, as he made apparent from his, again, awesome titles. I'm partial to the piano versions of his stuff. Yeah, not a whole lot of women though.
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